Friday, August 17, 2007

Feeling It

Cross-posted from Wyrdsmiths:

R. J. Anderson has really interesting post over at Fangs, Fur & Fey today. S/he talks about how she used to write sceens that would make her cry or be otherwise emotionally entangled with her characters, but now she doesn't. She worries that this lack of empathy will affect her writing. She ends the essay with this:

And yet I know I'm not alone in this, and I feel sure that powerful, emotionally resonant stories have been written by authors in much the same situation -- people who for one reason or another just couldn't do the Method Acting thing. Maybe because, like me, they have young children or other needy family members to look after; or maybe because their brains just aren't wired that way, and they find it more natural to cook up a story intellectually than live it vicariously.

I would like to hear from those authors. How do you make your stories and characters come alive -- and what gives you confidence that they are working -- when you aren't "feeling it" yourself?

Or, if you believe that identifying closely with your story is essential to good writing, what techniques or tricks do you use to submerge yourself in the narrative atmosphere when your environment is full of distractions?

If I think about this question seriously, I am forced to admit that I, too, have written both ways. I've had stories that grab me by the throat and force their way out, and stories that I've been able to tell with an intellectual distance with an eye more on craft. It's hard to say if the ones I wrote full of passion and verve are more "alive" than the others. I am, however, reminded of the interview my alternate personality did with Neil Gaiman for Science Fiction Chronicle where he talked about how some days he felt like the Muse moved through him and some days it was like squeezing blood from a turnip (obviously I'm paraphrasing, even on the fly, Gaiman has much better metaphors than I.) His point, however, was that when he went back and read the whole manuscript, he couldn't tell the difference between the days that hurt to write and the days that it was a joy. It all read the same and with the same "magic" or passion, if you will.

I think a lot of people miss opportunities to write because they feel like they have to be in the mood to write, or that this kind of empathy that Anderson worries about has to be present in order to craft "the good stuff." I'm with Gaiman on this one: write when you can, even when writing is hard. It's the only way to get stuff done. In the end, you won't know the difference and neither will the reader.

I do think, however, the writer has to be passionate about the story s/he is crafting. The stories that I can't finish are often ones that I, as an author, have stopped caring about. This is different than the question of empathy, though, I think. I can care about a story that I just don't want to write TODAY. And usually, if I push through today, I get get back in the swing of things TOMORROW. Sometimes, too, I find that if continue writing even when I *think* I don't care about the storyline, my mind will invent something about one of the characters or the situation that I can get fired up about again and the story is saved.

Wednesday, August 15, 2007

Local Folks!

If anyone would like to hear my alternate personality read, tomorrow night I'm going to be at the cafe for writers: Nina's Cafe. Here are the details:

On Thursday, August 16, 2007 starting at 7:20 pm, my alter ego will be reading from her work-in-progress "The Second Coming of Emily" at Nina's Coffee Cafe with Lucie B. Amundsen, who will read from three humor essays culled from the everyday drama of family life; Sharon Chmielarz, who will read poems from her latest two books, The Rhubarb King and The Other Mozart and possibly some newer poems; and Sherry Roberts, who will read from a work in progress about a dyslexic woman who fights a small town in North Carolina that is trying to ban books. Nina's Coffee Cafe is located at 165 Western Avenue North, Saint Paul, MN 55102. For more information or directions call: (651) 292-9816

Monday, August 13, 2007

When Literary Allusions Go Bad

My partner and I were headed back from our friends' cabin in Siren, Wisconsin, when we had to make a pit stop at one of the many gas stations along 35. It just so happened that a whole slue of women all had the same idea, so I found myself standing in line. Next to the women's was a cork board full of people's business cards and advertisements and notices about lost dogs and cleaning services. My eyes wandered the list and came across this:

Needful Things: Antiques & Designs/Interior Design Consulting

And I thought to myself: Seriously? Has Ms. Andrea Aydt (proprietor) never read any Stephen King? Doesn't she know that everyone who shops at Needful Things dies a horrific death? Does she really mean to evoke that particular sensibility?

I just thought it was a strange choice on her part.

What's the worst book title you would name a store?

Also, next time we go up, I'm going to bring along our digital camera to capture some of the more amazing church billboard signs. There were some seriously funny (unintentionally so, I think,) ones this time. Of course, now I can't remember a word of them.