Interview with Jenna Black

Book Blurb: Drake is a Killer vampire.

Unlike the Guardians of the Night, Drake feeds on human blood, choosing victims who deserve to die. But still he works with the Guardians to protect those humans who yet have some good in them.

When Gabriel, the leader of the Baltimore Guardians, mysteriously disappears, Drake finds himself in charge of a small band of inexperienced fledgling vampires. When a delegation of European Killers arrives in Baltimore looking for Gabriel, Drake must call on all the savagery of his sordid past to keep the Guardians in line—and to protect them from the ruthless Killers.

Forced to confront a past he has tried so hard to outrun, Drake risks losing his humanity. His only hope is Faith, the French Seigneur’s concubine, who desperately needs his help to rescue her human sister from the Seigneur’s clutches. Then someone begins killing the members of the European vampire delegation, and Drake is the only suspect. Will Drake be saved by love, or will he become a Killer without a conscience?

What was your inspiration for writing HUNGERS OF THE HEART?

Since the first book of the Guardians of the Night series, I’ve always known I would eventually write Drake’s book. Many of my readers have also impatiently been awaiting his book since they first “met” him in WATCHERS IN THE NIGHT. As excited as I was to write his story, though, it turned out to be very hard to do. One of the most attractive things about Drake in WATCHERS was his self-confidence, the sense that he was comfortable in his own skin. Confident, comfortable characters, however, don’t make for interesting protagonists, so I had to shake him up. I found myself strangely reluctant to do so. That was the first time I had to struggle to make myself be mean to one of my characters. Usually authorial cruelty comes easily to me, as my readers no doubt know!

Which books and authors have most influenced your career?

I’d have to credit THOSE WHO HUNT THE NIGHT, by Barbara Hambly, as being the book that piqued my interest in vampires. The main vampire character in that book, Don Simon Ysidro, is absolutely fascinating to me. There’s no question he’s a bad guy—all her vampires are killers, and none of them seem to feel any remorse for their actions. However, Don Simon also has redeeming qualities, such as a sense of honor, that make him at least somewhat sympathetic to both the reader and the novel’s hero. (And from that description, you can no doubt see how much I was influenced by that particular book!)

For my urban fantasies, I’d have to credit the Anita Blake series, by Laurell K. Hamilton as having had the most influence. That was the first urban fantasy series I read, and I ended up absolutely hooked. After reading her books, I went on to “discover” such authors as Kelley Armstrong, Keri Arthur, Rachel Caine, and Patricia Briggs. It was because I loved all those books so much that I set out to write an urban fantasy myself.

What’s the best and the worst advice you’ve ever received?

The worst advice I ever received was to slavishly follow all publishers’ guidelines for submissions. (Note the word “slavishly.” I’m not saying to ignore guidelines.) For the 16 + years I was seriously trying—and failing—to get published, I dutifully submitted books one at a time, no simultaneous submissions. I can’t tell you how many times I had to wait a year or more to get a response. And during that waiting time, I refused to submit the book to another publisher, because most publishers say they won’t accept simultaneous submissions. It made for a painfully slow, agonizing, frustrating process. If I had it all to do over again, I’d probably go ahead and make simultaneous submissions despite the guidelines. I think it would have saved some of my sanity.

The best advice was for me to take responsibility for my own career. This meant always acting as though my career was under my control, even when sometimes it feels like I’m a victim in the winds of fate. This advice was crucial to my finally getting published. I had gotten to a point where I’d convinced myself I needed to get that lucky break to get my foot in the door. And that was a dismal prospect, because you can’t control luck. Then I went to a workshop where the teachers were adamant in their belief that luck has nothing to do with it, that if you write well enough and long enough, you’ll break in. It was a total change of attitude for me, and it changed the way I approached my career. When I began to believe that it was my own abilities, not the whims of luck, that would ultimately get me published, I started working much, much harder at my writing. I started treating it like a career, rather than a hobby. A year later, I had an agent. Two years later, I had my first contract. And now I have five books out with four more under contract. So it was by far the best advice I’ve ever received.

What (besides writing) do you do for fun?

Number one on my list is, naturally, reading. Like most writers, I’m a voracious reader. I’ve recently become addicted to doing jigsaw puzzles. My enjoyment of jigsaw puzzles has come and gone multiple times over the course of my life. I’ll go for years without doing one, then suddenly I’ll have an urge and I’ll do a whole bunch in a row. I’m finding them particularly fun right now because they’re something I can do that doesn’t involve sitting in front of a computer.

I also enjoy ballroom dancing, which I’ve just taken up again after several years’ hiatus. I think it’s important for me to find things to do outside the house now that I’ve quit my day job. It would be so easy for me to become a hermit. So that’s why I decided to start dancing again. (Though it’s also a lot of fun as well as being good exercise.)

What are you writing now?

Right now I’m working on the fourth book in my Morgan Kingsley series. I’ve just gotten started, so I’m still in those very uncertain “what the heck is going to happen in this book?” stage. It often takes me a few chapters before I start feeling like I’ve “really” started the book. I’ve also been playing around with an idea for a YA urban fantasy, but I have to put that aside now to work on the book that’s sold and on deadline.

Did you always want to write? Or did you stumble into it? How did you get where you are now?

I wrote my first book when I was in fifth grade. It was an autobiography. It’s written in pencil, with crayon illustrations and a construction paper cover. So I’ve pretty much been writing forever. I wrote my first novel my senior year of high school for my English class on creative writing. (Actually, it was really a novella, but I considered it a novel at that time.) I then wrote my first real, full-length novel in college. However, it took about 20 years and 17 more novels before I made my first sale.

In college, I majored in anthropology and French. My intention was to get a PhD in physical anthropology and become the next Jane Goodall. Obviously, my career and my ambitions ended up taking a different path.

What does a typical writing day look like for you? How long do you write, that sort of thing?

I start out by trudging up to my computer while guzzling coffee as I try to shake the sleep clouds from my head. (I’m not the best morning person in the world.) I usually read emails and look at some of my favorite Internet sites (like MySpace and Romance Divas) while I wait for my brain to be fully functional. Then I drag myself to a computer that has no Internet access and no games—nothing installed on it other than word processing software. And I write.

I tend to write in multiple short (45 minutes to an hour) spurts throughout the morning and early afternoon. Between spurts, I check email or do chores or work out. (Or goof off, but I try to keep that to a minimum.)

Where do you write??

I have a home-office-cum-library where I work. It’s a converted bonus room over our garage, and it’s decorated to help stimulate my imagination—and give me the illusion that I’ve actually left the house to write. The effect is like working in a medieval/gothic library, with faux-wood floors and faux-stone walls.

What is the best part of being a writer? The most frustrating?

The best part about being a writer for me is hearing from readers. I love knowing that people have read and enjoyed my books. I was especially moved when I got an email from a reader who was seriously ill and told me my books helped make the bad times better for her. Books have always been my escape during the worst times in my life, and one of the thoughts that kept me going while I was struggling to sell that first novel was the desire to provide that same kind of escape for others. Learning that I’d done so for at least one reader brought tears to my eyes.

The most frustrating part of being a writer is how many things about your career are not under your control. You can’t control the whims of the market, the editorial shifts in your publishing house, the closing of lines, the cover art, the marketing . . . You name it. (Some of those things you can control when you’re a mega star, but I’m not there yet!)

This isn't your first book; tell us a little bit about what else is out there?

There are three other books out in the Guardians of the Night series: WATCHERS IN THE NIGHT, SECRETS IN THE SHADOWS, and SHADOWS ON THE SOUL. There’s also THE DEVIL INSIDE, the first book in my Morgan Kingsley, Exorcist series. The second book in that series, THE DEVIL YOU KNOW, will come out on July 29.

Where can we learn more about you and your books?

My website is www.JennaBlack.com. You can also find me on MySpace at www.MySpace.com/jennablackbooks.