Wednesday, September 09, 2020

The Promise of... Idea

One of the things that I'm doing as I continue to prep for class, is read through old (and I do mean OLD--it is really clear from the copyright pages, exactly WHEN I was trying to learn about writing science fiction/fantasy,) writing advice books.  

I have nearly the entire set of the Writer's Digest Books that have names like Plot and Character and the one I'm reading now Beginnings, Middles & Ends.

Just flipping through, I came across the idea of the promise the author makes to the reader. This Writers' Digest author, science fiction's own Nancy Kress, suggests there are two implicit promises made to the reader. One emotional and the other intellectual.

I've heard about the idea of the writer/read contract before, of course, but the thought that the emotional promise of a story or a novel is that you will be entertained by (or at least absorbed by) it is a new one to me. Specifically, Kress suggests that when a person picks up a romance novel, they come to it with the idea of what they think a romance novel is supposed to be: fun, sexy, titillating... something that, by the end, confirms the belief that 'love conquers all." 

I don't think she's wrong at all.

It's just an interesting question to consider. When I pick up a science fiction book, what am I automatically expecting as a reader?  

Interestingly, I think that when I pick up a science fiction book, I'm expecting to be intellectually challenged. Like, I want to experience something I've never thought of before. I want something new. I kind of don't have an idea of what that's shaped like. I just want to leave the book with a "mmmm, that was fascinating."

I don't think I'm alone, either.

I suspect a lot of science fiction readers just want to be wow-ed, but they have no real criteria for how that's meant to be done by the author. I think this is why you see a lot of experimentation in format of short stories, in plot, in character, in theme... the only promise science fiction readers expect is that you surprise us, keep us on our toes, be innovative in some fashion or another.... sometimes even in mundane ways, like a plot twist or clever maneuver in an otherwise standard military sf novel would be enough for me, you know?  We want a nifty idea, but the shape of it is wide, wide open.

Fantasy is a different animal, I think. I suspect that one of the reasons I read less of fantasy is because what it offers is kind of opaque to me. Do fantasy novels offer a sense of chivalry? Or, a sense of belonging to a special group? The hope that magic exists in some fashion in the world?  When I find a fantasy book that works for me, it's often one that still trips my sense of wonder and is clever or innovative. 

Thoughts?

Thursday, August 27, 2020

Beginning at the End

 As mentioned previously, I'm gathering thoughts for my online class at the Loft. 

I should be thinking about world-building, since that's the subject I have open in the other tab, but I'd previously discussed beginnings--you know, how to hook a reader with a snazzy opening line or starting in the middle of the action. Now, I'm wondering if I should record some thoughts about beginnings, in particular, how critical it is to end as strongly as you start.

I'm not sure how much I actually know about that, since I'm weirdly terrible at endings--at least when I'm writing the first drafts of them.  By the time my ends are in books, they've been through several drafts, including an editorial one.  But, when I'm first finishing a book, I'm often just rushing towards the deadline at full speeds and then stop. My writers group will always tell me "the ending feels rushed."

They're always right.

There is at least one book of mine where I know that I dropped what was cool about the opening completely and kind of never touched on it again.  I don't want to name names, because it's also one of my more wildly successful books? But, if as my colleague Kelly McCullough says, you should start with a problem statement and then end the book with the solution to that problem, I kind of never did that with this book. So, clearly that's not critical to a book's success or failure.

*

I don't know if this blog post has any real thoughts to impart. I'm just trying to get back in the habit of thinking about writing and writing about writing. 

Tuesday, August 25, 2020

Nostalgia

 I've been returning to this blog a lot in the past few days because I'm prepping a class at the Loft.  

I'm not really here to sell the class to you, but it's asynchronous, so if you are not local to me, but would like to take a class from me, the link is here: https://loft.org/classes/over-transom-sff-intermediate-writers

The reason why I've been thinking about this blog (and its sister blog over at Wyrdsmiths) is that I actually wrote down a lot of my thinking about writing here over the years. I mean, a lot of it is VERY old. I'm finding odd gems from 2004 and thereabouts, but it's still kind of fascinating to see how much I recorded over the years.  

This class prep has been killing me a little bit because there is NO live aspect, no Zoom. So, I need to have everything I want to say about writing written down. That's not entirely fair. I do have the option on the program that they've given me (writer.ink) to embed video and audio tracks, which I do intend to do, but the course is intended to be a website--albeit a very complex and interactive one. 

Those of you who have met me know that I'm not actually very good at being straight-forward. I don't think in terms of A to B to C. I'm much more organic, flowing from A to B, but then going off on a tangent on Q, then riff on YELLOW, and then go back to... was I at D? Hopefully, it was entertaining live? When students could raise their hands and say, "Um, I think you skipped C?" I'm not sure how it is all translating into text. 

I did download an app that lets me record voice on my phone and save it as an .mp3.  So, now I can be one of those people you see going for walks talking loudly to themselves. I also bought a license for a pro-video recording software so I can edit any videos I record of lectures.  With luck, this will give the student a sense of who I am and how I think? 

I dunno. I may come back here, though, in the course of working on this class design and write out some of my thoughts about writing again. 

I don't think anyone still checks this blog, but it is still here so I might as well use it.

Tuesday, July 28, 2020

What Day is It in New Zealand?

Some time ago, I registered for CONZeland, the 78th World Science Fiction Convention.... which begins today in North America, because it is already tomorrow in New Zealand.

I spent a surprisingly large portion of the day yesterday trying to figure out WHEN things were happening and how to sync my Discord account to their Discord channel and get set up with their other concurrent systems.

I was hoping to be able to download my schedule into my Google calendar so everything would show up completely in CDT, (GMT-6,) but if that was possible, I never figured it out. In fact, I just wrote down everything, translated to my time, on a piece of PAPER. Because, while they *did* have a way to show your time on panel descriptions, the problem was that I could never get the full schedule to appear that way. If I wanted to see *my* time zone shown, I'd have to click through to each full panel description individually. I mean, I'm glad it was there AT ALL?

Still, this means the list under "my schedule" is pretty useless as something to quickly refer to. And the time slots, even translated to my time zone, all appear in military time, and, as someone whose dyslexia also effects numbers, I can not easily remember what time 1800 hours is, even if you're just saying,"D'uh, Tate, subtract 12!" That just doesn't happen easily in my head, I have to write it down to do the math, by hand, each time.

So now I have my scribbled notes.

That should work just fine.

This is only important because I have ONE thing that I absolutely MUST attend tomorrow (my Wednesday, New Zealand's Thursday) my UK publisher, Wizard Tower Press, is hosting a party for their authors, which includes me, and I am doing a reading for them at 2 pm (CDT.GMT-6). IF you are also attending WorldCON, please come?

My publisher's press release, regarding the event: https://www.cheryl-morgan.com/?p=28097

I will be reading from my newest release, Unjust Cause, which you can buy here: https://wizardstowerpress.com/books-2/books-by-tate-hallaway/unjust-cause/ or anywhere fine books are sold. This book can come to you as paper, hardcover, or e-book. /advertisement.

I have actually not yet checked to see how the party rooms operate. Are they Zoom? Are they Discord voice/video channels? This is going to matter because I'm going to have to figure out which computer to use, because not all of mine have the same processing power. If there is more than one "room" in a Zoom meeting, it has previously (at the Nebula parties I attended) not been possible to navigate independently from my iPad, whereas it is/was, when I use Mason's old computer (which, technically, is one of mine now.)

Ah, virtual cons.

I mean, I have really loved them? I really loved the way the Nebula parties were structured and WisCON was a blast. but, there is always this tech adjustment to be made at the start.

Hope to see you there!

Friday, June 19, 2020

Zoom Book Club (July 14)

If you've read Unjust Cause and want to talk about it with someone (including me!) the Twin Cities Chapter of Northcountry Gaylaxians will be reading it for their July book.

The book club will be held on July 14 at 7 pm CDT/GMT-6 (details of how to join the event are on their FB page: https://www.facebook.com/events/653999645190057/). You are all welcome! Read the book! Come joint us!

Wednesday, May 06, 2020

On the Radio

I was on the radio (an excerpt of my previous interview, but hey!) https://www.cheryl-morgan.com/?p=27181

Thursday, April 30, 2020

Salon Futura Interview... with Me!

I did a lengthy interview with Cheryl Morgan at Salon Futura about Unjust Cause and my writing in general. If you are interested, you can go here to listen to the audio: https://www.salonfutura.net/2020/04/interview-lyda-morehouse-tate-hallaway/

Wednesday, April 15, 2020

A Very Short Teaser/Reading


Using that technology!  I have posted a very short teaser (the first two pages) of Unjust Cause for your entertainment.

Don't forget you can buy it here: https://wizardstowerpress.com/books-2/books-by-tate-hallaway/unjust-cause/

Tuesday, March 31, 2020

Cover Reveal!


It's a book!  It's a book!  My publisher has a lovely blog about it here: https://www.cheryl-morgan.com/?p=26960

The book should be available for purchase very soon. If you read any part of it online, while I was posting it to Wattpad, I think you will be pleasantly surprised by how much is different (improved!) this version is.

For one, it has an ending! 

As soon as it is available to buy, I will post that here as well.

Wednesday, February 19, 2020

Unjust Cause Reading (2/19/2020)

If you missed the show at Strike Theater last night, there's still a chance to hear me read. TONIGHT (2/19)! At Dreamhaven Books & Comics starting at 6 pm, I'll be reading as part of the Speculations Reading Series: http://dreamhavenbooks.com/event/speculations-event-lyda-morehouse/

Tuesday, February 18, 2020

Local Readings

TONIGHT (Tuesday, February 18) from 8pm to 10pm, I will be reading erotica at the Strike Theater (824 18th Avenue NE, Minneapolis, 55413) as part of the Not-So-Silent Planet reading series.

TOMORROW NIGHT (Wednesday, February 19) starting at 6:30 pm I will be reading from my upcoming novel at Dreamhaven Books and Comics (2301 E 38th St, Minneapolis, MN 55406) as part of the Speculation reading series.

Short notice, but please come?

Monday, October 07, 2019

Big News! Sequel to Precinct 13 coming in 2020!

The official press release from my publisher is here: http://wizardstowerpress.com/media/wizards-tower-acquires-unjust-cause-by-tate-hallaway/

I could not be more excited. This book is long over due, but hopefully readers will fall in love with these characters all over again.

Friday, October 04, 2019

WIP Quote

So, I'm in deadline hell for Unjust Cause, the sequel to Precinct 13, (which has been recently acquired by Wizard Tower Press and should be out in 2020), but I wanted to take a second to share a fun moment in which my dragon shifter hero, Valentine says this lovely line:

“Alex, you do remember that I’m an apex predator? Murder is called ‘dinner.’”

Wednesday, October 02, 2019

New Fiction!

  I have a short story in volume #7 of Boundary Shock Quarterly. This actually came out in July, but, as some of you may know, my wife ended up in the hospital in July and I lost track of.... well, pretty much everything. Good news, it's not too late for you to buy all the copies!


Monday, February 18, 2019

Tate Reads (Out Loud)

Tate will be at Kieran's Pub  (85 6th St N, Minneapolis, Minnesota 55403) tomorrow night (Feb. 19) from 8 -10 pm.

"The country's only recurring open mic dedicated to speculative fiction returns Feb 19 with a star-studded show devoted to the themes of love, lust, romance and passion, with invited guests Lyda Morehouse, author of the Garnet Lacy series (as Tate Hallaway) and winner of the Philip K. Dick Award's Special Citation of Excellence, Catherine Lundoff, two-time Goldie Awards winner for erotica whose stories have appeared in over 80 publications, and Twin Cities writer/performers Laura Packer and Tom S Tea!

Got some romantic or erotic speculative fiction you want to perform or know someone who's a fan of sci-fi, fantasy, supernatural horror, or tales of alternate realities? Sign up starts at 7:15 pm in the Poet's Corner of Kieran's Irish Pub. Stories, stand-up comedy routines, poems, and musical pieces are all welcome, just as long as the material is speculative fiction and under seven minutes. Sticking to the evening's theme of Love & Lust is strongly encouraged.

$5-$10 suggested donation. Hosted by Ben San Del

This is an adults-only show. "

Tuesday, February 12, 2019

An Omnibus of Angels


My alter ego, Lyda Morehouse has a new omnibus edition of ALL 5 (only four pictured) AngeLINK books out from Wizard Tower Press. https://www.wizardstowerbooks.com/shop/the-angelink-series/

Monday, July 23, 2018

Podcast!

My story "Indigo Bunting" was read on FOB Rainbow Reading Hour (20-07-2018): http://www.accessradio.org/ProgrammePage.aspx?PID=6a71fe0e-aeab-4139-9fd2-b099ee68e7a5.


It's very weird to hear someone reading my work (I'm listening now.) But, it's very lovely to hear someone else read my work.

Wednesday, March 28, 2018

MiniCON schedule (Tate/Lyda)

If any of you ever wonder why I capitalize the end of MiniCON, it's because if I just type "Minicon" my autocorrect instantly changes it to Minion. Which is, as it happens, a very different thing.

It is also possible that some of you don't know that I will be one of the literary guests of honor at MiniCON this year. I will be sharing that honor with Rachel Swirsky.


My schedule for this weekend is, as follows:
Friday 5:30 PM
Is this the cyberpunk future we were promised?
We never got that future full of flying cars and jetpacks, but we do seem to have quietly arrived at a cyberpunk dystopia: ruled by oligarchs, everyone using their cyberdecks to be online all the time, massive surveillance, bodymods commonplace, AIs seem to be lurking on the fringes...  How different are futures in William Gibson's Sprawl or Lyda Morehouse's Archangel Protocol series from what we have now?
Park 1 (Mainstage)
Greg L. Johnson (m), Eric Heideman, Aaron Coker, Lyda Morehouse

Friday 7:00 PM
Opening Ceremonies
Welcome to the convention! Meet the Guests of Honor, get the crucial information you'll need to survive the next 3 days.
Park 1 (Mainstage)
Toni Brust (m), Kevin Austin, Lyda Morehouse, Emily Stewart, Rachel Swirsky

Friday 8:30 PM
I am not Chuck Tingle
'Doctor Chuck Tingle, a taekwondo grandmaster from Billings, Montana, who acquired a PhD in holistic massage at DeVry University (which does not offer such a degree), was the clear savior of the 2015 Hugo award, and continues to be a delight. Dr. Tingle has yet to make a public appearance, and speculations about identity are easy to come by. Several people we know have brilliant theories about who Chuck Tingle is. Some of them may even BE Chuck Tingle.
Park 1 (Mainstage)
Rick Snyder (m), Terry Hughes, Lyda Morehouse, Rachel Swirsky, Steven Brust


Saturday 10:00 AM
Kaffeeklatsch with Lyda Morehouse
A small group meets with the GoH in an informal setting to share a beverage and friendly conversation. Attendance is limited - signup sheets at registration.
Bar
Lyda Morehouse

Saturday 1:00 PM
GoH Interview - Lyda Morehouse and Tate Hallaway
Tate Hallaway (in puppet format) and Lyda Morehouse (in human format) interview each other. Tate has the best sellers, Lyda has the awards.  Sometimes they don't like each other a lot, so Naomi Kritzer will referee.
Park 1 (Mainstage)
Naomi Kritzer (m), Laura Krentz (puppeteer), Lyda Morehouse

Saturday 4:00 PM
Combining the Mystery/Detective Genre with SF
Although humanity changes very slowly, in the future the methods used to commit crime and enforce laws will certainly change. What elements of detective fiction make for satisfying science fiction? What elements of science fiction make for satisfying mysteries? In the cold world of cyberpunk, does justice usually prevail?
Park 1 (Mainstage)
Scott Jamison (m), CJ Mills, Ellen Kuhfeld, Lyda Morehouse, Dan Rosen

Saturday 5:30 PM
We Suck - Winning Through Losing
Guest of Honors share tales of mistakes and challenges that they have had, how valuable they are as lessons, and the hilarity that ensued.
Park 1 (Mainstage)
Rick Snyder (m), Lyda Morehouse, Rachel Swirsky

Saturday 7:00 PM
The Meaning of Captain America
Captain America has always stood for things that are actually good about the US: caring about the oppressed, working to make society fairer, doing the right thing. How has that vision changed over the course of Cap's history? How is recent politics affecting what Captain America means now?
Park 1 (Mainstage)
Eric Heideman (m), Lyda Morehouse, Scott Jamison

Sunday 10:00 AM
This Will End Well
Sometimes a long-running series ends with just the right notes, wrapping up enough loose ends but not too many, in a way that satisfies all the fans. But there are many examples of endings that have been muddled, controversial, or downright bad: the BSG series reboot; Mass Effect 3; the 2001 Planet of the Apes movie; maybe Evangelion... How can writers avoid messing up endings? What can fans do when endings go wrong anyway?
Park 1 (Mainstage)
Beth Kinderman (m), Joy Johnson, Lyda Morehouse, Scott Jamison, Tanya Brody


Sunday 1:00 PM
Angels in Literature
In Greek mythology, Daedalus constructs wings for his son Icarus, to mimic angels in flight. In cyberpunk, man has constructed electronic angels, free from those pesky laws of physics. What defines an angel? How do angels in SF differ from the classical treatment of angels? How are they similar? What attracts writers and readers to this trope? And what would Milton think?
Park 1 (Mainstage)
Rick Snyder (m), Ruth Berman, Kate Brady, Lyda Morehouse, Steven Brust

Sunday 2:30 PM
Bladerunners [contains Spoilers]
Many people think that Bladerunner is the best sf film ever made. At long last we have a sincere sequel. Did they get it right?
Park 2
Greg Larsen (m), Eric Heideman, Lyda Morehouse, Nico Johnson

Sunday 4:00 PM
Closing Ceremonies
Minicon is the only convention that closes with a traditional assassination.  Don't be late or you might miss it.
Park 1 (Mainstage)
Toni Brust (m), Kevin Austin, Lyda Morehouse, Emily Stewart, Rachel Swirsky


Please note that my interview with Tate Hallaway includes a PUPPETEER. Why, you wonder? Oh, because I joking said, "Ha ha, wouldn't be great if I answered as Tate with a sock puppet??" and fandom being what it is was like "ha ha, we'll do you one better!" AND LEGITIMATELY MADE A MUPPET OF ME. YOU GUYS! A MUPPET.

I hope to heck someone films this.

Wednesday, February 28, 2018

MarsCON 2018 Schedule

Roundtable Discussion: What are You Reading?
3 Eagle's Nest - Re(a)d Mars — Friday 09:00 pm

Readers talk about written words—especially, though not exclusively, speculative fiction—that they're enjoying and that they think you might enjoy, too. Print and electronic works are both welcome.
With: Lyda Morehouse, Bryan Thao Worra, and You, Gentle Reader!


Marvel Cinematic Universe
Room 1117 - Krushenko's — Saturday 11:00 am

Catch up on all Marvel films and TV shows.
With: Tony Artym, mod.; Rob Callahan, Aaron Grono, Lyda Morehouse, Kiana Williams


The Manhwa / Manhua Explosion
4 Hawk's Ridge - Anime/YA — Saturday 03:00 pm

Manga is so yesterday. All the cool kids are now reading manhwa and manhua, manga's Korean and Chinese cousins (respectively.) This panel will introduce people to some of the fun new titles out there and where to get them.
With: Lyda Morehouse, mod.


Writing Humorous Science Fiction/Fantasy
Room 1117 - Krushenko's — Saturday 07:00 pm

On the pitfalls and pleasures of combining these two distinctive writing forms.
With: MaryJanice Davidson, Roy C. Booth, mod.; Melissa Buren, Naomi Kritzer, Lyda Morehouse, S.N. Arly


Androids, AI, And Gender Theory
3 Eagle's Nest - Re(a)d Mars — Sunday 01:00 pm
Androids & AI in sci-fi disrupt the idea of a gender binary and play with gender fluidity in a way that implies gender is not essential or passive but a construct in which one must actively participate. How do these narratives translate to other contexts.
With: Michelle Chmura, mod.; Justin Grays, Naomi Kritzer, Lyda Morehouse


Artificial People in Science Fiction
3 Eagle's Nest - Re(a)d Mars — Sunday 02:00 pm

This is about biological people, enhanced or otherwise, who are not conceived and gestated in the normal way. From "Frankenstein" through "Rossman's Universal Robots," "Do Androids Dream of Electric Sheep" and "Friday" this has been the topic of many classic, and not so classic, science fiction stories. Why are authors drawn to this idea? Is there any real word reason for artificial people?
With: G. David Nordley, mod.; Justin Grays, Naomi Kritzer, Lyda Morehouse, Kathryn Sullivan


---
THIS WEEKEND: March 2 -4, 2018

MaryJanice Davidson will be a guest! The hotel will be: Hilton Minneapolis/St. Paul Airport Mall of America3800 American Blvd E., Bloomington, Minnesota