No More Mourning Rugs

Today, I feel fairly accomplished (at least so far), despite not doing that much writing. I did work on a number of writing-related things, however.

First of all, I wrote the acknowledgements and a new bio for a short story in the AngeLINK universe that Cheryl Morgan at Wizard's Tower Press will be publishing. It's a story that was first published in, of all places, South Africa, in 2003, in a magazine called Simulacrum: The Magazine of Speculative Transformation. The short story is going to get cover art for the first time EVER, which I bought from the lovely and talented Theo Lorenz, who happens to be the author of the successful coloring book Unicorns Are Jerks (and others.)





What do you think? I know it doesn't match Bruce Jensen's amazing cover art for the AngeLINK universe or even the cover of Resurrection Code, but... I don't know, maybe short stories are friendlier? (Also, I didn't ask Bruce, because I'm sure I can't afford him.)

At any rate, I'm pretty excited to have this story come out and have a wider distribution. Wizard's Tower Press has been very awesome to me. I will let you know when this will be available for public consumption. I believe that it's first going to be part of a giveaway for the Accessing the Future Anthology's successful fundraiser. But, I suspect once they have the contributors have their copies, Wizard's Tower will make it available to the public. And, yes, of course, as soon as I have those details, I'll post them here (and probably everywhere. :-)

And, since we're talking writing, there are two new chapters up at the Enter The Unseen/School for Wayward Demons website, "The Cavalry Arrives with Donuts" and "Destroying the Dead." So, if you've continued along with the story, there's just so much extra goodness for you today.
Speaking of the School for Wayward Demons, I got a very, very rough draft of the novel version off Naomi for beta-reading and probably some triage/first aid. I feel like the novel has good bones but, because of the way Rachel and I wrote it, it's a kind of Franken-story, stitched together with very obvious stitches! :-) But, Naomi is a very smart reader and has always in the past found ways to make my books make sense, so I trust her to have good advice to smooth out the rough edges.

And, to be fair, this is all work I'm doing before I'm even giving it back to my co-author, so it will get many subsequent passes. I'm absolutely sure that by the time we're done, it will be one seriously amazing book.

Fingers crossed, 2015 will start with at least two publications! So yay! Go me!

My other resolution has to do with the blog post I made below in which I discussed some of my publishing "feels." As I told one of the commenters, one of my problems is that I actually had a really good career with Penguin and so when the rug got yanked out from me, I was so stunned that I just sat there on the floor, not getting up, shouting to all passers-by "HEY, THERE WAS RUG HERE! WHAT HAPPENED TO MY RUG? WHY DO YOU STILL HAVE A RUG? I WANT MY RUG BACK!"

It's time to get up off the floor. The rug is gone, my friends, and it's time to move on.

So, I'm going to finish up UnJust Cause, self-publish that, and then, with any luck at all, start on some new novel project.

I'm kind of excited to see what it will be.

Still Hope for 2015

A few things to tell you all about.  A new chapter of School for Wayward Demons is out.  "The Cavalry Arrives with Donuts."

For the two of you who wrote to me (one here and one on Twitter) worried that I would give up writing after yesterday's post, despair not.  Clearly, I'm still writing.  I've got both this School for Wayward Demons project and the Unjust Cause novel that I'm working on over at Wattpad.  

I do despair of ever traditionally publishing again, but, then again, a lot of writers end up doing what I'm trying to do--self-publish and work with smaller presses.

On the other hand, I'm still teaching writers how to write and if you happen to live close to me (in the Minneapolis/St. Paul area,) you should check out the classes I have available for you at the Loft.  The Fanfic class still has openings, but that's meant to start in a matter of weeks and as of right now there aren't nearly enough people signed-up for that one to be viable.  However, there's still hope of Mars Needs Writing: An Introduction to Science Fiction.  

Speaking of Mars, it was cold in my hometown of St. Paul, MN today than it is on some part of the surface of Mars.  Think about that.

Also Mars related, I'm going to be one of the guests of honor at MarsCON 2015 a local science fiction/fantasy themed convention.  

So This Happened (And it's Giving Me Feels)

My colleagues Sherwood Smith and Rachel Manija Brown are self-publishing the sequel to their book STRANGER. Sherwood has a long, detailed post about it "HOSTAGE Preview: Why We Chose to Self-Publish Book 2."

This... makes me sad.

First let me say, I think this was absolutely the right move on the part of Sherwood and Rachel. They're also handing the announcement of the decision a lot more gracefully than I ever would have been able to. I only wish, in fact, that I was as SAVVY as these two women. I wish that I had had a finished book waiting in the wings when Penguin gave me the boot so that I could have made an equally smooth transition to self-publishing. STRANGER fans will not wonder what the heck happened and where the next book is, unlike so many Tate Hallaway fans. So, seriously, good for them for being willing and able to make a move like this. I think an author's priority should always be to taking care of themselves like this, because GODS KNOW THE PUBLISHERS WON'T.

And that, right there, is what makes me sad.

Today I was hoping to get back to publishing my Tate installments over at WattPad. I didn't manage it, partly because I spent the morning finishing up some first draft work on my own collaborative self-publishing venture SCHOOL FOR WAYWARD DEMONS. But, I've had a lot of trouble focusing on the PRECINCT 13 sequel because I get so damned depressed about it. I know that this WattPad stuff is far too little, too late. It's been way too long since a Tate book has come out. Readers have gone to greener, more prolific pastures long, long ago.

The news of Rachel and Sherwood also triggers my depression... and bitterness, really, a feeling I've vowed to try to leave behind in 2014.

Thing is, while I'm glad that they've been able to turn this frown upside down, it really, really sucks (IMHO) they they have to, at all. Go read Sherwood's post because I can NOT believe the crap that professionally published (I should really use air quotes for that) writers are expected to deal with. Who sits on a book that long? What can possibly be the reason? My publisher managed a very quick turn around. I never waited more than a year from my delivery date to publication, so it's possible. Especially since Rachel and Sherwood SHARE MY PUBLISHER (though not my previous editors.)

When I read stories like this I half-wonder if traditional publishers are trying to drive writers away, trying to destroy business. Because so often there's also ZERO publicity for a new book (or continuing books in a series.) So it's almost as if they're doing everything in their power to ASSURE FAILURE.

I say this out of bitterness, surely. But, I had a very successful career with Penguin all things considered. I always had amazing editors. I lucked out very, very often with fantastic covers ("good packaging" as they call it), and, for the most part, I had no reason for complaints. Sure, I did a lot of my own publicity, particularly for my science fiction series, but, you know, I knew that was part of the deal so it never felt raw or unexpected.

Yet news like this makes me so... sad.

I think it's partly because I wish, for once, publishers would have to bear the brunt of their mistakes or ineptitude or whatever is happening over there in traditional publishing. But, they won't. They'll just pick up some other new talent, underpay them, abuse them, and throw them away when there's any kind of problem. None of this will ever lead to any kind of change on THEIR part. The publishing world seems to be changing AROUND traditional publishers, but they seemed happy to just keep on keepin' on (but not in a GOOD way.)

It bums me out.

I'm having feels.