Friday, March 26, 2010

Novel Survey Parts II and III

Somehow I missed Jim C. Hines' publication of the novel survey results part II wherein he tackles the myth of the "overnight success" and "you have to know someone." Both myths -- BUSTED. Check out the results!

Here also is novel survey results part III in which he asks the question: "Can you boost your odds?" of being published by attending conventions, being in a writers group, having an advanced degree in creative writing, etc. The answer to this one is less clear, but interesting reading, none-the-less.

Thursday, March 25, 2010

Self-Promotion Class

***PERMISSION TO FORWARD***

SELF-PROMOTION: Does the very term make you cringe? Do you suffer from "Not-Doing-Enough-Self-Promotion" guilt? Do you think self-promotion is something you'll have time to learn AFTER getting The Call? Here’s THE online workshop for you:

April 5th – 18th -- “GUILT-FREE AUTHOR PROMOTION: Picking the Right PR Options For You”

PR consultant/Berkley author Marcia James and a slate of promotion-savvy guest lecturers will present this two-week online workshop that provides insider tips, hard-won knowledge, and the tools to pick the PR options right for YOU. The lectures include:

Promoting Yourself Before "The Call" by Beth Morrow (Wild Rose Press)
Web Site Design by Karen McCullough (Cerridwen Press & Karen's Web Works)
Online & Print Press Kits by Patricia Sargeant (Kensington/Berkley)
Co-Promotion by Dianne Castell (Kensington, Berkley & Harlequin/Silhouette)
Group Blogs by Donna MacMeans (Berkley)
Author Promotion Sites by DeNita Tuttle (AuthorIsland.com)
Print Advertising by Janice Maynard (NAL)
Public Speaking by Karen Harper (MIRA)
Networking/Power-Schmoozing by Susan Gee Heino (Berkley)
Social Media Sites by Kathy Kulig (Ellora's Cave/Cerridwen Press)
Author Newsletters by Kay Stockham (Harlequin Superromance/Berkley)
Readers' Loops by Carol Ann Erhardt (Wild Rose Press)
Podcasts by Melissa Alvarez w/a Ariana Dupre (Cerridwen Press)

Workshop participants will learn about author branding, create tag lines, and identify elements within their work that lend themselves to niche marketing. In addition to the guest-lectures, Marcia will discuss cross-promotion, print and trinket PR materials, author interviews, and more. And all participants will receive Marcia’s 280-page Microsoft WORD file, filled with detailed information on all types of promotional options.

The workshop is hosted by RWA San Diego (RWA-SD). Cost is $15 for RWA-SD members and $20 for non-members. See http://www.rwasd.com/training/index.html for registration.

Learn to love (okay, LIKE) self-promotion. ;-) And banish the guilt of not doing enough PR. Join us online in April! See you there!

Marcia James writes hot, humorous romances and finaled in 11 RWA contests before selling her first comic romantic suspense, At Her Command. Her short story, "Rescue Me", appeared in Tails of Love, a Berkley benefit anthology, and her latest story, Love Unleashed, was released in February. In her eclectic career, she has shot submarine training videos, organized celebrity-filled nonprofit events and had her wedding covered by People Magazine. An advertising copywriter and marketing consultant, Marcia presents online and in-person author promotion workshops.

Wednesday, March 24, 2010

Still Irritated

The more I think about the question my friend asked yesterday, the more I'm irritated by it. (For those of you just tuning in, the question was:)

When people who aren't writers suggest that if you hate certain parts of writing, maybe you shouldn't do it, do you want to wring their necks, or do you just think it's time to be less honest about your feelings?

Yesterday, I answered: wring their bloody necks. Today, I say: do it, twice. It's justifiable homicide.

Thing is, I suspect that one of the reasons my friend is getting this kind of dis is because she's at a place in her career that non-writers simply fail to understand.

For instance, I don't get asked this question, and, Goddess knows, I complain plenty. But, see, I get paid to write. You can complain about your JOB.

My friend is a working writer*, but she hasn't broken out in a way that non-writers get. There is no book spine with her name on it (not yet!) Thing is, there are people in my business who have won major science fiction/fantasy awards (like the Hugo) for short stories, and probably they get the same lack of respect this kind of question implies.

There's a really dismissive hierarchy in our business that we sometime even apply to ourselves that goes something like this: the only REAL writers are those with publishing credits. But to be really real, you need to have published a novel from a respected NY publishing house, and then better if you're a NAME, someone who has broken the NY Times bestseller list, gotten one of your novels turned into a movie, or is an actual, honest-to-goodness household name, ala Dan Brown, Stephen King, Stephanie Meyer or J. K. Rowling.

That whole thing is so self-destructive and, frankly, delusional in a way that's extremely harmful to our business and those who work in it.

When I was a working writer without publishing cred, I made a conscious decision to stop saying (when asked what I did), "Oh, I'm a secretary, but I'm really a writer." (or worse, "I really WANT to be a writer.") I started telling people, "I am a writer." When they asked the inevitable follow-up, "Oh? Are you published?" I said, "Not yet." I actually had someone walk away from me at that point in the conversation because he deemed me no longer worthy of his attention.

Not only is that rude, but it's also wrong-headed. I think people feel justified in dismissing working writers because of this inane idea that anyone can write. People think that because they speak English, they can write. They're wrong. Writing so that you can be understood is actually a very specialized skill. Writing a rip, roaring story with a beginning, middle and end is a phenomenally specialized skill. Anyone who has actually put their butt into a chair and started that "great American novel" realizes in a heartbeat just how difficult it is.

People who never have tried think it's easy, and therefor completely dismiss the working writer in the early stages of her or his career.

Other writers have been known to dismiss fellow working writers for the complete opposite reason, which is, because they know how hard it is to break in, they have no respect for anyone who hasn't done it (or, interestingly enough, those who fail to continue to do it as well.) For them, I think it's a knee-jerk (heavy on the jerk) reaction to "there but for the Grace of God," however, this response is also rude and wrong-headed.

* A writer is someone who writes. For me the definition of a working writer is someone who writes, finishes what they write, and sends it out. You have the right to call yourself a writer at any point in your career, IMHO. You should also have the right to complain about your job at any point in your career, IMHO, even if you haven't gotten a paycheck yet.

I know that, for me, one of the pivotal points in my career was when I joined the National Writers Union. I was suddenly surrounded by (mostly journalists, but) people who not only made some kind of living writing, but who also demanded to be paid a decent wage for it. This was an eye-opener for me, because previously, like most Americans, I tended to think of writing as something people just did for the fun of it. I thought I was savvy enough to understand that you didn't get paid very well to write and so I should always think of writing as my bit on the side, as it were. But the National Writers Union taught me the value of my work. I should demand pay for what I do, because it *is* a skill, like any other. You wouldn't expect a plumber to work for free; you shouldn't expect a writer to either.

Which is why, actually, I sometimes have a hard time with what I'm doing right now: blogging. With all due respect to my friend Jo Walton and her like-minded colleagues, I'm NOT one of those pixel-stained radicals that believes information wants to be free. Yet, I understand that the market demands it. I believe, however, that giving content away undermines my value as a writer. I think one of the reasons people feel free to dis my friend and all other working writers like her is because everyone *is* a writer these days. You can read a thousand blogs (and stories and novels, for that matter,) for free, and be fairly entertained. People work a lot harder on their blogs than you might think -- the good ones, anyway. All that labor is unpaid. I think that's a crime, or at very least a bloody shame.

If attitudes about writers changed significantly, I might feel differently. For instance, if people start respecting working writers regardless of a paycheck, then paychecks wouldn't matter.

But they do. I'm afraid, my friend, that money still gets the last word, and that is: you're not a real writer until you get paid to do it (and even then, only the really BIG paychecks count.)

Tuesday, March 23, 2010

Art isn't a Luxury

A fellow writer and friend of mine asked this question:

When people who aren't writers suggest that if you hate certain parts of writing, maybe you shouldn't do it, do you want to wring their necks, or do you just think it's time to be less honest about your feelings?

Wring their bloody necks!

As I told her privately, I think there's a bunch of things wrong with the basic assumption of this question. At the heart of it is the issue that, in this country at least, art of any kind, including writing, is considered a luxury. So, if you're complaining about something as trivial as all that, then you're being foolish. You should love your "hobbies" or not do them at all.

Bull (on so many levels.)

Number 1: hobbies are very worthwhile. In fact, if people didn't do cool stuff in their spare time, we wouldn't have gardens, volunteer corps, and any number of amazingly awesome things. But that's a whole separate rant....

However, the place it overlaps is here, in number 2, which is that because art isn't valued in our society, the only time people have to express their art is during their spare time. I wrote the first four novels I published in science fiction while working a full-time job. Why? Because writing doesn't pay the bills, EVEN WHEN YOU GET PUBLISHED. And you know what? I wrote for years before I got published, which meant I did it in between work, house cleaning, and, well, life.

Unlike most other professions (but similar to most arts), there isn't really a structure to follow to "become" a writer. If you want to be a brain surgeon, you go to medical school and can get loans and tons of support from society while you're learning your skill. Writers? Not so much. There's only a lot of crap you get from your non-writing friends while you're learning the craft of writing, such as the rude questions my friend is fielding. I mean, WTF? Would you tell a medical student to quit belly aching over her/his residency requirements? No. Why? Because being a doctor is something Americans see as a valuable profession. Writing is just some quirky luxury. Everyone needs a doctor; no one needs a book, a short story, or, god forbid, a poem.

Except we do.

People have always needed stories.

Monday, March 22, 2010

An Old Joke, but a Good One

This morning, while taking Mason to school, I had to stop the car to let a wild turkey cross the road on Summit near Victoria. I excitedly pointed it out to Mason, who looked up from his Pokemon book and said, "Huh, the chicken must have had the day off!"

My son, the comedian.