Pre-Ordering Starts Today

Whoo hoo! I am excited to announce that, as you may have heard from my previous posts about this, my short story "Sincerely Yours" will be appearing in an anthology coming out in February of 2022, and you, you lucky devils, can pre-order it today! 

Here are some of the options for you to buy!

Hardcover:

Barnes & Noble: https://www.barnesandnoble.com/w/the-reinvented-heart-caezik/1139312391

Amazon: https://www.amazon.com/s?k=9781647100421

Kindle: https://www.amazon.com/Reinvented-Heart-Jane-Yolen-ebook/dp/B092JNGX85/

Barnes & Noble: https://www.barnesandnoble.com/w/the-reinvented-heart-jane-yolen/1139229735

Kobo: https://www.kobo.com/us/en/ebook/the-reinvented-heart

Apple: https://books.apple.com/us/book/id1562923075

Synopsis

What happens when emotions like love and friendship span vast distances — in space, in time, and in the heart?

Science fiction often focuses on future technology and science without considering the ways social structures will change as tech changes — or not. What will relationships look like in a complicated future of clones, uploaded intelligences, artificial brains, or body augmentation? What stories emerge when we acknowledge possibilities of new genders and ways of thinking about them?

The Reinvented Heart presents stories that complicate sex and gender by showing how shifting technology may affect social attitudes and practices, stories that include relationships with communities and social groups, stories that reinvent traditional romance tropes and recast them for the 21st century, and above all, stories that experiment, astonish, and entertain.

Space Lesbians!

You know that lesbian space opera I keep talking about? It's going to be part of a new publishing house run by Rachel Manija Brown. 

Here is what she says about it:

Kalikoi, a new F/F publishing house, will launch on May 3.

Kalikoi brings you the best fiction about women in love with women. Our diverse authors know how to stir your imagination, speed up your heart, and make you laugh or cry. But by the end of a book, your only tears will be happy ones: Kalikoi books guarantee happily-ever-after or happy-for-now endings!

Our heroines all identify as women, but beyond that, the sky’s the limit. They may be trans or cis; they may be lesbian, bisexual, pansexual, or asexual; they may call themselves queer or Sapphic or prefer no labels at all. Kalikoi celebrates ALL women who love women.

Whether you’re looking for an action-packed paranormal romance, a fantasy to transport you to a magical world, a historical full of sensual detail, a moody noir, a lighthearted comedy, or a space adventure, Kalikoi has the book for you!

Kalikoi is a project I've been working on for a while, and I'm delighted that it's about to become a reality.

 

The site is still somewhat under construction. For instance, I notice that I haven't sent along my author photo. But, if you go there you can sign up for the newsletter and all that jazz. And, since I'm already shamelessly promoting, let me remind you that if you join my Patreon, you can hear me read from the very same lesbian space opera that I will be publishing with them at the $1 level.  (That video will drop the day after tomorrow around 4 pm CT. So, don't worry if you don't see it yet. I just scheduled it.)

A Bit of Life, A Bit of News

 

It's been very cold here in Minnesota for the past several weeks. I guess, it's all very normal, but all this "April showers bring May flowers" stuff is getting rather dreary. I swear I have not seen the sun in weeks.

Even my cat, Willow, has returned to her winter perch on the radiator.

It's hard to believe it's almost May, honestly. I have a few flowers poking up bravely in my garden, though I was happy to see that some of the trillium that I planted last year have made an appearance. 

The garden this is in still has its leaf cover because it's intended to be a "woodland" garden, aka I was lazy and haven't bagged them up yet. 

Speaking of lazy, I need to decide what to do for my next writing class at the Loft. I've got until the end of May to get in a proposal, but I'm considering proposing another asynchronous class as well as a hybrid one (hybrid, at the Loft, appears to mean: via Zoom unless things change.) I had an extremely successful master class this last semester and I'm taking the summer off to pack my only child off to university in Connecticut.  So these potential classes have a chance at being in-person, since they begin in the fall.

Either way, I need to figure out what aspect of writing. They do themes for their catalog every semester, and this upcoming on is: Outside My Window.  

Many of us felt our worlds shrink a bit during the last year as vacations were cancelled, offices closed, and events postponed. But we also found that some of the most powerful stories are the ones right in our backyards. Writing from where we are can tell us a lot about ourselves, our neighbors, and the world around us.

When we look through a window, we see the world from a unique perspective. What story can only we tell? How might someone looking through another window see it? What are we missing when we can only see a bit of the world through a pane of glass? And in a time when many of us are isolated from each other, how do we bring all of these perspectives together?

I don't HAVE to propose a class that fits this description/vibe, but you do get listed on the special splash pages, if you do.  I mean, an obvious connection I can make is to a spaceship's viewport, but I will have to ponder this a bit.

In other news, I signed the contract for my short story "Sincerely Yours" which will be coming out in The Reinvented Heart Anthology edited by Jennifer Brozek and Cat Rambo coming February 2022 from Arc Manor Press.  So, that continues to be exciting. If you haven't checked out the cover reveal I did of that anthology, you really should. https://www.patreon.com/posts/reinvented-heart-49701907  (This takes you to my Patreon, but this post is open and free to the public.) 

Meanwhile, I continue to work on both my lesbians in space novella and, of course, Alex Connor #3.  Although with the later, I really need to move out of the plotting stage and into the WORDS ON PAGE part or I won't make my deadline! (Which is the end of the year.)

Anyway.

Here's hoping for sunnier days soon. 

Do People Like Newsletters?

 If you do like getting newsletters, you can absolutely sign up for mine: https://tinyletter.com/lydamorehouse (there is a new widget on this page now, too, that you can use to sign up.)  I will probably be posting once a month, so it's not like you'll be flooded with information.

This is separate from my patreon, which you are also always welcome to join. https://www.patreon.com/edit/about

The newsletter, however, is free. 

I will also continue to post here, of course.  The biggest news lately, of course, is that I signed a contract with Wizard Tower press to put out a third book in the Alex Connor series. My deadline is the end of the year, and so we are hoping to have out early 2022 sometime. So there will be continued adventures of everyone's favorite half-dragon Hughes County coroner who can speak to the dead!

Whooo!

Cover Reveal - The Reinvented Heart Anthology

 

My short story "Sincerely Yours," will be coming out in The Reinvented Heart Anthology which is coming from Arc Manor Press in February, 2022, edited by Jennifer Brozek and Cat Rambo.

I am very excited to be part of this anthology and it looks like I am sharing the anthology with a lot of amazing science fiction/fantasy authors. 

Two new things... a Patreon and a NEW BOOK

 Two big announcements for Tate Hallaway fans: first and foremost, I JUST signed a contract for book 3 in the Alex Connor series. It is as yet unnamed, but I have a due date of the end of this year (2021) and thus am presuming that the book will come out in spring of 2022!!

Woot! More Alex and Valentine!

In tandem with that, I thought I might finally jump on the Patreon bandwagon (I know, I know, that's like so last decade, but I'm slow to adopt!) and let anyone who signs up follow along as I write book three (and all other works-in-projects.)  You can become a fan and get exclusive content for as little as $1 a month, so... it might be worthwhile. Check it out!

https://www.patreon.com/lydamorehouse

Marscon Appearance (Virtual)

Tonight, I am doing a Zoom panel at MarsCON (FREE!) and a recorded bonus track:

08:30pm - Friday -  Apocalypse Crafting - Panel Channel - During the pandemic, we all took up hobbies that are related to being housebound / on Zoom a lot which we'd like to talk about. https://youtu.be/b26oxuD_j3o with: Naomi Kritzer, mod.; S.N.Arly, Lyda Morehouse, Isabel Schechter, Haddayr Copley Woods


09:15PM - Friday -  Reading by Lyda Morehouse (Tate Hallaway) - Bonus Tracks-  Lyda Morehouse aka Tate Hallaway reads from Unjust Cause (Wizard Tower Press) https://youtu.be/ZHcM8bmAkGM with: Lyda Morehouse

So, what is weird about this is that if you want to watch me live, you will have to miss my recorded reading... or bail fifteen minutes before the end of the last panel? Because my reading is very short and so if you go at the end hoping to catch some, you will have missed it. I guess the downside of virtual cons is that they can LITERALLY schedule you opposite yourself.

Seems weird that they wouldn't have pushed that back even fifteen minutes? But, I guess I should have checked the schedule earlier or, I dunno, asked them not to schedule me against myself?

Anyway, that's me. Come see me or part of me?

Starting with a Bang (and Why That's Bull)

 I've start up a new writers' group that includes some writers who are newer to the craft. This has been wonderful for me, because I personally find it useful to my own process and to my own understanding to have to articulate how writing works. 

One of my colleagues was complaining that his other writers group always harps on him to have a strong hook. They keep telling him "You have to start with a BANG." The problem is the story he wants to tell isn't a high octane shoot 'em up, it a quiet, reflective piece about grief and a small, personal mystery. So, he was talking about how frustrating it is to have to artificially wrench his story into a form where it starts with some kind of huge dramatic moment.

I stopped him and said, "It's a lie. What your colleagues are telling you is a lie."

A hook can be an actual gunshot, but what a BANG is, is simply the easiest way to get a reader's attention. It is not--absolutely not--the only way to get it.

You don't actually have to start with a bang at all. What you have to start with is a "hook," and that is very, very, VERY different than a bang. What a hook is, is something that compels a reader to want to go on. It's a sense of tension, an anxiousness to know more, it is a question that the reader desperately wants answered, or a quiet sense of building dread... or something else that has the reader saying 'OOoooooOOO, I want more of THIS.' 

It doesn't have to be BIG, it just has to be compelling.

It has been drilled into to new writers that the opening has to be exciting... and it does. It's just that it doesn't have to be "exciting" in a conventional way. 

I would go so far as to say that, if you do it right, almost anything could be a hook. A really strong sense of place could be enough for a reader to settle in an say to themselves, "Yes, this place seems super interesting, I want more." A strong, quirky narrative voice might be enough for a reader to say, "WHO is this person?? I must find out!" 

My friend and fellow Wyrdsmith, Adam Stemple once told me that an opening has to leave the reader with the impression that they are "in the hands of a master." And, he's right. Part of what you are establishing with your hook is a sense that you can be trusted to tell a good story. One of the ways you can gain that trust is believing that what you have to say is enough. Don't feel like you have to artificially contort your story so that you start in some conventionally "exciting" way. Just give your readers that nugget, the one that hints to them that what is promised is totally worth it. 

It still takes work to do it right, but don't waste that work thinking you have to go big or go home. You have to be interesting and compelling. That's hard enough! 

I'll Be Back (and I am!)

 

This news from my publisher's blog:

-----

In October, I released a pair of anthologies, one F/F and one M/M, featuring magical pets. All proceeds benefit OutRight Action International, which fights for the rights of LGBTIQ people across the world.

The anthologies are delightful if I do say so myself, featuring a new Liavek novelette by Pamela Dean, a novelette by myself about a post-apocalyptic cat cafe, and short stories by Yoon Ha Lee, Tate Hallaway (Lyda Morehouse), Aster Glenn Gray, Damkianna, Ellen Million, and many more fantastic writers. Adorable magical creatures include an amphibious cat who can teleport from one body of water to another, a winged Bichon Frise, a flying cat who transports love letters, a set of spirit creatures straight out of a Miyazaki movie, a talking matchmaking squirrel, and many more.

Unfortunately, the anthologies ran afoul of a truly idiotic Amazon rule saying that anthologies must be labeled with the exact word "collection" and not "anthology." A sequence of bureaucratic idiocies later, the anthologies-I-mean-COLLECTIONS had to be pulled from the store and one of them had to be republished by someone else.

But, happy ending, they're back now. I know some of you meant to review them and couldn't; now you can! And if you meant to buy them, now you can do that too! Please broadcast this far and wide. It's a good cause and I promise you won't regret reading them.

Some injured animals get rescued and there are some ghost characters, but there is no animal death and everyone gets a happy ending.

The books will be released wide in three months. We're still working on paper editions. Please email or message me if you want a review copy or a non-Kindle format.

Her Magical Pet: Benefit F/F Story Collection

 

His Magical Pet: Benefit M/M Story Collection

VOTE

 

What Was Live is Live No More (for Now)

 Sounds like I'm talking about vampires, doesn't it?

Alas, I'm only talking about the link to His Magical Pet. My publisher ran into some trouble with Amazon over what basically boils down to semantics. Here's what she says:

Amazon has suspended my entire author account due to the paperback of His Magical Pet. I am trying to get it restored now. 

Apparently it violated Amazon guidelines on metadata, which require that they say “collection” not anthology - Amazon in its infinite wisdom does not recognize anthology as a valid label. They also need the author names on the covers. (The names need to match the listed names and Amazon will only allow ten listed names, so not all authors can be listed on the cover of Her Magical Pet SORRY.)

Once I get my account back, I have to unpublish both books, then re-publish them with corrected covers. This unfortunately will break all links to the books and delete all reviews. 

I'm really sorry about this. Working with Amazon is definitely like doing a deal with the Devil. On the plus side, the anthologies have made nearly $1000 in less than a month!

A thousand bucks so far! That's a silver lining at least. Thank you to everyone who has contributed to this charity COLLECTION (since apparently we can't call it an anthology any more,) but for those who still want to buy it, PLEASE BE PATIENT. My publisher will get it back up and running ASAP, though we will lose those precious first reviews--so, if you were one of those early reviews? Please consider posting again once we have everything straightened? It would be a great help. 

It's LIVE! Order Now

HIS MAGICAL PET is live!

https://www.amazon.com/His-Magical-Pet-Tate-Hallaway-ebook/dp/B08L8JCT3C/


Go buy it! 

Here's the full blurb:  


Have a shot of concentrated joy, with nine stories of men in love... and their adorable magical pets!

All proceeds from the collection will be donated to OutRight Action International, which fights for the rights of LGBTQIA people worldwide.

In this enchanting collection, supervillain husbands apply to adopt a cat, a dog with wings helps old friends confess hidden desires, a tour guide for an island of magical New Zealand wildlife falls for a visiting naturalist, and much, much more!

Includes all-new stories from Tate Hallaway, Aster Glenn Gray, Liv Rider, and more of your favorite authors.

“Chitter-Chatter,” by Riley Rivers. A chatty squirrel, accidentally given the power of speech through a spell gone wrong, tries to matchmake her two favorite humans - who unfortunately can’t stand each other.

“Catastrophe,” by Liv Rider. Matthew's new protection spell needs some workshopping. Especially since it keeps making his cat suddenly appear in his hot new neighbor's apartment.

“Care and Feeding,” by Aster Glenn Gray. Gabriel and Dmitri seem stuck as platonic friends... unless Gabriel's flying bichon frise Moppet can help them see each other in a new way.

“Throw Me a Bone,” by Elva Birch. New werewolf Lucas is forced to masquerade as his own pet when he chases his runaway collie right into the yard of his neighbor crush.

“If Not for the Rat,” by Avery Vanderlyle. A Changeling and his human lover pick up a pet rat that is much more than it seems.

“Fate and Your Average Supervillain,” by Tate Hallaway. Supervillain husbands try to craft the perfect application to adopt a cat from annoyingly picky agencies.

“Now You See Me,” by CJ Krome. A ghost bird brings a lonely ghost and a hot human together… but can they stay together?

“In a Blink,” by Mona Midnight. Alec's cabin getaway is just an excuse to work on his thesis--until a friendly cat and her sweet, gorgeous owner turn his trip into the perfect vacation.

"Gulls and Snails and Quokka Tails," by Harriet Bell. Nik wasn't keen on guiding a bunch of visitors around his family's island of magical New Zealand wildlife - but then he met the handsome naturalist who'd signed up.

New Publication COMING SOON!

 Hopefully going live in the next couple of days is a charity anthology called, His Magical Pet:

The blurb goes like this:

Have a shot of concentrated joy, with nine stories of men in love... and their adorable magical pets!


All proceeds from the collection will be donated to OutRight Action International, which fights for the rights of LGBTQIA people worldwide.


In this enchanting collection, supervillain husbands apply to adopt a cat, a dog with wings helps old friends confess hidden desires, a tour guide for an island of magical New Zealand wildlife falls for a visiting naturalist, and much, much more!


Includes all-new stories from Tate Hallaway, Aster Glenn Gray, Liv Rider, and more of your favorite authors

It should be live in a matter of days (fingers crossed!) Will post a link when that happens. It would make a lovely holiday gift for any queer holiday (which, c'mon, you know is ALL of them.) Given how sweet and adorable my story is, it could also be the antidote for what has been a very miserable 2020 for many of us.

The Dreaded Middle

I briefly thought that my Loft class was cancelled, but four new students materialized out of nowhere last minute, so I'm back on. 

The course officially opened on Wednesday morning. One of the first things I always ask my students is: Is there any aspect of writing that you struggle with the most?  I ask this so that if a majority of people struggle with a similar thing, I can expand whatever lecture that falls into. 

This class is on-line and, as intimated in my opening, not hugely populated. I have about five students, though only four have actually checked into the course work so far.  The people who are on-line are fairly engaged, answering questions I posed and asking some of their own. 

Two people--so 50% of the active class--say they struggle with middles. They get lost, lose their way, and sometimes fizzle out of the story completely. 

I dug out my Writer's Digest Beginnings, Middles & Ends by Nancy Kress, because I've never tried to articulate my own process for getting through the middle beyond "I guess you just  put your nose to grindstone" or "I dunno, just keep writing to the end?" 

Which, at least I realize is not at all helpful.

In re-reading (though I'm not sure I ever made it all the way through to the end when I bought the book,) I realized that a lot of writers find their way into their stories and don't know some key things that would help make that middle bit less overwhelming.  One of them is:

• Whose story is it?

I had a novel, my fourth one as Lyda Morehouse, Apocalypse Array, where I thought that I knew who the story was about, who the main characters were. I had several points of view in that book, and it was only when the deadline was only about two weeks away when my wife read the manuscript I thought was finished and said, "But this character's story, it doesn't actually add to the plot does it? It doesn't fit and doesn't go anywhere." I was so furious! My wife isn't even a writer! How dare she.... be right.

Characters have to change, they have to grow in some way.  If you have multiple viewpoint characters, they have to have that moment when their stories all intersect--all reach for the same thing (even if it's not a similar plot point but instead a similar emotional or thematic 'thing.')  

I rewrote an entire fifth of the novel in two weeks. I ripped out the character who didn't belong and inserted one who did. I did it all in two weeks. 

That book won me the Special Citation for Excellence Philip K. Dick award.

And now we come to the real epiphany I had about middles. They are scary when you're married to your beginning, when you think that what you've written is somehow written in stone. Middles are surmountable when you realize beginnings can shift to accommodate where you went, where you suddenly realize you want to go, what your book or story is ABOUT. 

It's not middles that are so dreadful, it's the fear of revision. 

If you are willing to tear it all up and do it over, you realize there's nothing to fear.

The Promise of... Idea

One of the things that I'm doing as I continue to prep for class, is read through old (and I do mean OLD--it is really clear from the copyright pages, exactly WHEN I was trying to learn about writing science fiction/fantasy,) writing advice books.  

I have nearly the entire set of the Writer's Digest Books that have names like Plot and Character and the one I'm reading now Beginnings, Middles & Ends.

Just flipping through, I came across the idea of the promise the author makes to the reader. This Writers' Digest author, science fiction's own Nancy Kress, suggests there are two implicit promises made to the reader. One emotional and the other intellectual.

I've heard about the idea of the writer/read contract before, of course, but the thought that the emotional promise of a story or a novel is that you will be entertained by (or at least absorbed by) it is a new one to me. Specifically, Kress suggests that when a person picks up a romance novel, they come to it with the idea of what they think a romance novel is supposed to be: fun, sexy, titillating... something that, by the end, confirms the belief that 'love conquers all." 

I don't think she's wrong at all.

It's just an interesting question to consider. When I pick up a science fiction book, what am I automatically expecting as a reader?  

Interestingly, I think that when I pick up a science fiction book, I'm expecting to be intellectually challenged. Like, I want to experience something I've never thought of before. I want something new. I kind of don't have an idea of what that's shaped like. I just want to leave the book with a "mmmm, that was fascinating."

I don't think I'm alone, either.

I suspect a lot of science fiction readers just want to be wow-ed, but they have no real criteria for how that's meant to be done by the author. I think this is why you see a lot of experimentation in format of short stories, in plot, in character, in theme... the only promise science fiction readers expect is that you surprise us, keep us on our toes, be innovative in some fashion or another.... sometimes even in mundane ways, like a plot twist or clever maneuver in an otherwise standard military sf novel would be enough for me, you know?  We want a nifty idea, but the shape of it is wide, wide open.

Fantasy is a different animal, I think. I suspect that one of the reasons I read less of fantasy is because what it offers is kind of opaque to me. Do fantasy novels offer a sense of chivalry? Or, a sense of belonging to a special group? The hope that magic exists in some fashion in the world?  When I find a fantasy book that works for me, it's often one that still trips my sense of wonder and is clever or innovative. 

Thoughts?

Beginning at the End

 As mentioned previously, I'm gathering thoughts for my online class at the Loft. 

I should be thinking about world-building, since that's the subject I have open in the other tab, but I'd previously discussed beginnings--you know, how to hook a reader with a snazzy opening line or starting in the middle of the action. Now, I'm wondering if I should record some thoughts about beginnings, in particular, how critical it is to end as strongly as you start.

I'm not sure how much I actually know about that, since I'm weirdly terrible at endings--at least when I'm writing the first drafts of them.  By the time my ends are in books, they've been through several drafts, including an editorial one.  But, when I'm first finishing a book, I'm often just rushing towards the deadline at full speeds and then stop. My writers group will always tell me "the ending feels rushed."

They're always right.

There is at least one book of mine where I know that I dropped what was cool about the opening completely and kind of never touched on it again.  I don't want to name names, because it's also one of my more wildly successful books? But, if as my colleague Kelly McCullough says, you should start with a problem statement and then end the book with the solution to that problem, I kind of never did that with this book. So, clearly that's not critical to a book's success or failure.

*

I don't know if this blog post has any real thoughts to impart. I'm just trying to get back in the habit of thinking about writing and writing about writing. 

Nostalgia

 I've been returning to this blog a lot in the past few days because I'm prepping a class at the Loft.  

I'm not really here to sell the class to you, but it's asynchronous, so if you are not local to me, but would like to take a class from me, the link is here: https://loft.org/classes/over-transom-sff-intermediate-writers

The reason why I've been thinking about this blog (and its sister blog over at Wyrdsmiths) is that I actually wrote down a lot of my thinking about writing here over the years. I mean, a lot of it is VERY old. I'm finding odd gems from 2004 and thereabouts, but it's still kind of fascinating to see how much I recorded over the years.  

This class prep has been killing me a little bit because there is NO live aspect, no Zoom. So, I need to have everything I want to say about writing written down. That's not entirely fair. I do have the option on the program that they've given me (writer.ink) to embed video and audio tracks, which I do intend to do, but the course is intended to be a website--albeit a very complex and interactive one. 

Those of you who have met me know that I'm not actually very good at being straight-forward. I don't think in terms of A to B to C. I'm much more organic, flowing from A to B, but then going off on a tangent on Q, then riff on YELLOW, and then go back to... was I at D? Hopefully, it was entertaining live? When students could raise their hands and say, "Um, I think you skipped C?" I'm not sure how it is all translating into text. 

I did download an app that lets me record voice on my phone and save it as an .mp3.  So, now I can be one of those people you see going for walks talking loudly to themselves. I also bought a license for a pro-video recording software so I can edit any videos I record of lectures.  With luck, this will give the student a sense of who I am and how I think? 

I dunno. I may come back here, though, in the course of working on this class design and write out some of my thoughts about writing again. 

I don't think anyone still checks this blog, but it is still here so I might as well use it.

What Day is It in New Zealand?

Some time ago, I registered for CONZeland, the 78th World Science Fiction Convention.... which begins today in North America, because it is already tomorrow in New Zealand.

I spent a surprisingly large portion of the day yesterday trying to figure out WHEN things were happening and how to sync my Discord account to their Discord channel and get set up with their other concurrent systems.

I was hoping to be able to download my schedule into my Google calendar so everything would show up completely in CDT, (GMT-6,) but if that was possible, I never figured it out. In fact, I just wrote down everything, translated to my time, on a piece of PAPER. Because, while they *did* have a way to show your time on panel descriptions, the problem was that I could never get the full schedule to appear that way. If I wanted to see *my* time zone shown, I'd have to click through to each full panel description individually. I mean, I'm glad it was there AT ALL?

Still, this means the list under "my schedule" is pretty useless as something to quickly refer to. And the time slots, even translated to my time zone, all appear in military time, and, as someone whose dyslexia also effects numbers, I can not easily remember what time 1800 hours is, even if you're just saying,"D'uh, Tate, subtract 12!" That just doesn't happen easily in my head, I have to write it down to do the math, by hand, each time.

So now I have my scribbled notes.

That should work just fine.

This is only important because I have ONE thing that I absolutely MUST attend tomorrow (my Wednesday, New Zealand's Thursday) my UK publisher, Wizard Tower Press, is hosting a party for their authors, which includes me, and I am doing a reading for them at 2 pm (CDT.GMT-6). IF you are also attending WorldCON, please come?

My publisher's press release, regarding the event: https://www.cheryl-morgan.com/?p=28097

I will be reading from my newest release, Unjust Cause, which you can buy here: https://wizardstowerpress.com/books-2/books-by-tate-hallaway/unjust-cause/ or anywhere fine books are sold. This book can come to you as paper, hardcover, or e-book. /advertisement.

I have actually not yet checked to see how the party rooms operate. Are they Zoom? Are they Discord voice/video channels? This is going to matter because I'm going to have to figure out which computer to use, because not all of mine have the same processing power. If there is more than one "room" in a Zoom meeting, it has previously (at the Nebula parties I attended) not been possible to navigate independently from my iPad, whereas it is/was, when I use Mason's old computer (which, technically, is one of mine now.)

Ah, virtual cons.

I mean, I have really loved them? I really loved the way the Nebula parties were structured and WisCON was a blast. but, there is always this tech adjustment to be made at the start.

Hope to see you there!

Zoom Book Club (July 14)

If you've read Unjust Cause and want to talk about it with someone (including me!) the Twin Cities Chapter of Northcountry Gaylaxians will be reading it for their July book.

The book club will be held on July 14 at 7 pm CDT/GMT-6 (details of how to join the event are on their FB page: https://www.facebook.com/events/653999645190057/). You are all welcome! Read the book! Come joint us!

On the Radio

I was on the radio (an excerpt of my previous interview, but hey!) https://www.cheryl-morgan.com/?p=27181