Thursday, November 29, 2007

On-Line Query Letter Workshop

***PERMISSION TO FORWARD***

Announcing the Heart of Carolina Romance Writer's January Online Workshop: Query Letters That Sell and Submission Packages That Shout, "Buy Me!"

Instructor: Julie Rowe
When: January 1-31, 2008
Cost: $15 for HCRW and CRW Members, $20 for All Others

SPEAKER BIO: A double Golden Heart finalist in 2006, Julie Rowe has had multiple requests for full or partial manuscripts from editors and agents from her query letters and has also sold many magazine articles from a query letter. Her work has been published in a variety of publications including the Fort McMurray Today newspaper, Today's Parent magazine, Reader's Digest (Canada), Writer's Digest, Canadian Living, the Romance Writer's Report and various RWA chapter newsletters.

WORKSHOP DESCRIPTION: This workshop will focus on writing fiction query letters from both a romance writer and magazine freelancer's perspective. Participants will be coached on how to turn their fiction query letter into an effective sales pitch, their cover letter into a fabulous calling card and their submission package into one that stands out from the crowd. Topics covered by this class will include:

What is a query letter?
Elements of a good query.
Start with your title.
Your writing credentials.
The pitch.
Endings & pulling it all together.
Query letter checklist & presentation tips.
I got a request for a partial/full - now what?
Cover letters.
The submission package.
Interpreting rejection and revision letters.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

REGISTRATION INFORMATION: Cost for the workshop is $15 for HCRW and Carolina Romance Writers members, $20 for all others. The workshop will run from January 1-31. Registration deadline is December 27th. Once registered, you will be subscribed to the workshop loop prior to and for the duration of the class. To register, please visit the HCRW website at: www.heartofcarolina.org and click on the Online Workshops page. You may pay by check made out to HCRW or by credit card (via Paypal on the site). PLEASE NOTE: You do not need a PayPal account to use PayPal and you may pay by credit card through PayPal. However, if you want to join this class, but prefer to pay by check or money order, please print the registration form and sendy our check or money order made payable to HCRW to: HCRW Online, PO Box 80412, Raleigh, NC 27623.

You may contact the coordinator at : HCRWonline@heartofcarolina.org with questions. If you pay for a workshop and do not receive an invitation to join the workshop loop by the first of the month, please contact Elizabeth at HCRWonline@heartofcarolina.org. Cancellation and refund policy: No registration fees will be refunded. All payments for a workshop must be received by the registration cut off date. Late payments can be applied to a future workshop of the applicant's choosing. If a workshop does not have 10 students enrolled by the first of the month, the workshop will be canceled and registration fees will be applied to a future workshop of the applicant's choosing. Hope to see you in class!

Laura Maldonado
Heart of Carolina Romance Writers ~ RWA Chapter 114

Monday, November 26, 2007

Asto Alert: Uranus Direct

This breaking astrological news from Astrology.com:

Uranus turns direct on November 24, triggering a powerful time known for change and surprising events. With Uranus, planet of liberation and freedom from earthly bonds, straightening out its course just hours before the full Moon, your need for independence and freedom will be heightened. Remember to honor your emotions, but keep the feelings of others in mind as well. While change is in the air, remain flexible as you ride out this roller coaster of a transit. Now is the time to break free of routines and patterns that no longer fit, trusting that the new pieces of your life will settle later.

Wednesday, November 21, 2007

SF&F Prose Poetry/Flash Fiction Contest

This one from BroadUniverse:

Odyssey Con, a science fiction convention in Madison, WI, is sponsoring a contest for 500 words or less, paragraph form, to be judged by Bruce Boston. Preliminary details can be viewed at http://fibitz.com/oddcontest.html. $500 to winner; $10 entry fee. PayPal should be available on the OddCon site by December 1, but you can also mail a check or money order.

Monday, November 19, 2007

Happy Birthday to Me!

Over the weekend, I turned forty.

I spent birthday-actual driving back from a visit with the in-laws in Indiana. As I told Shawn when we arrived home, "You know how you sometimes have birthdays and you don't feel a day older? I definitely feel forty after driving nine and a half hours."

Today is birthday-observed. It's been spotty so far, though in a fit of retail therapy I bought a terrarium. It is now the home for a slug which Mason and I discovered crawling on the sidewalk this morning. We were on Summit Avenue, strolling around looking at the beautiful houses there (and surreptitiously hoping that "Mr. Cat" -- a cat we've seen several times before -- would come out and follow us down the street in his usual way.) Shawn also took Mason and I out for lunch, and now in a few minutes I'm going to be headed off to the gym to work out. Much fun!

Saturday, November 17, 2007

Romance Contest

***Permission to forward***

Chicago North RWA's 10th Annual Fire and Ice
Contest Fee: $25/RWA Members - $30/non-RWA Members
Postmark deadline: February 1, 2008
Eligibility: Not published in book-length fiction in last 5 years.
Enter: prologue/first chapter (25 pages max.)

Categories/Final Judges: Historical: Hilary Sares, Kensington, Mainstream Fiction with Strong Romantic Elements: Allison Brandau, Berkeley, Paranormal: Nephele Tempest, Knight Agency, Series Contemporary: Gail Chasan, Silhouette Special Edition, Single Title Contemporary: Scott Eagan, Greyhaus Literary Agency Young Adult: Michelle Andelman, Andrea Brown Agency

Top prize: $30.

Winners announced at Chicago North's Spring Fling Conference chicagospringfling.com. All entries come from outside Chicago North RWA. FMI, entry form, and rules contest@chicagonorthrwa.org, www.chicagonorthrwa.org

Thursday, November 15, 2007

Astro Alert: Mars Retrograde Today!!!!

This important announcement from Astrology.com:

Does it seem more difficult than usual to find forward momentum? Do you feel like you are trying to move a mountain? Whether it is a cause that is close to your heart, a relationship or a project that you would like to advance, it's time to put on the brakes, slow down and make a U-turn, as Mars turns retrograde starting November 15.

Mars turns retrograde once every two years. And when it does, as with any retrograde period, it's time to review events already set in motion. Since Mars is going retrograde in the emotionally intense water sign Cancer, make sure you pay attention to your feelings, including instincts and hunches. Actions are now governed by your heart and gut, rather than by logic. If something doesn’t feel right to you, stop, review and make necessary corrections. Remember to pace yourself, since you will be in the review process until January 30 of next year! That’s plenty of time to prepare for putting plans into action once Mars turns direct.

Wednesday, November 14, 2007

Workshop: Enlivening a Scene (Romance)

***Permission to forward***

Outreach International presents:

TITLE: Breathing Life Into A Scene
DATE: December 10 - December 14, 2007
INSTRUCTOR: Beth Cornelison
COST: $10 Outreach Members/Others $20
Deadline to receive application and payment: December 7, 2007

For more information on this class or to register go to: http://www.oirw.net/campus/currentcourselist.htm

Course Description:"Breathing Life Into A Scene" offers a step by step approach to layering vivid details about setting, emotion and character into each scene you write. Silhouette Romantic Suspense author Beth Cornelison will show you how to select the right details and character-specific information to place your reader in the scene and make a powerful impression, without bogging down your pace. Elements discussed include environment, setting, costume, five senses, physical presence, mood and emotion. The workshop helps writers select the best details to support their story, weave it in through character perceptions, and avoid slowing the pace with unneeded information or overlong description. Well-chosen description can make your writing come alive and lift your manuscript out of the slush pile!

Bio: Three-time Golden Heart finalist, Beth Cornelison received her degree in Public Relations from the University of Georgia. She debuted with Silhouette Intimate Moments in April 2005 and her June 2006 release, IN PROTECTIVE CUSTODY, won the Golden Heart in 2001 and received a Top Pick from Romantic Times. In September 2006, she made her hard cover debut with Five Star Expressions with CHASING A DREAM. Her latest book from Silhouette Romantic Suspense, DANGER AT HER DOOR, was released in August 2007. Beth has served as the conference coordinator and contest coordinator for her local RWA chapter and has presented workshops to numerous conferences across the country. Mrs. Cornelison lives in Louisiana with her husband and son.

Tuesday, November 13, 2007

Re-Direct: Analysis of Successful Openings

Thanks to one of my students (Gary) who found this post over at Slushmaster's LJ: It Came From the Slush... And Survived! Interesting stuff.

Thursday, November 08, 2007

New License Plate (Still no WV)

Many months ago, Mason and I were obsessively scouring Saint Paul for license plates from around the country (and the world.) We've seen all but one of the fifty states (plus Washington, D.C.) and many of the Canadian provinces. We still haven't seen West Virginia, but a couple of our friends have spotted the elusive plate, so we know that Mason has conjured one into the area.

Today, however, we saw a Consul plate parked outside of the governor's mansion on Summit. It had the call letters: "PK," which wikipedia informs us stands for Norway.

Cool, huh?

Wednesday, November 07, 2007

Cover Art!

OOh!! I am so excited!!!!

One of the best parts is that she is wearing one of the actual outfits Garnet favors. Cool Yule!

Here's the back cover copy: I’m on the top of the world. The Vatican witch hunters think I’m dead, the FBI has closed my file, I might get to buy the occult bookstore I manage, I’m co-founding a brand-new coven—and the vampire I love has just proposed. How lucky can a girl get? Wait, wai—

Oh, crap. I’ve jinxed myself. My fiancĂ©, Sebastian, is missing and I’m worried sick. Has he been kidnapped? Or could he have run off with that leggy blonde from the coven? Now I’ll have to seek the help of my future stepson—the same brat who once turned me over to the Catholics, all for a pimped-out Jag. Plus, the Goddess Lilith, who camps out in my body, has been making embarrassing appearances. Now all I need is some crazy killer on my tail. Hold on, hold—

Double crap.

Also, if you're itching to read the first chapter you can find it at my website: Romancing the Dead Excerpt

Love Scene Contest (Romance)

***permission to forward***

WHERE DOES THE HEART OF A BOOK LIE? IN THE FIRST CHAPTER? OR BETWEEN THE SHEETS?

Announcing the Greater Detroit RWA annual Between the Sheets contest. Enter your best love scene, up to 10 pages - anything from sweet to erotic.

Final judges:
Leah Hultenschmidt, Dorchester
Diana Ventimiglia, Harlequin/Silhouette
Elaine English, Elaine P. English Literary Agency

1st Place: $100
2nd Place: $50
3rd Place: $25

Open to all unpublished RWA members, $20 entry fee, multiple submissions allowed. Deadline: February 14, 2008. Entry includes one page unjudged setup. For more information, entry form, and guidelines, go to www.gdrwa.org or email eheiter@hotmail.com

Tuesday, November 06, 2007

On-line Agent Class (Romance/Mystery)

**PERMISSION TO FORWARD**

Southern Magic is pleased to host an on-line workshop, Everything You Wanted to Know About An Agent But Was Afraid to Ask, with literary agent Caren Johnson.

Description: This is a soup to nuts guide on what an agent does, how to work effectively with yours, and danger signs in any agent/author relationship that you should watch out for. Come join us to ask questions,learn about the benefits and drawbacks of having an agent and when you really need to have one.

When: December 3 through 14, 2007

Cost: $10 for Southern Magic Members, $15 for All Others

Class Advisor: Caren Johnson began her literary career at the Peter Rubie Agency. She stayed for three years, working her way up from intern to agent. She went on to work with Nadia Cornier at Firebrand Literary for a year before starting her own agency in early 2007. She works closely with each of her authors, not only acting as an agent, but offering career guidance and publicity consultation. Her goal is to make sure each of her authors gets published and has a long-lasting, lucrative career.

Caren is full up at the moment with wonderful romance and mystery authors(though any who have written brilliant novels in these genres are more than welcome to submit to her as she is always on the lookout for great contemporary romance, exciting romantic suspense and fun mysteries). She is currently looking for women's fiction in the vein of Monica McInerney, Jodi Picoult, Alice Hoffman, Sue Monk Kidd, and Laura Moriarty, fiction in thevein of Lisa Lutz, Christopher Moore, Michel Faber, Kate Atkinson, Louisa Luna, Audrey Niffenegger, and Jeffrey Eugenides, and YA in the vein of Scott Westerfeld, Stephanie Meyer, Markus Zusack, Gabrielle Zevin, Libba Bray, and Kevin Brooks. In nonfiction she is currently looking for more narrative nonfiction in a variety of subjects, pop culture, women's interest (though no self-help), humor and quirky gift books.

Please check out her publisher's marketplace page at http://www.publishersmarketplace.com/members/carenjohnson

Registration deadline is December 2 via PayPal/credit card.

The class is conducted through a YAHOO group format and you will receive an invitation to join at the time you pay. For more information, please check out our website at www.southernmagic.org and click on the WORKSHOP icon.

Friday, November 02, 2007

ROMANCING THE DEAD Pre-Order

I just noticed that you can now pre-order Romancing the Dead on Amazon.com!!!! That means that I'm going to have to take some time this weekend to put up an excerpt on my website.

Oh, and I notice that Amazon.com is having one of those bargain price things for Tall, Dark & Dead again.

Thursday, November 01, 2007

Astro Alert: Mercury Direct

Breaking astrological news from Astrology.com:

Mercury turned retrograde on October 11 in the determined water sign Scorpio, encouraging you to revisit and explore your ideas and conversations. By October 23, Mercury re-entered Libra and fairness became the top priority. Now, the messenger planet turns direct in Libra on November 1, signaling that it is time to put everything you learned during the past three weeks into a cohesive plan of action. If you have done your homework, you will find yourself moving forward with confidence –- which is just what using a Mercury retrograde period is all about!

Certainly, confidence should be influencing your love agenda now. If you have been hesitant to make that first move, now is the time to abandon inhibition and let that crush know that you want to take things to the next level.

"Mummy Dearest" in the Star Tribune

Here's a photo of Mason (and my alternate personality) that appeared in today's Star Tribune. There's on block on Sargent Street in Saint Paul that goes all out for Halloween -- every single house is done up and entire families (including their dogs) are dressed up. We stumbled across it on a tip from our dear friend Sean M. Murphy. I'd like to give credit to the staff photographer who took the photo (Jeffery Thompson), but the Star Tribune has the crappiest on-line search engine I've ever used.

Here's the link: http://www.startribune.com/10242/story/1521542-a1521301-t3.html

New LINK! Here's a slide show that has lots of Mason pictures and some audio of me mentioning that his costume is "rotting.": http://www.startribune.com/slideshows/rich_media/1521515.html.

Wednesday, October 31, 2007

Happy Halloween

Just want to wish all y'all a happy Samhain.

Blessed Be.

Monday, October 29, 2007

Small Minds Hobgoblins

My high school English teacher used to have a quote by Ralph Waldo Emerson hanging on the bulletin board that baffled me for years. It read: "Foolish consistency is the hobgoblin of little minds." (Apparently, there's more to it.) I'm reminded of it, however, every time I receive a copy edited manuscript from my publisher.

That may sound like a dis on copy editors, but it's not meant as one. I say thank goodness for copy editors or my readers would have to spend all their time writing me angry letters complaining about all the little inconsistencies that riddle my work. No, it's my mind that doesn't suffer details very well. I apparently (mis)took Emerson's quote to heart and now my brain jettisons "little" consistencies. Ask my writers' group if you doubt me, but I'm lucky if I manage to spell my main character's name the same way throughout a five hundred page manuscript.

Even though I've always written books that are part of a series, I rely on my brain to keep track of the world-building details. I realize exactly how foolish this is, but I almost never re-read a novel once it's gone to press. Part of that decision is the fact that I'm usually deeply sick of the book during the process of getting it to publication. I've read and re-read the damn thing so many times (in draft, final draft, editorial revision, final revision, copy edited manuscript, page proofs, etc.) that the thought of looking at it again for even a second makes me cringe.

One of the reasons I don't look back at my earlier work in the same series is that I like the freedom that not-knowing-I'm-screwing-up affords. I should say that I've never violated a character's history with my cavalier attitude toward consistency, but my alternate personality messed up the time-line in the AngeLINK universe because a copy editor had corrected a date (to make it consistent with a presidential election year) and her brain had never made the "final edit," as it were. So the books following Archangel Protocol are actually off by two years. Only one reader noticed the mistake and she did because she was re-reading the books on the line-by-line level in order to write fanfic. Even so, I hope I get a chance to fix that at some point because it now bothers me.

You'd think, then, I'd learn, right? Not so. Since that mistake, I'm slightly more willing to do a quick word search through the electronic version of my final draft to check certain details, but I'm still fairly adamant about not letting a little thing like accuracy stop me from writing. I should clarify, however, that I'm only talking about little, harmless details. We all know that if a writer isn't careful and consistent with the important details, you can loose your readers. I even try to be pretty careful with what I call "blocking," which is to say whether or not a character is sitting or standing and what color shoes they're wearing — although I have a copy editor to thank for noticing a character's switch from combat boots to high heels.

God forbid something like that actually make it into print, but I rarely let those things worry me at the start. I write to get the story out and then sweat the details.

Or, later, thank the higher powers that a copy editor catches them.

Wednesday, October 24, 2007

Reading Beyond Yourself

At a local Barnes & Noble in the children’s section, I overheard a mother tell her children, “Remember what we talked about! Pick something in your reading level!”

Now, I admit that I didn’t know what was going on there, and it’s entirely possible that this parent was admonishing her children not to chose a book that was below their abilities. She could have been worried about adult content, but, as I said, I was in the children’s section. Whatever the case, my impression was that this mother wanted her children to stick to those artifical age ranges that are printed on the back of picture books and YA novels, and, frankly, I was horrified.

I find this distressing if only because I read LOTS of books that were well beyond my reading “ability” when I was young, which is how the heck I got better ability, you know? I have never, ever told my son Mason that there was a book he couldn’t try to read. As far as I’m concerned, unless there’s graphic violence, sex, or swear words, it’s all good. (Actually, he’s already read some swear words over my shoulder. Luckily, he doesn’t have all the rules of pronunciation down and so he thinks a** is said “iss.”)

This desire to protect young readers baffles me. And it seems to be prevalent. We were once at Red Balloon, a children’s book store here in Saint Paul, and the sales person tried to take a chapter book away from us. She nearly snatched it from Mason’s hands because she didn’t think it was appropriate for my then three year-old. When I asked her why, she said, “Well, the stories are too long. He won’t have the patience.” At that age, I’d already read all of Charolette’s Web and much of Bambi to Mason, so I just looked at her with a stunned expression. “How would you know?” I asked. Then I said to Mason, “Never let anyone tell you what you can or can’t read.”

And anyway, at that point, I was still reading to him. It’s not like there would be words he couldn’t ask me what they meant, you know? More to the point, the last time I checked there’s no rule that says you have to finish a story you start. We’ve still never finished Bambi because we get to the chapter where Bambi’s mom is killed and Mason wants to start over. So we do. I figure he needs time to process. Processing what you’ve read is part of learning, IMHO.

Mason’s grade school also seems to have a “reading level” restriction they enforce. Everyone’s library card is color coded for the level they’re supposed to be reading at. I overheard a librarian ask someone to take a “Goosebumps” book back because it wasn’t at their reading level. This was a seriously disappointed looking kid. Again, this may be done in order to make sure that children are challenging themselves appropriately, however, I don’t really get that either. Who doesn’t love the comfort of a “simpler” book occasionally? I know that I didn’t discover Leo, the Late Bloomer until I was a teen, and it was still extremely meaningful to me. Plus I have to ask, what adult doesn’t love a certain YA about a young wizard in training?

But, as for reading beyond yourself, the last time I checked no one has ever been seriously injured by reading a hard book. Well, okay, there was that one time I was so excited to start a book I’d checked out from the library that I was reading it while riding my bike on the way home. I ran into a parked car. That’s my only reading injury to date.

There are books that scared the crap out of me as a kid. I read Amityville Horrorat a tender age and now the name “Jody” sends me into screaming heeby-geebies even as an adult. However, I learned an important lesson: you can close a book. If a book is beyond you on an emotional level, you can wait and pick it up later. There are several books I attempted that I just didn’t get all of until much, much later. I’d heard that there was SEX in Lady Chatterly’s Lover, but damned if I “got” it the first time I read it. When I came back to it as a young adult, I understood.

In fact, my partner and I have bonded over the fact that we both remember the day we got to go to the “adult” section in the public library on our own. Both Shawn’s folks and mine never hesitated to check out books from that section for us, if we were interested… but there was a thrilling sense of wonder the moment it was okay for us to have ANY book in the entire library for ourselves alone. I think that reading beyond your ability is what makes readers out of people, you know? If I hadn’t tried The Hobbit in sixth grade, where would I be now?

I didn’t “get” a lot of it, but I was AWED.

And I still am.

Monday, October 22, 2007

Gaylactic Spectrum Awards

WINNER:
Vellum - Hal Duncan (Del Rey)

SHORT LIST:
Carnival - Elizabeth Bear (Bantam)
Dragon's Teeth - James Hetley (Ace)
The Growing - Susanne M. Beck & Okasha Skat'si (P.D. Publishing)
The Privilege Of The Sword - Ellen Kushner (Bantam Spectra)
Smoke and Ashes - Tanya Huff (DAW)
Snow - Wheeler Scott (Torquere)
Spin Control - Chris Moriarty (Bantam Spectra)
The Virtu - Sarah Monette (Ace)

Thursday, October 18, 2007

A Writer by Any Other Name

Over at Wyrdsmith's Kelly's open call for questions/comments generated some interesting questions. For instance, Michael asked: When did you feel comfortable calling yourself a writer to others?

Sometimes I still don't.

A friend of mine bought me a great ball cap that says "writer" on it from Writers Store. I was a little nervous about wearing it in public because I knew what was going to happen.

Stranger: Hey, nice hat.
Me: Uh, yeah. Thanks.
Stranger: So are you a writer then?
Me: Yeah, I am. (Internally bracing for the follow-up)
Stranger: Anything published?

Maybe if I lived in New York or, really, anywhere other than taciturn Minnesota, I would probably see this conversation for what it could be: a chance to pitch myself and my work to people I meet on the street. Instead, I find myself blushing because I know what I'm about to say is a great big brag (a no-no in Minnesotan): "Yes," I say. "I've had six books published."

Either people are suitably impressed at this point, or suddenly very suspicious. "Really?" They ask, "Anything I would have heard of?" This is where I start regretting my fashion choices. Yet, at the same time I understand what people are really asking, and what I think is at the heart of Michael's question.

Society only values proved success, not process.

I'm a writer to the majority of strangers I meet on the street ONLY if I meet certain conditions: 1) I've published, 2) I've had my book published by a credible (in the case of the stranger this means THEY'VE heard of them) New York publisher, and/or 3) I can show success via awards won that they've heard of or best seller lists they know of.

However, I think that waiting until you can meet all of that criteria before calling yourself a writer is selling yourself (and the process) short. When I teach, I tell my students that they are writers the moment they finish their first short story or novel. If you're sending stories out and collecting rejections, you're a working writer.

Still, it's hard to answer when you meet someone for the first time and they ask you what you do. When you say, "I'm a writer," and you have another job, no one believes you. (Oh, they're thinking: it's the whole -- I'm your waiter, but I'm REALLY an actor syndrome.) I don't think that this assumption is necessarily malicious (though it can feel that way), instead I think people understand on a gut level that "making it" in our profession is really difficult. But, because it _is_ so difficult, I think the earlier we embrace the title writer, the better we can cope with "the slings and arrows of outrageous fortune" which is the writing life.

For me, it took joining the National Writers' Union before I could tell people I was a writer. For one, going to meetings of the local chapter meant that everyone I met was also a writer. I didn't have to explain myself or all the ins-and-outs of the writing life about which the majority of the public has so many misconceptions. Once I got comfortable saying, "Hi, I'm Tate Hallaway. I'm a fiction writer," with my _own_ kind, I found I had less trouble "educating" strangers who turned their noses up the second I said, "No, I'm not published yet."

I wish I hadn't waited so long, but sometimes you have to believe the truth yourself before you can explain it to someone else.

Tuesday, October 16, 2007

Not Much of A Review, but Nice

This isn't much of a review, but google alerts pointed it to me, and I thought it was nice: http://www.kocafamilyink.com/book_journal/2007/10/dead-sexy.html

Thursday, October 11, 2007

More Reviews of MBR

Here's a nice review of Many Bloody Returns that I found on LJ. It doesn't really say much about any of the stories in particular, but the blogger is very happy and jumps around a lot (as it were). Check out:

http://wpbookreviews.livejournal.com/9218.html

Wednesday, October 10, 2007

Oh, I Forgot to Meantion!

So, while I was signing stock at the previously mentioned event, I noticed something interesting in Tall, Dark & Dead... it's in a fourth printing!

Whoot!

Also, and given my previous discussion, you'll find this amusing: I've booked another signing. It looks like fellow Wyrdsmith Kelly McCullough and I will be joining Lois Greiman and Michele Hauf at the Northtown Waldenbooks on Saturday, October 27 from 1:00 - 3:00 pm. The Waldenbooks is located at 212 Northtown Drive NE, Blaine, Minnesota 55434. For directions or more information call: (763) 780-1264.

Monday, October 08, 2007

Signing Weirdness

The signing at the MoA was.... interesting, as we like to say in Minnesota.

Alas, I was also looking forward to seeing Sujata Massey, but she didn't show up. Though I came prepared, we didn't end up doing the ten minute readings either. I bought more books than I sold (but that actually happens a lot more than I'd care to admit.) On the positive side, I got the chance to hang out with Michele Hauf and Emma Holly, who are always a hoot, and, of course, my friend Kelly McCullough. Mason, my son, got to go to Lego Land with Shawn and he thought that was pretty dang special.

I wonder about booksignings, sometimes. I mean, I've had some really successful ones, including one which was a disaster in the other direction because the bookstore didn't have enough books on hand and I sold out within the first ten minutes. Lately, however, it's been surprisingly difficult to muster enough support from friends and family to get people to turn out to signings. When I do signings at smaller venues at speciality stores, I'll often make postcards that I hand-address to everyone I've ever known. That helps. I'll get a 10% return on those (if I send out 100, 10 people will show.)

But you can only really do that once, you know? People don't show up again and again to buy a book they already have.

Plus, I tend to have better luck with signings that are in the Twin Cities proper. There's some reluctance (which I can totally understand, actually) for people to drive out to various suburbs to pick up a book that they can have Amazon deliver to their doorstep. Goddesss knows, I'm lazy. I often intend to go support my friends and then find something better to do on a Saturday afternoon.

Book signings are one of those mainstays of being a published author. But are they really useful? I've heard people say that signed books don't get returned, so it's worth going just to sign all the stock for the bookseller. But, I've also heard that's not true, since the covers are ripped off returned books so a signed book is of no more value than a non-signed one. Yet booksellers have also told me that signed books sell better in the store, so they're worth doing for that. But, I don't know. I sometimes feel like the hassle you've put the store through isn't really worth what they get out of it.

My question is what do you think about book signings? Do you go to them? What makes you want to go?

Thursday, October 04, 2007

More Info on MOA signing, Satuday, Oct 6

Date: October 6, 2007
Time: 5:30 pm - 7:30 pm
Place: Macy's Court, Mall of America

Booksigning and fundraiser.

Midwest Fiction Writers and Barnes & Noble come together to raise money for The Minnesota Literacy Council.

You'll want to take advantage of this rare opportunity to meet so many local authors and purchase autographed books with a portion of the sales going to The Minnesota Literacy Council. Join us on Saturday, October 6 at 5:30 in the Macy's Court of the Mall of America for this once-a-year event. Hear authors read excerpts from their books. Visit favorite authors and discover new authors. Signing will be Midwest Fiction Writers authors Judy Baer, Helen Brenna, Kathleen Eagle, Anne Frasier, Jay Gilbertson, Lois Greiman, Tate Hallaway, Michele Hauf, Emma Holly, Patti O'Shea. Joining them in this event will be local authors Sujata Massey and Kelly McCullough as well as author and creativity coach Eric Maisel.

Monday, October 01, 2007

The Sound of Writing

I posted a bit about my personal relationship with music and writing over at SF Novelists: The Sound of Writing.

Thursday, September 27, 2007

So Many New Books...here's Tim Pratt's

Tuesday was a big release day in the paranormal/SF universe. My friend and colleague Tim Pratt (writing as T. A. Pratt) also has a new book out that I think y'all might like:

What was your inspiration for writing Blood Engines?

There were multiple inspirations. I’ve been writing stories about the main character, sorcerer Marla Mason, for years, and finally decided it would be tremendous fun to write a whole novel about her. The novel is also something of a love song to San Francisco, and I had a lot of fun exploring that city and its history. Plus, I’ve always been fascinated by Aztec mythology, so it was enjoyable to write a novel where the villain is a devotee of those bloody old gods. I managed to work in various other fascinations and obsessions, too: poison dart frogs, hummingbirds, Emperor Joshua Norton, snake gods, sex parties, oracles, and other nice things.

Who are your favorite authors and books now and when you were growing up?

Stephen King is probably the biggest influence — I started reading his novels when I was eight years old! Charles de Lint and Jonathan Carroll are also huge influences. These days I like George R.R. Martin and Scott Lynch a lot.

What is it about fantasy/science fiction that attracts you?

While I enjoy reading some mimetic fiction, I get bored in my own writing if there are no gods, monsters, or miracles. I especially like contemporary fantasy, because I like the tension created by the juxtaposition of the familiar with the magical.

Why did you decide to make Marla the chief sorcerer of her own city?

In the early stories I wrote about her, Marla was dangerous because she had power without focus. In order to make her more vulnerable and sympathetic, I wanted to give her something to lose. Thus, I made her responsible for the well-being of her own city. The responsibility puts tremendous stress on her, but it also gives her a profound sense of purpose.

What (besides writing) do you do for fun?

I like to cook, read, play video games, spend time with my family and friends, take walks to the lake or the farmer’s market, and see movies. The usual things.

What sort of research did you do to write this book?/What kind of preparation do you do when you are writing?

For this book I read a lot about Aztec mythology (The Codex Chimalpopoca is no beach read, either, I’m telling you), and wound up reading a fair bit about San Francisco’s history, too (I would especially recommend Tom Cole’s A Short History of San Francisco — it’s smart, accessible, and, well, short.) The only preparation I do for writing is making sure I’m sufficiently caffeinated.

Marla loves kicking ass. Is that your favorite thing too?

I haven’t been in a fight since junior high. I’d rather have a war of words than fists anyway.

What are you writing now?

I’m working on the fourth book in the Marla Mason series, Grift Sense — having already written book 2, Poison Sleep, and book 3, Dead Reign. The books are being released six months apart, so getting all the books written in time is sort of a marathon that’s also a sprint, and sprinting a marathon? That’s hard on the system. But I’m still having tons of fun.

Did you always want to write? Or did you stumble into it? How did you get where you are now?

I always knew I wanted to be a writer, for as long as I can remember. (I wanted to be other things, too — an actor, a rock star, an artist, a chef.) But writing was always there, and I’ve been doing it steadily since at least third grade. (I think learning to write in cursive was a turning point for me!) As for how I got where I am now… sheer persistence. I write, I send stuff out, I write some more. Writing, at this point, is as necessary and familiar as eating and sleeping.

What does a typical writing day look like for you? How long do you write, that sort of thing?

I have no typical day. I have one day a week off from my day job — Wednesdays — and tend to do most of my writing then. In the morning I spend a couple of hours doing freelance non-fiction work. Then I have lunch, take a walk, think about my story, and come home and write fiction for a few hours. Though if I’m up against a deadline, I just write pretty much every chance I get — before work, after work, on lunch breaks, late at night.

Where do you write?

Mostly at my desk in my office, which is in fact a tiny little nook just off the kitchen. If I’m feeling stir-crazy I’ll walk down to a cafe and write longhand there.

What is easiest/hardest for you as a writer?

I like writing first drafts, because that’s where the fun and excitement is, though in truth I’ve started to really enjoy revision in recent years — it’s not the white heat of creation, but it’s a fun and challenging exercise in craft. As for what’s hardest… all the business stuff. Copyedits. Proofreading a book I’ve already read ten times and am thoroughly sick of looking at.

What is the purpose of fantasy/science fiction, if any?

I’m not sure SF/Fantasy has a particular purpose that’s different from the purpose(s) of all literature, which are variously to edify, to entertain, and to illuminate the human condition. Though if pressed I might just quote G.K. Chesterton: “Fairy tales are more than true — not because they tell us dragons exist, but because they tell us dragons can be defeated.”

Wednesday, September 26, 2007

Just Show Up

Last night in writing class at the Loft, I passed on this amazing bit of wisdom to make writing easier:

"Just show up."

The idea being that if you make a special time for writing (Stephen King in his book On Writing suggests that it be a consistant time, say: every night at 7:00 pm, for instance) writing becomes easier. King says that showing up at the same time and place helps your Muse "know where to find you." As silly as that might sound, I think he's got a point. If you know that the time you've set aside for writing is FOR WRITING and you get in the habit of doing it, it becomes easier and easier to get words down on paper/screen.

The big problem with this advice is that, lately, I can't seem to take it.

Oh, I show up, all right. I've got my laptop out, coffee in hand, and... then I surf the internet for an hour and a half. Plus, I don't know if it's something astrological or what, but I can't seem to get anything of substance done. Last few days have been a whole series of stupid, annoying events that have kept me from concentrating on anything, much less writing.

I'm also beginning to think that I'm going to have to start writing at home, away from an easy wireless connection. (The neighbors actually have wireless that I can often hop on to, but to get it, I have to sit in a particular room.)

I'm actually quite excited about the new novel (DEAD IF I DO) because... well, I don't want to spoil anything, but Teresa, Sebasitan's not-quite-dead wife/betrothed shows up. Hillarity ensues. And I love writing the funny, which is why this block is particularly frustrating.

*sigh*

What? I should go write? What, now?

Yeah....

Tuesday, September 25, 2007

Bargain Prices at B&N Again

I supect that anyone coming to this site has probably already bought a copy of my first novel, Tall, Dark & Dead, but in case you haven't (or you know someone you'd like to buy one for). They are on ridiculous mark-down at B&N again, selling for a mere $4.98.

There are shipping costs, of course, and these books are often scuffed or otherwise marked, but... well, it's a heckuva deal, as we say here in Minnesota.

Interview: Kelly McCullough

Full disclosure: Kelly McCullough is a fellow Wyrdsmiths. However, I think he's a great guy and a great author and he has a new book coming out today that I'd love y'all to check out, even though it's not especially romantic (though it is urban fantasy). Here's an interview with him to help get you interested:

What was your inspiration for writing Cybermancy?

There are a number of reasons I wanted to write this. First, I wanted to write something else in the WebMage universe (this was before WebMage sold) because I really like hanging out with these fun, funny characters, and I love the world. Second, there was unfinished business left over from WebMage, most notably Shara's injury/death which happens off screen. Finally, and maybe most important for the arc of this book, the Persephone myth has always made me terribly angry. Here is a young goddess who is condemned to be eternally bound to her abductor and rapist, Hades the god of the dead. It's appalling and the injustice of it something that I found that I really wanted to write about.

Who are your favorite authors and books now and when you were growing up?

I was raised on Tolkien and Asimov and Shakespeare, and I still love them all, particularly the Lord of the Rings, Richard III and a Midsummer Night's Dream. I discovered Roger Zelazney and H. Beam Piper when I was a little older, and Zelazney is certainly one of my strongest influences. My favorite writer as a writer myself is probably Tim Powers. I always learn something when I reread him.

What is it about fantasy/science fiction that attracts you?

The fact that the genre puts no limits on my creativity. What I'm most drawn to as a writer is world. I love to invent whole worlds with their own internal logic and rules, and realistcally where else do you have to scope to do that? I also love both as a reader and a writer the sense of being taken completely out of the here and now.

Why did you decide to make Ravirn a hacker/sorcerer?

I started the WebMage series from the idea of a magical internet that tied worlds together like webpages and used code for spells. If I wanted to really explore that concept in depth I needed someone who could do more than just use the magical equivalent of web-browser, I needed someone who really understood how the coding worked. That meant a hacker and in the context of the world I was writing, that automatically made him a sorcerer too.

What (besides writing) do you do for fun?

Well, writing really is near the top of my list for play as well as being my job. I really enjoy sitting down to work every day. But I also love walking and biking with my wife. I'm an avid videogamer, mostly role-playing stuff like Final Fantasy, but also puzzle games and stuff like Ratchet and Clank, all of which I play with my wife. Like most writers, I'm an avid reader, though more non-fiction than fiction these days.

What sort of research did you do to write this book?/What kind of preparation do you do when you are writing?

I didn't need to do an enormous amount of new research for Cybermancy, since it's the second book in a series. I did do a refresher on my general Greek Mythology and especially on the details of Hades and the Persephone story. I also have to constantly update my computer knowledge base, but that's just part of my ongoing non-fiction reading. I really do more general research than I do specific stuff for any given book. As a part of being a writer I try to have at least a couple of serious non-fiction books going along with keeping up general and scientific news. That's probably a good two hours of every day, often more and part of what I think of as my job.

Ravirn loves hacking and cracking. Is that your favorite activity too?

Actually no, I'm aware of programming and hacking (my mother's a computer geek as are a number of my close friends), but I've never been much interested in the mechanics of how my computer works.

In Cybermancy, Ravirn finds himself breaking into Hades to bring back a dead friend in the mode of Orpheus. How do you put yourslef in situations like that as a writer to try to make them believable?

It's tough sometimes. Ravirn is stronger faster and more durable than I am. Many of the things he attempts would pretty much kill me. On the other hand, since he's a figment of my imagination and hence only a part of me, I like to think I'm smarter. I also get to manipulate the world he lives in to make things harder or easier as seems appropriate. The other thing to remember is that believable and real are not necessarily the same things. There are all sorts of things that happen in fantastic fiction that are completely unreal but believable in the context of the imagined world. There's a shorter answer and maybe I should have given this first: I really like playing make-believe.

What are you writing now?

Two things actively, with a third hovering off to one side. My main project is MythOS which is the fourth book in the WebMage series and will be out in 2009. I'm also writing the first book in a new contemporary fantasy series. I was really inspired by a recent trip to Halifax and this book is the result of that trip. I'm trying to get the first three chapters down while the experience is still fresh. It's kind of a reward. Once I've got my WebMage done for the day (never less than 1,000 words) it's kind of fun to play with some other characters. I've also got the second book in YA fantasy set in World War II that I've been playing with. The first book went to my agent a few months ago, and I really love the idea, but I promised myself not to start until I've finished MythOS.

Did you always want to write? Or did you stumble into it? How did you get where you are now?

No. If you'd asked me what I wanted to be when I was between the age of 11-22 I'd have said an actor or a stunt man or maybe set designer. My degree is theater and I grew up on and around the stage. But then I met the woman who I would later marry and realized that between the hours and the travel, theater wasn't entirely compatible with having a happy home life. At about that same time I got my first computer. One day I was kind of trying to figure out what I could do with my life if I gave up theater, and it occurred to me that it might be fun to writer a novel. So I did. I'm no working on 12th and 13th and I've never looked back.

What does a typical writing day look like for you? How long do you write, that sort of thing?

On a good day I get up around 8:00, hop on the treadmill and use my laptop to read the news while I put in 3-5 miles. Then breakfast and a shower and off to my office for 5-8 hours of writing time. I do that five days a week with occasional variations for research days, editing, dealing with promotion, that kind of thing.

Where do you write?

In summer I work in a second floor screen porch overlooking a really lovely park in the small town where I live. In winter I sit in our south-facing TV room and soak up the sunshine reflecting off the wood floors. That's the routine, but I'll write anywhere and have, including tucked into a corner at the Air and Space Museum in D.C., on planes, in coffee shops, etc. My real office is my laptop.

What is easiest/hardest for you as a writer?

The easiest thing is world. My brain is really wired to create large-scale magical systems and the historical structures that go with them. Hardest is character. I'm not a natural character writer and I've really worked hard to get where I am with it.

This isn't you first book, tell us a little bit about what else is out there?

Right now, it's really only WebMage and some short stories in various magazines and anthologies-a couple of those are available for free reads at my website, kellymccullough.com. I've also got a collection of hard science fiction short stories in an illustrated collection called Chronicles of the Wandering Star, but that only available to teachers since it's part of a middle-school science curriculum. The funny thing about that is that since it's in a number of large school systems, probably more people have read that than all my other stuff combined despite the fact that you can't really buy it.

What is the purpose of fantasy/science fiction, if any?

Two things really. One is true of both F&SF and Fantasy, the other is true of SF alone. The first, to carry us out of ourselves. I think one of the greatest services fiction does is to allow you to be someone else someplace else for a while. It allows you to transcend the day-to-day and that's really important for the human psyche. The second, to explicate and advocate reason and science. The methodology that is science is one of humanity's most powerful tools and SF is the fiction of science. It can both generate a sense of wonder in the reader about subjects scientific and put those same subjects into story which can help a reader make sense of the ideas.

Monday, September 24, 2007

"Best Book Ever" Says Author's Mother

I used to have a silly fantasy about getting a cool cover quote from a really famous author that read, "Doesn't suck," Stephen King, author of LATEST NOVEL and "Couldn't get enough of it! By far the best book in the entire world," Rita Hallaway, Mother of Author. But, you know, my sense of humor doesn't sell books....

My question is: do cover quotes?

I will admit that sometimes a good cover quote will help put a book over the top for me. However, I've usually gotten pretty far with a book if I'm reading the cover quotes. I already have in my hand either because the title or the cover intrigued me or the book was shelved under "managers' hard SF picks!" or someone --usually my partner -- handed me the book and said, "Check this out."

I'm also on the look out for what I call "suspect" blurbs. You know the ones that don't really say anything or say things that could be construed as a subtle slam, ala (and this a real quote I found once) "No one writes quite like [blank]." My partner who read the book in question later said she figured what famous author must have meant was "No one writes quite as badly as [blank]." I'm also nervous of any quote that has too many ellipses, ala "This book... number one... fabulous!" Makes you wonder if the original read "This book [is no where near] number one; [it's so bad that I wonder why anyone would call it] fabulous!"

Yet, my editor gets really excited about cover quotes. I met MaryJanice Davidson (author of UNDEAD AND UNWED) at MBA, a booksellers' trade show and introduced myself as a fellow Berkley author with a new vampire book coming out. I asked her if it would be okay for my editor to send her my book for potential blurb. When I told my editor, she was thrilled -- and doubly so when a very positive quote came back. My editor also updated me weekly with the various paranormal romance superstars that agreed to blurb me. Clearly, for her, getting these kinds of quotes was extremely important to the selling of my book.

Personally, I'm a bit unconvinced, if only because people have used *me* to sell books. I read and blurbed a great book called WISH CLUB by Kim Strickland. But, given how new I am to the romance field, who on earth thinks anything I might say about a book would help sell it?

And what about that? Do you ever get turned off a book because you've never read the author who blurbed the book (or find out that the quote comes from a writing spouse)?

Sunday, September 23, 2007

So You Finished DEAD SEXY...

...and you're looking for something like it to read next? May I make a suggestion? Why don't you try Mindy Klasky's Sorcery and the Single Girl?

Here's a short interview with her to whet your appetite:

What was your inspiration for writing SORCERY AND THE SINGLE GIRL?

When I wrote GIRL'S GUIDE TO WITCHCRAFT, my theme song should have been "Girls Just Wanna Have Fun". That book was completely light and fluffy, a fun escape from a busy work week, family commitments, etc. When I had the opportunity to write another Jane Madison story, I wanted to dig a little deeper - to look at the decisions that we make with regard to friends and jobs, the tough calls that force us to decide what is important to us. (I wasn't willing to give up on the fun, though :-) )

Who are your favorite authors and books now and when you were growing up?

When I was growing up, I read a lot of classic fantasy - J.R.R. Tolkien and C.S. Lewis and Anne McCaffrey?. I devoured Patricia McKillip?'s books, and I practically memorized every word of Katherine Kurtz's Deryni series.

Now, I read much more broadly, alternating between genre fiction for fun (my favorites in the past year have been Scott Westerfeld's UGLIES/PRETTIES/SPECIALS trilogy) and literary fiction for musing(most recently, Sherman Alexie's THE ABSOLUTELY TRUE DIARY OF A PART-TIME INDIAN). I also read a lot of non-fiction, especially popular non-fiction on narrow topics, like COD and SALT.

What is it about fantasy/science fiction that attracts you?

I've always enjoyed the sense of possibility in speculative fiction, the ability to explore other ways of thinking, other ways of being. Even as my own writing has shifted from classic fantasy (SEASON OF SACRIFICE and the Glasswright Series) to paranormal romance, I've continued to draw on the Sense of Wonder that first addicted me to reading.

Why did you decide to make Jane Madison a librarian?

I work as a librarian in my day-job, managing seven libraries for a fourteen-office nationwide law firm. In the course of that job, I've met hundreds of librarians who live fascinating lives. Yet, in the eyes of the public, librarians are still the people who say "shhhhh". I wanted to write about Jane Madison to make people realize that there's a lot more out there beyond the stereotype.

What (besides writing) do you do for fun?

I spend a lot of time watching baseball - I married into Red Sox fandom. To justify the time I spend in front of the television, I quilt - entirely hand-pieced and hand-quilted wall hangings, with a bias toward traditional patchwork patterns.

What kind of preparation do you do when you are writing?

When I start a novel, I create a spreadsheet. One column lists, in a few sentences, what happens in each chapter. The other columns track the number of pages, the number of words, and the date that the chapter was last modified.

When I'm ready to start writing, I just roll up my sleeves and go. I conduct a fair amount of spot research as I'm working. My characters tend to be much more fashion conscious than I am; I often need to check the name of a designer or a color of make-up. I also find myself regularly tracking down the qualities of various crystals and plants -- the essential "props" for Jane's witchcraft.

Jane and her best friend, Melissa, quote Shakespeare to each other frequently. Are you a fan of Shakespeare?

For years, I've held season tickets to the Shakespeare Theater in Washington, D.C. They do a phenomenal job with their productions -- even when the plays are not my favorite (and they present a wide range of classical theater, not just Shakespeare), their sets, costumes, and lighting design are spectacular. I used to stage manage plays in college, and Jane's love of Shakespeare brings that avocation back to me.

If you were Jane Madison, and you discovered that you were a witch, what would you do?

I probably wouldn't handle the situation a whole lot more gracefully than Jane does. She reaches out to her best friend right away. I would probably try to keep my powers a secret for as long as possible, because I'd always sort of worry, in the very back of my mind, that I was absolutely, totally, completely insane.

What are you writing now?

I'm hard at work on the third novel in Jane's series, MAGIC AND THE MODERN GIRL (which will be in bookstores in October 2008). After that, I have a new series for Red Dress Ink, about a stage manager who discovers a genie in a magic lantern.

Did you always want to write? Or did you stumble into it? How did you get where you are now?

When I was in seventh grade, my best friend and I decided that we would spend our spring break writing a sequel to the LORD OF THE RINGS. (Oddly enough, we didn't get it finished in nine days.) I learned, though, that I loved creating characters, building their personalities and then tossing them into challenging situations. I wrote off and on all through high school but fell away from writing in college. When I started law school, though, I was desperate for something to balance the dry cases that I was reading. I wrote my first published novel while I was working as a trademark and copyright litigator at a major law firm. Eventually, I quit practicing law to become a librarian (in part, so that I would have more time to write!)

What does a typical writing day look like for you? How long do you write, that sort of thing?

In a perfect world, I wake up each morning at 6:00, work out until 7:00, write until 8:00, then eat breakfast, shower, and get ready for work. (I have to be in the office by 9:30.)

In the real world, I travel a lot for my day-job, and publicity and promotion tend to sponge up my weekly writing time. I usually set aside one or both days of the weekend to write for three or four straight hours. When deadlines are approaching, I forfeit a week of vacation from the day-job, using the nine days (work-week, plus two weekends) to pound out around 35,000 words (approximately a third of a novel.)

Where do you write?

I have a home office on the ground floor of my three-story townhouse. I sit at a desk that I bought at IKEA about 15 years ago; it looks like leftover hardware from the space shuttle, but it has the best ergonomics of any computer desk I've ever used. I use a five-year-old Dell desktop computer, running Windows XP, and I write using WordPerfect? 10. I keep an Excel spreadsheet to track my story outline.

(When I'm traveling, all bets are off - I write on a hotel bed, on a couch, on a chaise lounge, wherever I can find a surface to balance the laptop I'm using -- which might be my own, a friend's, or a loaner.)

What is easiest/hardest for you as a writer?

I have a very difficult time starting a new chapter - the blank screen intimidates me, and I find a hundred and one excuses to keep from writing. (I have forbidden myself from playing FreeCell?, and I had to remove Tetris from my computer entirely.)

I love editing chapters that are already drafted - I truly enjoy reviewing the flow of the language. On my final pass of editing, I read everything out loud, so that I can make sure the sound is as close to perfect as I can make it.

This isn't your first book, tell us a little bit about what else is out there?

I have six traditional fantasy novels - SEASON OF SACRIFICE (a stand-alone novel about twins who are kidnapped from their medieval fishing village and taken to an inland town, where they are expected to participate in a terrifying religious ceremony) and the Glasswrights Series (GLASSWRIGHTS' APPRENTICE, GLASSWRIGHTS' PROGRESS, GLASSWRIGHTS' JOURNEYMAN, GLASSWRIGHTS' TEST, and GLASSWRIGHTS' MASTER.) The series tells the story of Rani Trader, an apprentice in the stained glass makers' guild who witnesses a murder and is accused of being the killer. She's forced to go under cover in her society's strict castes to unmask the true assassin.

I also have one other paranormal romance, the first of Jane Madison's stories, GIRL'S GUIDE TO WITCHCRAFT. It's about a librarian who finds out that she's a witch. But you probably knew that already :-)

What is the purpose of fantasy/science fiction, if any?

Different genre publications have different purposes. Some are truly written to entertain, to take us away from the cares and worries of our daily lives. Others are written as cautionary tales, to warn us about the dangers of politics, of science, of society, of whatever. Still others are written as elegies, reminding us of great men and woman, of leaders who may have never lived. The best genre fiction combines many (or all) of these functions.

Part of the purpose of the Jane Madison books is to raise money for First Book - www.firstbook.org - a national charity with the mission of giving underprivileged children their first books to own. I donate 10% of my profits on both GIRL'S GUIDE and SORCERY to First Book.

Friday, September 21, 2007

Reality Check

If anyone is interested in hearing a no-nonsense approach to the realities of making money in science fiction, read Eleanor Arnason's post over at Wyrdsmiths', "Money."

Thursday, September 20, 2007

October Events

My "mainframe" at home had a small meltdown, so it may be a while before I can update my webpage. So, I wanted to post a notice about my up-coming October events:

Saturday, October 6, 2007 starting at 5:30 pm at the Mall of America, I will be part of a mega-author signing which is part of the Midwest Fiction Writers' Fall Harvest Workshop. The precise venue has not been nailed down yet, so I would suggest calling the MoA's Barnes & Noble for further information: 952-854-1455

Friday, October 12, 2007 from 4:00 pm - 5:30 pm I'll be taking part in the Augsburg College Alumni/ea Reunion and Reading. The reading will be in Lindell 301 on the Augsburg College campus: 2211 Riverside Ave., Minneapolis, MN 55454. For more information call: 612-330-1000. They will have copies of my recent books, including (I hope) Many Bloody Returns, as I'm currenly planning on reading an excerpt from the story that appeared in there, "Fire and Ice and Linguine for Two."

Wednesday, September 19, 2007

You Say Sci-Fi, I Say SF: Let's Call the Whole Thing Off...

My knee hurts this morning after having fallen out of bed last night. Sheesh.

Also, as I half promised my class last night, I thought of something I wanted to talk more about this morning. I alluded to the fact that the term "sci-fi" is considered derogatory by some science fiction fans and writers. I found a bit of a wikipedia article about the kerfuffle:

Forrest J. Ackerman publicly used the term "sci-fi" at UCLA in 1954, though Robert A. Heinlein had used it in private correspondence six years earlier. As science fiction entered popular culture, writers and fans active in the field came to associate the term with low-budget, low-tech "B-movies" and with low-quality pulp science fiction. By the 1970s, critics within the field such as Terry Carr and Damon Knight were using "sci-fi" to distinguish hack-work from serious science fiction, and around 1978, Susan Wood and others introduced the pronunciation "skiffy." Peter Nicholls writes that "SF" (or "sf") is "the preferred abbreviation within the community of sf writers and readers." David Langford's monthly fanzine Ansible includes a regular section "As Others See Us" which offers numerous examples of "sci-fi" being used in a pejorative seen by people outside the genre.

I grew up in an era (70s/80s) where using the term "sci-fi" was still considered gauche in the circle of "serious" writers and fans. I think, however, as I said in class, this is changing. This may be because of an influx of younger, media-savvy fans/readers. As this snippet from Scifipedia suggests...

"Over the years, Sci Fi's meaning in popular culture has changed to refer almost exclusively to movies and TV with science fiction genre-related themes. Among some in fandom, the term is often used in a derogatory and dismissive way. Some purposely mispronounce the term as "skiffy" and use it to refer to poor quality science fiction and fantasy. Many committed Science Fiction readers refuse to use the term at all, preferring the more generic initialism, "SF."

...the term has been co opted by the media, and thus has fallen into much more regular use. In my opinion, the use of "sci-fi" no longer stigmatizes the user as a "mundane" (non-initiate into science fiction fandom/prodom).

What do you think? Which term do you prefer or do you not have a preference? Is it a matter of po-tato, poh-tato to you?

Tuesday, September 18, 2007

Teachin' and Dreamin'

Do you ever have reoccuring dreams?

I have a lot of them. But, because I periodically teach writing at the Loft, I have a cyclical teaching dream. Usually, it involves what I would call classic dream tropes: I'm lost, I can't the classroom, I was supposed to be teaching months ago, the bus is late/my car has no brakes, etc., etc.

Last night, I had the weirdest twist on my usual teaching dream. In the dream, I showed up to class with my syllabus and a cheery attitude, but I quickly discovered that everyone taking the class knew each other from an on-line group. They had even appointed a specific woman to be the "moderator" for the class and she started handing out syllabus that the on-line group had created. Of course, the things on their list I knew nothing about... I specifically remember that I was supposed to lecture on the topic of "children in science fiction." Anyway, when I tried to gain some control over the class and suggest some compromises between my plans and their, the moderator woman got in a huff and basically organized a walk-out.

Am I worried about class tonight, Dr. Frued? What do you think?

Oh, and if you're local and you suddenly want to take my class, you can still sign up. Here's a link to the details: Mars Needs Writers.

Monday, September 17, 2007

Great Writing Resource

My fellow Wyrdsmith, Kelly McCullough painstakingly dug through the "snarkives" over at the now defunct "Miss Snark" literary agent blog for the good stuff. He's made an annotated index over on our site called: The Truly Gargantuan Miss Snark Index Post

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If you're serious about learning the business of writing, I think this is a great place to start.

Friday, September 14, 2007

Interview with Me

Romance Author Kelly Kirch interviewed both me and my alternate personality in Featured Author: Lyda Morehouse/Tate Hallaway on her blog.

Oh, and I just found out some amazing news.... MANY BLOODY RETURNS debuted at #30 on (drum roll, please) The New York Times Bestseller List. Hello? I, uh, could totally die happy now.

Thursday, September 13, 2007

Quick Re-Direct: SF Novelist

My alter-ego posted over at SF Novelist about my theories that "writers live a solitary life" are a bunch of bunk. It's called "The Solitary Act."

Wednesday, September 12, 2007

Prologues and Epilogues

I wrote this in response to a conversation started over at Wyrdsmiths:

Generally, I would be classified as a lazy reader. I always skip poems, snippets of musical lyrics, famous or imaginary quotes, or anything in italics that isn’t a place name or a date in front of “the good stuff,” i.e. the beginning of the action/meat of the first chapter.

In addition to being lazy, I also have a relatively low threshold for a science fiction fan for those things that might distract or confuse me. Thus, I’m leery of anything that smacks of a prologue that takes place hundreds or thousands of years before the main story, especially if it goes on for more than a couple of paragraphs. (I make the distinction “for a science fiction fan,” because I will actually give a book a fair amount of time before I expect things to make sense -- even as many as fifteen pages -- which I think long outlasts a lot of “mundane” readers who are unfamiliar with our genre.)

When I teach, I warn my students that there are plenty of readers out there exactly like me. You can’t count on your readers’ patience, particularly if that reader is an editor. My advice is always to work what you can into the story as backfill or flashbacks.

That being said, it was my editor who suggested that I highlight the main source of personal conflict (a face off with secret Vatican witch hunters that resulted in our heroine calling down the goddess Lilith for some serious smack down) in a *gasp* prologue. I fought it, but, in the end, I think she was right. It was a very concise way of getting out the information without having to continually interrupt the flow of the narrative to explain, ala “previously on ER.” I still worry that people may have skipped it. I did my best to make it short and action-packed, but… well; you never can tell just how lazy some readers will be. Keeping my own personal capacity for laziness in mind, however, I did repeat the information in smaller bits throughout the narrative where it was appropriate to do that.

Epilogues are something I’ve also only ever committed once. Well, okay, technically twice, but as the first time was on a trunk novel of mine, I don’t think it should count. In that case, too, it was a wrap-up scene in a stand-alone novel. It made sense to do that sort of “where are they now” scene to show, well, where everyone had ended up after the dust had settled.

I put an epilogue at the end of my third Garnet Lacey book for a couple of reasons. The main reason was that I wanted a quick way for the reader to see just how serious Garnet was about the personal transformation she’d gone through in the novel. The chapter ending was a crescendo on a mega-level; the epilogue was an ending on a micro one. And, this being a romance, it was also the more personal resolution. The second reason was that I really wanted to bring back a couple of characters that I’d thrown in for fun and have their earlier appearance gain more resonance (so I could possibly have them show up in future novels in the series, too.) Plus, I wanted to end on a funny note, which I couldn’t do in the resolution of the final battle, as it were.

The epilogue was also my attempt to come up with a solution for my previous problem with endings, which I wrote about here. I have a tendency to get to the end of the action and screech to a full stop, forgetting that the reader needs time to process everything that happened. E. B. White (in Charlotte’s Web) taught me about the benefits of the long goodbye. I suspect, had I had more to say, I simply would have made that last bit its own chapter, but as it came out only a few pages long, I decided to label it an epilogue.

As a reader, I have mixed feelings. As lazy as I am, I *always* read epilogues. But do I like them? I do when they provide this kind of secondary good-bye that I refer to above, and/or where there’s extra or tangential resolution that needs to be addressed that just didn’t fit in the big final showdown/reveal/whatever. As a set up for a next book or as a kind of a teaser, ala, in a horror book, a final image of the mummy peering down at our heroes? Not so much. I like to know that the ending is the ending, even if it’s in a series, and I’d feel cheated by an ending that seemed to only be there as a teaser for more to come or as a Lady and the Tiger ending.

Just a note about endings in general: take heed, gentle writer. If you end a book in a cliffhanger there are readers, like my partner, who, after tossing the book across the room with a strangled war cry, will write your name down on a list of “authors never to buy again.” (My partner lives and dies by her lists. If you’re lucky enough to be on the alphabetized one kept in her wallet, she will buy everything she finds by you.) Yes, this is even in a book clearly labeled Book One of the Such-and-Such Series, because my partner reads fast enough that leaving a character in a life and death situation is only acceptable if the next book is already sitting on her bedside. Making someone wait a year just to "turn the page" is cruel and unusual punishment in her mind.

I guess my final word about epilogues and prologues is as simple as something my mother once told me: everything in moderation.

Tuesday, September 11, 2007

New Review: Many Bloody Returns

This one from Romance Reviews Today

MANY BLOODY RETURNS: Tales of Birthdays with Bite – Charlaine Harris and Toni L.P. Kelner, Editors
Ace (Hardcover)
ISBN: 978-0-441-01522-1
September 2007
Anthology – Paranormal Fiction

I don’t know about the rest of you in reader land, but I’ve always had a fascination for vampires and other things that go bump in the night. Imagine my delight when I received an anthology about one of my favorite subjects – vampires. To make things even better, some of my very favorite authors are included in this anthology. Well, vampires, birthdays, and my favorite authors combined were guaranteed to make this a great read for me, but an unexpected bonus is that I was able to read short stories by authors I’ve long considered trying – such as Jim Butcher. Come along with me and get a glimpse of some of the dark, sexy and sometimes deadly creatures created by thirteen outstanding authors.

Dracula Night by Charlaine Harris takes place in the world of Sookie Stackhouse. In this little vignette, it’s Dracula’s birthday -- yes the original vampire -- and Eric Northman the big, bad and scary Viking vampire and one time lover of Sookie is throwing a birthday bash to end all bashes -- all with the hope that Dracula will show up. Eric is like a kid at Christmas, and his eager enthusiasm has Sookie a little worried. Dracula Night is classic Harris -- with all the angst, humor and…dare I say… blood her fans have come to love.

The Mournful Cry of the Owls is a tale brought to us by Chris Golden and is eerily entertaining. A little strange but completely fascinating tale of a young woman’s coming of age -- and the truth about herself that she is soon to learn. Readers are sure to want to read more from this author.

Told in the first person, I Was a Teenaged Vampire is a well written, if rather pointless tale by Bill Crider. It tells the story of how one young man’s quest to grant his sister’s birthday wish (so she won’t beat him up) changes his life in ways he could never have imagined.

Twilight by Kelley Armstrong takes place in the world of her Women of the Other World series and features the vampire Cassandra and the anniversary, or birthday, of her death and new life as a vampire. A somewhat sad tale that will have readers wondering what the future holds for Cassandra, Twilight is one of my favorite stories in the anthology.

From well know author Jim Butcher, we have a tale from the Dresden Files featuring the wizard Harry and his vampire brother Thomas. In It’s My Birthday Too, it’s Thomas’s birthday, and Harry has to track him down to give him his gift. Unfortunately, he finds more than just Thomas at the mall -- he finds a crazed vampire and a store full of innocent young people who need protection. Wow! This was an amazing little story that has made me decide I definitely want to read Jim Butcher’s Dresden Files series -- now if I can only find the time!

In Grave-Robbed by P.N. Elrod, vampire Jack Flemming comes to the rescue of a damsel in distress, or the damsel’s sister at any rate. Jack is determined to stop the charlatan medium from tormenting the young widow -- and from robbing any more graves. A fast and short story set in the late 1930s, Grave Robbed is an entertaining piece of fiction.

The First Day of the Rest of Your Life by author Rachel Caine is the story of how Eve Rosser celebrates her eighteenth birthday and declares herself emancipated from the vampire protector of her family. Unfortunately, now she is just fresh meat and fair game for any vampire who can catch her. A terrific short story that is sure to wet readers' appetites for the other books by Ms. Caine -- I know I’ll be looking for them!

The Witch and the Wicked by Jeanne C. Stein is a very different tale about Sophie, a caterer who is also a witch. Sophie’s decision to change careers after her latest client goes up in flames is understandable. But her decision to mix the ashes of a recently deceased vampire (the candles on his birthday cake, made by Sophie, lit him up like a Christmas tree) in her face creams does more than just make her look twenty years younger. This tale could also be called “Be Careful What You Wish For.”

Blood Wrapped by Tanya Huff is the tale of a wizard and vampire who are experts at finding missing people. When a little girl is abducted from her yard, Henry and Tony are determined to find and save her before harm befalls her. A suspenseful tale by a very talented author.

The Wish by Carolyn Haines is the tale of one woman’s tragic loss and her battle with the spectra of death. After years of wishing for death, Sandra has changed her mind. Death has visited Sandra before with tragic consequences -- now Sandra is determined that her fate will not be decided for her -- she alone will determine her fate. A truly remarkable tale, The Wish will leave you wiping away a tear or two.

Fire, Ice and Linguini for Two by Tate Hallaway brings readers a brief glimpse into the lives of Garnet Lacey and Sebastian Von Traum, from the Garnet Lacey series. It’s Sebastian’s birthday, and even though Sebastian believes his birthday is a curse, Christmas Day, Garnet is determined to prove him wrong. Unfortunately, after their car breaks down on the highway and a storm blows in, Garnet and Sebastian find themselves in the clutches of a nasty weather demon. A fun and humorous tale with an edge of darkness, this little story is a treat.

In Vampire Hours by Elaine Viets, a woman, Katherine, knows that her marriage is over. But she doesn’t want to face it. If she confronts Eric about the affairs she knows he’s been having, she is afraid he’ll divorce her and she’ll end up like so many of her friends. With no skills and little education, she fears she’ll never make it on her own. But sometimes, a woman has no choice, and when a tall, dark and handsome stranger offers Katherine the gift of immortality and the opportunity for vengeance -- what do you think she will do? They say a woman scorned is a deadly enemy -- if that woman happens to also be a vampire, tarts and faithless husbands beware.

How Stella Got Her Grave Back by Toni L.P. Kelner is an intriguing tale about a woman searching for...well, her grave. But it’s more than that. Stella left home a vampire when she was eighteen years old and she’s never been back. But this year, for her birthday, she wants to visit her hometown and her grave. Imagine Stella’s surprise when she finds that her marker is missing and a Jane Doe is buried in her place. Stella and her vampire lover, Mark, decide to find out if they can discover the identity of the Jane Doe and have her removed from Stella’s grave. Stella wants her grave back, but she also wants to help Jane Doe get home. An intriguing tale by an author who is new to me, I enjoyed this short story very much and will be looking forward to reading more from Toni L.P. Kelner.

Thirteen tales, each with a birthday and vampire theme, MANY BLOODY RETURNS is an anthology no paranormal fan should miss. From the sad and poignant The Wish to the truly bizarre The Mournful Cry of Owls, each story is entertaining and engaging. Whether you’ve read these authors in the past, or they are new to you, I guarantee that this anthology is the perfect book to read while contemplating your “to be read pile,” Who knows, you may be just as inspired to search out new authors as I am.

Terrie Figueroa

Monday, September 10, 2007

New Review Dead Sexy

This is from Bibliogramma (LJ):
Dead Sexy, Tate Hallaway

This is the second of Tate Hallaway’s supernatural romance novels, featuring the adventures of Garnet Lacey, witch on the run with a penchant for getting tangled up with vampire lovers, vengeance goddesses, and just plain wonderfully weird shit.

Garnet is trying to live quietly in Madison, Wisconsin, following the murder of all the members of her coven by a Vatican hit squad, and Garnet’s overshadowing by the goddess Lilith – who promptly took out the Vatican assassins. But it’s hard to hide that many bodies forever, and now the FBI is looking for her for questioning. And if that wasn’t bad enough, suddenly the town is just crawling with zombies – and you know that’s always bad news.

Hallaway – who is actually the alter-ego of Lyda Morehouse, author of the Archangel Protocol books – has a delightfully light touch that carries the reader through twists and turns of plot as Garnet tries to keep the FBI agent from finding out too much, deal with the zombie invasion, and keep current lover Sebastian from finding out that she’s letting former lover Parrish crash in her storage locker.

Dead Sexy is quick-paced, cleverly tongue-in-cheek (what else can you call a book that opens with a zombie buying a copy of The Complete Idiot’s Guide to Voodoo - with counterfeit cash?) and a hell of a fun read.

Friday, September 07, 2007

Embarrased by Romance... What?

Over at SF Novelists, there's a really interesting blog by Jackie Kessler about what happens when you discover that cool novel everyone is talking about is shelved in the (*gasp*) romance section called You Shelved it... Where?

I wrote a comment (actually my alter ego did) amounting to the fact that I understand why someone might have felt embarrassed to go into the romance section years ago, but I don't get it any more. I was just at my hometown B&N last weekend standing in the romance section looking at books. There was a surprising amount of erotica with some fairly racy covers, but they're not the kinds of covers that used to make me cringe -- you know the ones with, well, Fabio looking down some babe's cleavage. Now there's a lot more photographic covers (some that still make me blush, but in a TOTALLY different way, see the cover for VAMPIRE QUEEN'S SERVANT I posted here... yowch! HOT!!!) and the cartoonish, stylized ones like the ones I've got.

Plus, I think that a lot of what she's talking about comes from the fact that people like to have someone to look down on, and for a lot of my SF/F friends, that's romance. It's peer pressure based on misinformation. Romance gets the big dis because people still think writers are writing to a formula and that all the heroines are wall-flowers in pink sundresses waiting for a man to make it all right. Anyone whose read romance in the last decade knows better than that.

Romance is where some of the best writing is happening right now. I say, go to that section with pride, sister!

Wednesday, September 05, 2007

Another Review for Many Bloody Returns

I'm not mentioned in this one from Amy's Book Nook, but it's still fun to see:

Birthdays mean another year is behind you, that you are another year older. But what if you were an immortal creature, such as a vampire? How would a birthday’s significance affect you? That is the issue several best-selling authors tackle in "Many Bloody Returns" edited by Charlaine Harris and Toni L. P. Kelner, who also contributed a tale for the anthology.

New York Times best-selling authors Charlaine Harris, Jim Butcher and Kelley Armstrong all bring back well-known characters from their series to mark another year older — regardless of whether they age.

Harris’ Sookie Stackhouse attends the vampire holiday of Dracula’s birthday — the party is held on my birthday, which is a fun coincidence. But as all vampires gather around the world to hope the presumed dead Dracula will show up at one of the festivities — what would happen if he actually did? Hilarity and chaos, of course!

Armstrong’s Cassandra also must tackle her vampire birthday, a time at which all vampires must feed or start the process of dying. Cassandra is finding it hard to maintain interest in her immortal lifestyle — is it a sign of ennui or something more deadly? Armstrong proves what a talented writer she is in this short, heart-wrenching piece.

Butcher’s wizard detective Harry Dresden is looking to celebrate his vampire half-brother’s birthday. But when delivering his gift he stumbles upon a group of humans playing vampires - to the deadly delight of some real vampires. It is up to Harry to save the day again, in typical Harry fashion, by practically destroying the place!

"Many Bloody Returns" also invites readers to try stories from Christopher Golden, Bill Crider, P.N. Elrod, Rachel Caine, Jeanne C. Stein, Tanya Huff, Carolyn Haines, Tate Hallaway and Elaine Viets.

"Many Bloody Returns" is published by Berkley, a division of Penguin. It is $24.95 and 355 pages long.

Tuesday, September 04, 2007

New Review for Dead Sexy

Rambles.net has posted a new review of Dead Sexy. Here are the best parts:

I wasn't that crazy about the zombie portion of this story, as it seemed a little far-fetched to me (yeah, I know this is a vampire book!) and I had a really hard time buying into it. Otherwise, I think Hallaway really wrote a tale with a lot of feeling this time around. There is so much going on between Garnet, Sebastian, Parrish and Dominguez, emotionally, and she writes it beautifully on each page. Garnet must come to terms with and say goodbye to her past and there are several heartfelt moments that made me a little weepy.

This was an excellent followup to the first book. I really enjoyed Dead Sexy and it was a hard book to set down. The ending is a bit of a cliffhanger, leaving me hoping Hallaway is a fast writer and will be coming out with the third book -- soon

Oh, and P.S. today is the first official day MANY BLOODY RETURNS is out.