Tuesday, September 28, 2010

What I've been reading...

I've been working steadily on my editorial revisions for the second vampire princess of St. Paul book, ALMOST TO DIE FOR, and doing a lot of cold-weather reading. You know what I mean by cold-weather reading, right? It's the kind of reading that involves a couch, cats (if you have them,) a roaring fire (if you have one), and a lot of blankets.

What I've been snuggling up with has been a wide range. I read CATCHING FIRE by Suzanne Collins, the sequel to HUNGER GAMES (which I loved). I ran out and bought MOCKINGJAY, but things were left in such a depressing place that I found I bounced out of the book almost as soon as I sat down to read it. So my restless fingers lighted on one of the books in our bathroom bookshelf. We intentionally keep a lot of cheesy classics in the bathroom just for those moments when you want to read a chapter or two of something you don't necessarily need to finish. So I picked up TARNSMAN OF GOR.

There are slave girls and manly men and... well, if you don't take it too seriously, a great deal of adventure.

What about you? What are you reading?

Friday, September 24, 2010

Interview with Me

An interview with me appears today over at Booksnob. Enjoy.

Monday, September 20, 2010

Vampire Dreams

This morning, I found an invitation to submit to an anthology called Crimson Dreams in my inbox. I would _LOVE_ to write for this, but vampires aren't the subject of my nightmares, _ever_.

I had a very memorable dream about a vampire once, though. There was some dreamscape plot that involved the FBI, I no longer remember the details, but at some point someone needed pushing around. I used my super-vampire strength and tossed them into a wall. I woke up from the dream with a smile on my face. I was thinking, "Yeah, that would be AWESOME."

But that's the extent of my vampire dreams. Do you dream about vampires? Have nightmares about them?

Thursday, September 16, 2010

Listen to Me!

MANY BLOODY RETURNS is now available as an audio book from Audiobook Stand.com. My short story "Fire and Ice and Linguine for Two" is collected therein. The theme of the anthology is vampires and birthdays, so my story involves Garnet and Sebastian's wacky attempt to celebrate his birthday one Christmas. For those of you who have read HONEYMOON OF THE DEAD, this story is actually the first appearace of Fonn, the Frost Giant.

I've pointed you to the .mp3 version, but it's also available as a CD. I might have to order both, since the CD will fit nicely on my bookshelf of achievements, and I can actually listen to the .mp3.

I'm psyched about this because I've NEVER had anything of mine appear in audio format before. It's going to be weird/cool to hear someone ELSE read my words.

Wednesday, September 15, 2010

Fighting Oil with Ink

My alter ego donated a short story reprint to the anthology, BREAKING WAVES: AN ANTHOLOGY OF GULF COAST RELIEF. This is an e-book available in a number of formats from Book View Cafe. 100% of the proceeds go to the Gulf Coast Relief Fund. Contributors include Ursula K. LeGuin, Vonda McIntyre, David D. Levine, Sarah Monette, David B. Coe, Kristine Kathryn Rusch and many more.

The theme is ecological disasters with hopeful endings (preferably involving the ocean.) Mine is "Indigo Bunting," which is a strange coming of age story in a recovering post-nuclear winter Yellowstone National Park.

Tuesday, September 14, 2010

Writing and Telepathy

In Stephen King's ON WRITING, he has this great little bit about how writing is awesome because it's like time-traveling telepathy. I read his example, and I thought, yeah. He's nailed it, that's pretty much how it is. I'm thinking it now; you're reading it later. Cool.

Except, when I get my revisions from my editor, it hits me. You can only read my mind if I actually tell you what I'm thinking. And, depending on who you are, I might even have to spell out things that I don't bother thinking because they seem so patently OBVIOUS to me.

Telepathy: Fail.

I think, too, this is why a lot of authors think their editors are morons. We utterly fail to spell out critical details (which seem so CLEAR in our own minds,) and they write to say they didn't see it coming. And, my first response is: "What, are you some kind of idiot!? I clearly... oh, wait. I didn't actually SAY that anywhere in the text. I just knew it to be true, so I thought you would too. Um."

But, on the flipside (and to be fair to both sides of telepathy: fail), it can be irritating when you, the writer, feel like all the subtlety is being lost because you're writing in 2 x 4s for every ah-ha character moment, etc. because the editor doesn't share your brain cells. Especially when your writers' group had no problem with said issue(s), which only exaserbates the sensation that your editor is a complete dolt.

Alas, my editor is not a dolt, or a moron, or an idiot. I only feel like she is because, in reality, I'm the moron, and she only managed to quite astutely noticed all the missing bits in my thought process.

*sigh*

Monday, September 13, 2010

Modern-Day Revisions

A lot of people have been writing me to ask when the next book in the vampire princess of St. Paul series will be coming out. Answer: I still don't know exactly. It's on my contract somewhere, but I have no idea where my contract is right now other than "in the house." (My filing system leaves a lot to be desired.)

But I do know that the second book is coming along. On Friday, I got what used to be the "editorial letter." Now, it's an email that has a couple of macro comments as well as the manuscript marked up (line by line) by my editor.

Way back in the early 90s when I started my life as a professional writer, I used to get an email with notes like "pg. 145, second paragraph, which begins 'Once upon a time...' change to be less cliche?" Having the actual manuscript with the comments function turned on makes the process more convenient and, strangely, a heckuva lot more work.

I'm sure it wouldn't seem like more work to a writer who has never experienced any other method, but I find that I tend to feel compelled to respond to the comments. I end up doing it, because it's a simple click and type, and, suddenly, end up writing a mini-thesis on my word choice decisions, characterization, etc. In short, I'm a much bigger diva thanks to the convenience of technology.

It the early days, I would grumble quietly to myself and either make (or not) the changes while going over the entire novel.

Now, I find I flit right to the next comment and not re-read the whole thing. (I tend to skim the bits that aren't marked-up.) That targeted revision is the quicker, more convenient part, at least. But, as you can tell, I worry that I'm not nearly as thorough as I used to be.

Technology is a weird thing. It's such a lie that it makes our lives easier. Busier, yes, but easier? I'm not convinced.

Wednesday, September 08, 2010

Shameless Self-Promotion

A short story of my alter ego's appears in Northern Lights: 20 MinnSpec Tales edited by Michael Mirriam which is now available for purchase through Genre Mall (Sam's Dot Publishing). Her story, "Bright, Bright City Lights," has never before appeared in print, and was my attempt to deal with the death of Senator Paul Wellstone with... magic and the Irish Republican Army. Anyway, even if you find the conceit of my story to be a bit weird, surely you will find something to enjoy given the list of talented Minnesota writers involved in this anthology, which includes:

Jaye Lawrence, Catherine Lundoff, Haddayr Copley-Woods, Jason D. Wittman, David Steffen, Kelly Barnhill, Damian Sheridan, R. Scott McCoy, Terry Faust, Lyda Morehouse, Carrie Devall, Michael Merriam, Patrick Sullivan, Roy C. Booth, Britt Aamodt, Sharon Boerbon Hanson, Joel Arnold, Abra Staffin-Wiebe, Maggie Della Rocca and Hilary Moon Murphy.

Tuesday, August 31, 2010

Alter Ego News

My alter ego needs to take over this space for a moment to announce that her science fiction novel, RESURRECTION CODE, is now avaliable for pre-order on Amazon.com.

This book, which will be coming out from Mad Norwegian Press officially on March 15, 2011, is both a sequel and a prequel to her other books (Archangel Protocol, Fallen Host, Messiah Node, and Apocaypse Array.)

The back cover blurb goes something like this:

Where were you the day the Aswan dams broke? It’s the question that defines my generation. Me, I was stuck in British School al-Rehab hundreds of kilometers from the destruction that plunged North Africa into darkness and drowned twenty million people as massive floods reclaimed the ancient Nile valley. We watched the privileged and the sane abandon Egypt to the criminals, prostitutes, and a mysterious murderous cult of Osiris known as the Deadboys. Not much of the capitol remained, and my life really went to hell.

But that’s not where my story really starts.

My story starts the day I, Christian El-Aref, distinguished myself from the thousands of Cairo street rats and became the Mouse. And I had that dead UN soldier whose body that I, quite literally, stumbled over to thank for it all. Now, if only I can keep myself from getting murdered…

Wednesday, August 25, 2010

British Edition of MBR and German Garnet

I just got the cover art for the British edition for Many Bloody Returns, in which my short story about Sebastian and Garnet, "Fire and Ice and Linguine for Two," appears.

It's not much to look at, but, hey, I'll be appearing in ENGLISH. Whoot!

And below we have Dead Sexy, which became BEISS NOCH EINMAL MIT GEFUEHL....

... and Romancing the Dead, which became VAMPIR SEIN IST ALLES.

Tuesday, August 24, 2010

Reviews of ALMOST and more

Here's a very nice review of Almost to Die For for that's found on "Fragment of Life".

Paranormal Reads isn't sure what to think of Tall, Dark & Dead.

Friday, August 20, 2010

RT Spotlight of Sorts

For those of you who follow me on Twitter or Facebook, you may have heard me complaining (whining, really,) about having to write a nonfiction blurb-y type thing for Romantic Times' web magazine. Well, here it is in all its glory: Message from the author. I thought there was also supposed to be an excerpt available, but I don't see it here. But, aha! If you back track to the review, you can read it there.

Enjoy, and realize that I sweat and struggled over this... yeah. See why I hate writing NF?

Thursday, August 19, 2010

Update of Sorts

I notice people have been writing into the blog wondering when the next book in the Vampire Princess of St. Paul series will be coming out. I don't really know. I only just turned in my manuscript to my editor a month ago, so there's no cover art yet or any back cover copy or anything. I'm sure it won't be long now. I'm going to be be starting soon on the synopsis for #3, and get writing soon after that (I have an April 15, 2011 deadline.)

Which would make me think that maybe that's when the next book might come out? I notice that I often have the delivery for the next book close to when the first book comes out.

Anyway, thanks for all the love! I'm glad to hear people are enjoying it. Not to be a tease, but I think you'll like the next book even better!!

Thursday, August 12, 2010

Okay, Done!!

Okay, this took a LOT less time than I thought it would, and so I must apologize profusely... here is the excerpt from ALMOST TO DIE FOR. Please enjoy!

Sorry

To the couple of people who wrote to say that they're looking for the link to the excerpt from ALMOST TO DIE for and found it broken. I'll try to fix that by this weekend. The problem is that it's not so much broken as not finished... I'm my own IT/web person. Plus, I need to re-key the chapter myself... no staff to do that sort of thing for me, alas. So, with my son on vacation and life proceeding apace, I'm afraid a bunch of other things took precedence. On the flip side, you can find the book in bookstores now. If you wish, you can pre-read it there live and in person!

:-)

Wednesday, August 04, 2010

Another Cute Interview

Here's another short, fun interview with me over at Fantastic Book Review: "Sensastion 7 with Tate Hallaway."

Here's a teaser:

If Hollywood made a movie about your life, whom would you like to see play the lead role as you/ Why?

Matthew Broderick. He’s about the right height, has my haircut, and we’re close to the same age. He’d have to wear a fat suit, but, you know, I think the guy could use the work.

Tuesday, August 03, 2010

Small Screen Debut

ALMOST TO DIE FOR is in stores today, and as part of that I was on KARE-11's "Showcase Minnesota" _live_. The link to my segment is here:So Sixteen Ain't So Sweet in Tate Hallaway's Almost to Die For.

I wrote a bit about how weird it is to be on TV over at my LiveJournal blog.

Also, there's an interview with me over at Ellz Readz: Interview Tate Hallaway.

Hopefully, with all this publicity, people will feel as though they simply can not live unless they run off to the store today and buy my book (or three.)

Monday, August 02, 2010

Fun Interview

The Book Butterfly posted a lovely 10-question interview with me on her blog, which you should check out: "Ten Tantalizing Questions with Tate". Alas, I have since learned that my alter-ego's new book won't be out until March 2011. However, just for fun, let me reprint one of my answers here.

If you could inhabit the life of one literary character and dive into their world for just one day, who would you choose and why?

It’s a well known fact that I want to be Captain America from the Marvel Universe. Actually, I’m sort of surprised I haven’t gotten the casting call for the new movie. Something about my gender and only being 5’2”, I guess, I’m not sure…. ;-) The super soldier formula could come in really handy when I need to catch a bus is all I’m saying.

Sunday, August 01, 2010

Pionner Press Princess!

A very nice article about me (and my alter ego, pictured above) and the end of Garnet and beginning of Ana appeared in the Pioneer Press today. Check it out: St. Paul Author Introduces Her New Series About a Vampire Princess.

Thursday, July 22, 2010

Photo Shoot

Yesterday was another one of those ridiculously busy days.

I had gutter installers coming at some point (you know, the whole between noon and midnight,) and a staff photographer from the Pioneer Press at 3:00 PM. And guess when the gutter guys came? That's right! 3:00 PM! But, as it happens our house is such a mess, I decided that I'd offer to go to some other location with the photographer. We ended up at that cemetery on Front, Calvary? He offered to go to a place featured in the book, but I didn't think I could get onto the roof of the Saint Paul Farmer's Market or into any house in Cathedral Hill. Anyway, I think the cemetery will be fine. People expect cemeteries and vampires, and I did NOT dress goth, so it might make a fun juxaposition. We'll have to wait and see. The article is supposed to come out Sunday, August 1.

Of course, when it does, I'll post a link here.

Wednesday, July 21, 2010

Radio Interview

If you missed listening to me blather live on KFAI's "Write On! Radio" you can catch it in the archived files: http://www.kfai.org/writeonradio.

Actually finding the file is kind of confusing. You have to click on the archive for 7/20/10, and accept the terms and conditions. Then it looks like you got nowhere because there's a list of all the guests, etc. BUT, if you scroll down past the announcements you'll find a tiny little header "Previous Shows" and a reddish button for either .mp3 stream or real audio. That's the show. I'm in the second half. As far as I know there's no good way to skip ahead, alas. I'd say I'm worth the wait, but I'm not sure that's true. (I felt like SUCH a dork.)

Thursday, July 15, 2010

Who Do YOU Write like?

So this has been going around the Interwebs: "I Write Like" It's one of those thingies where you put in a couple of paragraphs of your writing and a program analyzes it. I tried it, and the first result was Dan Brown.

While I like the idea that I write like an international bestseller, I mean, who wouldn't? But, I see myself as a bit more breezy, chatty, etc., so I thought I'd try a few different paragraphs in the same book. The results were Vladimir Nabokov and David Foster Wallace. The more I tried, the more it kept coming back to Wallace. I even tried my alter ego's science ficition and got Wallace. So, I think that must be a more accurate reflection of who a computer thinks I write like.

Secretly, I was hoping it would say: You write like Lyda Morehouse.

Tuesday, July 13, 2010

Upcoming Events

I've got a new book coming out in August, and, consequently, I'll be out and about town promoting it. I thought I'd invite all y'all to a few:

----

Tuesday, July 20, I'll be interviewed on KFAI's "Write On Radio" show. They're going prime time, so the show now starts at 7:00 PM. You can find KFAI on your dial at 90.3 Mpls/106.7 St. Paul or streaming live at http://www.kfai.org/writeonradio (look for the button in the sidebar). Also, for those in other time zones, there is a running archive at the bottom of the page so you can listen at your leisure.

Tuesday, August 3, I will be interviewed LIVE on KARE-11 TV at about 10:15 am, possibly for the "Showcase Minnesota" show. Details are still a bit uncertain as my publicist just landed this gig for me today. This will quite literally be five of my fifteen mintues of fame, so if you tune in DON'T BLINK or you'll miss me. :-) I haven't checked the website thoroughly yet, but I suspect the show will also be archived somewhere.

Saturday, August 7, I'll be two places at once. Actually, what happened was that I accidentally booked these signings right on top on one another, so first I'll be at Uncle Hugo's at 1:00 - 2:00 pm. You can find Uncle's at 2864 Chicago Avenue South in Minneapolis. Then, I'm going to make a mad dash across town to the Roseville Barnes & Noble for a reading officially starting from 2:00 - 3:00 pm. I've talked to the event coordinator and she knows that I'll be a bit late, but she suggests you come at 2:00 pm anyway and enjoy the free cookies and beverages while you wait. If you go, head to 2100 Snelling Avenue North (the HarMar Mall) or call (651) 639-9256 for directions.

I'm Back....

Sorry for the long absence, but I was finishing up writing (and making revisions to drafts of) the next ALMOST book, which I'm pleased to say I turned in two WHOLE days early. This is somewhat of a miracle for me, as I'm one of those people who always turns in project the very last second of the deadline. If a professor said a report could be turned in by midnight on Friday, I'd have it in at 11:59 p.m.

Also, I wanted to pass on this very sweet review of HONEYMOON of the DEAD from Paranormal Romance. Like me, she's very sad to see the end of Garnet's adventures.

Monday, June 28, 2010

Another Review for Honeymoon

Coffee time Reveiws, had this to say about HONEYMOON OF THE DEAD.

Friday, June 25, 2010

Romanic Times Weighs In

RT Book Reviews has this to say about ALMOST TO DIE FOR, which they gave 4 1/2 stars:

Ana is a lovable teen whom just wants to make everyone proud, and in the end, must see that she has only to accept herself. Hallaway has created a paranormal Princess Diaries that is sure to please readers.

Whoot!

Wednesday, June 23, 2010

Why Vampires?

I participated in an article for GEEK SPEAK MAGAZINE called "Dead and Doing It" where the authors Rachel Hyland and Kate Nagy do an in-depth examination of the question: Why Vampires?

Those who know me best as my alter-ego will laugh when they read my answer in comparsion to the others... I, er, got a little _deep_ and acted like I was on a panel at WisCON or something.

Tuesday, June 22, 2010

Eek! Ah! Oh!

My editor just sent me this, and I nearly died:

STARRED Review, Publisher's Weekly:

"Hallaway's witty, fast-paced series starter cheerfully details the horrors of magical war and high school. Anastasija Ramses Parker is a modern day witch's daughter fond of wearing "black with black and black" but hopelessly unable to perform actual magic. When she flunks her coven's initiation ceremony, she learns her father is a vampire -- and not just any vampire, but a vampire leader, which makes her "some kind of vampire princess"... Ana's narration is pitch-perfect and totally teen: half calculated attitude, half wistful empathy. This all-too-brief tale will have readers hunting down Hallaway's Garnet Lacey series while they wait for Ana's next adventure. (Aug.)"

I guess I get to cross that off my "life list": Get starred review in PW....(faints!)

Monday, June 21, 2010

Alter Ego's Antho News

My alter ego, Lyda Morehouse, is going to take over this blog for a moment to announce that the anthology that her short story "Jawbone of an Ass" appears in has an official release date, October 19, 2010. The title of the anthology is SHE NAILED A STAKE THROUGH HER HEAD:TALES OF BIBLICAL TERROR, and, more importantly, you can pre-order it NOW through Amazon.com.

Also, if you happen to be in the Twin Cities area for CONvergence next weekend, you can get an early copy from the editor Tim Lieder during his 2:00 pm Friday, July 2 signing at CONvergence.

Lyda describes the short story this way: "What would it be like to know that God is absolutely *not* on your side? 'Jawbone of an Ass' is a modern day retelling of the story of Sampson’s first wife (known only as the woman of Timor), who slowly comes to realize the horror of knowing she, through no fault of her own, is on the wrong side of the wrath of angels." She sometimes also refers to it as her Samson/IRA story.

Monday, June 14, 2010

YA Fiction On-line Class

okay to forward

~ ~ ~ ~ ~

July 5-30, 2010
"Creating Strong Middle Grade & YA Fiction"
by Kate Coombs
$30 at www.WriterUniv.com

You want to be the next Roald Dahl, E. B. White, or even J. K. Rowling or Stephanie Meyer, but how do you get from here to there? The answer, of course, is to make your manuscript strong enough to stand our in a crowded, competitive field. Join us for a workshop in which we get you started or refine the work you've already drafted with an eye toward improving your chances for publication. If possible, try to have at least one chapter of your manuscript written when class begins, however rough it may be.

Course topics include:
* Good/bad news - where your book falls in today's market
* Targeting hidden obstacles that keep books from fulfilling their potential
* Strengthening character and plot
* Tightening text, brightening language
* From irresistible beginnings to slam-bang endings
* Finding your spot and maximizing your voice
* Tips about submissions and publishers
* Developing new children's book projects

Kate Coombs has three books in print, a 2006 Parents' Choice Recommended picture book called The Secret-Keeper and a 2007 American Library Association Notable Book called The Runaway Princess along with a well-reviewed sequel, The Runaway Dragon. Kate has three more books coming out in 2011-2012. In addition, she maintains a children's book review blog called Book Aunt. Kate has also worked as a college writing teacher, a K-12 teacher, and a curriculum specialist.

~ ~ ~ ~ ~

Friday, June 04, 2010

Gig TONIGHT

If any of you local folks don't happen to have plans tonight, on this (potentially) rainy Friday night, feel free to come on down to Dreamhaven to hear my alter ego read.

The details are --

Friday, June 4, 2010 Lyda Morehouse will be reading from RESURRECTION CODE at Dreamhaven Books at 6:30 - 7:30 pm as part of the Speculations series. Dreamhaven is most recently located at 2301 East 38th Street, Minneapolis. You can find out more information at dreamhavenbooks.com. SPECULATIONS is a co-production of Dreamhaven and SF MINNESOTA, a multicultural speculative fiction organization that also sponsors DIVERSICON.

Wednesday, June 02, 2010

Research and Writing Place

Yesterday I should have been writing, but some friends of ours are in town. I feel moderately guilty about this, but I could feel worse, except that as part of hanging out we ended up strolling through the part of Saint Paul that I've decided is my YA heroine's neighborhood, Cathedral Hill.

The memory is a funny thing. Earlier that very day, I wrote a little scene where Ana is walking down Grand Avenue. My mental image of the place was slightly different than the real thing.

I was talking to a fellow vampire author, Fred Schepartz, (Vampire Cabbie) via email about writing about place (he was going to be on a panel at WisCON about writers who feature Madison, and he'd volunteered to read my stuff, since I was mentioned by name in the panel description.) One of the things I thought about afterward is how much the Madison of the Garnet Lacey series doesn't exist, not really -- much of it is impressions (some certainly false, or at least not 100% accurate) and the rest based on things that I remember but I know don't exist any more (businesses that have folded, moved, etc.) Yet, Fred had mentioned how much he thought I'd "nailed it."

I think that part of the reason my imagined Madison works is because, as a tourist, I fell in love with the spirit of the place. It's figuring out how to capture the feelings associated with a certain town that can be difficult. I'm really noticing that writing about Saint Paul that I'm actually finding it much MORE elusive to write about a place I know so well. It's sort of like when you're in an interview for a job and someone asks you to name five things that describe yourself. You're not sure what to say (outside of the things you think will get you the job), but if someone asked you to describe your best friend, it's a lot easier.

The outsider/tourist, I think, sometimes has a better, more accurate, less self-conscious view of place. I worry a lot less about getting things wrong about Madison, because, well, I'm clear in my acknowledgments that I can't be held responsible for the accuracy, because I'm making some of it up. But as a native to a place, I feel a lot more beholden to show the city mostly the way it is... as a kind of ambassador or something.

I don't know my point, but I think it's an interesting issue.

Tuesday, June 01, 2010

Reader Comment #3

Donna noted:

"I think that the problem with the Garnet series is that the books cost $15.00 dollars. If you come out with the series in a regular paperback, they would sell real good. The problem is not your books, it is the economy."

Yeah, I actually agree with you, Donna. But this another thing that authors have very little control over, and something, I'll admit I don't really understand about the publishing industry. Trade paperback books have become very fashionable. Yet, they're more expensive (for the reader, at least,) and an awkward size.

I started my career as a paperback writer. There are some cons to it from a writer's point of view. The royalty rates are lower, you earn back a smaller percentage of the lower cover price. The print runs tend to be a lot bigger, which is a double-edge sword for the writer. On one hand, it's nice to feel important enough to have 20,000 or more copies printed. But, if they don't go out the door quickly, publishers tend to get cranky because of the tax laws that require them to pay taxes on inventory in warehouses. That can lead, as it did with my science fiction series, to books going out of print only a year or so after they were published. Which, of course, means that it's nearly impossible to build up momentum on viral/word-of-mouth publicity. Libraries don't like to buy/stock them because they're easily damaged and often a pain to replace (see above re: quickly going out of print.)

But as a long time reader, I much prefer paperback novels for all the reasons they're a pain for publishers and writers. They're cheap! They fit in my purse/backpack/back pocket. They're disposable -- I don't get quite as mad if I lose one, drop it in the bathtub, loan one to a forgetful friend, etc.

Trade paperbacks, on the other hand, are likely cheaper to produce, if only because the print runs tend to be smaller (and so you avoid all those copies gathering dust in warehouses), they're slightly more durable, and, frankly, everyone gets a higher return on their investment because they cost those two or three dollars more. I think, too, that publishers keep the books in print longer because they do very small addititional print runs of a 1,000 or so copies.

But, yes, it also means people buy fewer of them because they're a weird size and that much more expensive. It's a kind of circular logic kind of problem, no?

The good news is that the first book in the Garnet Lacey series, Tall, Dark & Dead, will be coming out in mass market paperback next December from Berkley Sensation if all continues apace.

Wednesday, May 26, 2010

Reader Question #2

#2 (from Julie) - I have to admit I don't know anything about the writing business but I don't understand at all how you got told this was the last one. I mean doesn't the writer keep writing if she/he has more stories to tell? Because your Garnet character definitely has a whole lot more living to do in my opinion! This Honeymoon book did not wrap her story up at all... thank Goddess!

You make an excellent point, Julie. The writer often does keep writing when there's more story to tell. I had three more books planned for Garnet (at least!), and would have very, VERY happily kept telling her story. I do think Garnet has a lot more opportunity for growth (as my mother might say), and plenty of adventures yet to be had.

But, at the end of the day, publishing and book writing is a business like any other. My Garnet books are very successful, but the sales of the subsequent books did that thing that many series do -- they slowly dropped as the series continued. The second sold less well than one, three sold less than two... and so on... and by the time we get to five, the publisher is wondering if we need to think of something fresh and new.

So how I got told that this book was the last went like this -- first of all, you should know, if you don't, that authors are usually about a year ahead of bookstores. So I handed in my final Garnet book about this time LAST year. The publisher needs lead time for all sorts of reasons -- revisions, copy-editing, publicity, distribution, not to mention the actual production and design of a book and its cover. After I finished that book, I wrote up proposals for my editor for the next books. My agent submitted them. They're sort of like "audition pieces" and publishers make the decision about buying more based on what they see and what they know you can produce (or sometimes a sample chapter you provide.) My editor liked what she saw, I'm sure, but then she has to sell the idea to her bosses (those people I call "the publisher") and the marketing department (the folks who decide if the books are profitable.)

For the subsequent Garnet books, something fell apart in that proposal process. Either the editor wasn't interested or she couldn't sell the idea to the bean-counters of the publisher because of those diminishing returns, like I noted above. So, my editor gave my agent the bad news and my agent passed it on to me.

Thus, before I even started the next book, I knew the series was ending. Luckily, as I said, this process happened fast enough that I was able to re-write the acknowledgment page of HONEYMOON to let the readers know this was the last book, and do my best during revision to try to make the book feel a bit more like the end (as you noted, that was much less successful than I might have liked because I didn't know this was the last book GOING IN... only GOING OUT.)

I'm sure this is confusing because some writers know exactly how many books they're planning from the beginning, and so you see labels like Book 1 of 3, etc. I'd always conceived the Garnet Lacey series as unending from the get go, so I hadn't pre-planned any kind of finale. I think if I had known, I might have gone all cliche and ended with the wedding, honestly.

Tuesday, May 25, 2010

Reader question #1

As you know, the Garnet series has come to an end. A few people emailed or commented questions about that, and I thought I'd answer them here:

#1. Would you ever consider continuing to write the GL series to put onto this blog? What about e-books? What about pushing them to another publisher (Llewellyn, etc.)?

I would consider it. In fact, just the other day I had a great short story idea come into my head involving early Garnet/Parrish days. It would be interesting and fun, IMHO, to write non-Lilithed Garnet, and, of course, Parrish is always hot.

The biggest roadblock to my doing these things is time. I am currently contracted to write a new young adult series for my publisher, and, with Mason home from school in May (he has a weird year-round school that has an odd vacation schedule), I'm having a hard enough time making word count deadlines for the things I'm getting paid for, you know? I love the idea of doing this, though, and if I were the sort of person who had boundless energy and time, I'd be all over a fiction blog adventure. It certainly seems to work for a lot of my colleagues. I've heard of a lot of professional writers doing this sort of thing. But, if you're a regular reader here you know I hardly am able to keep up with doing this on a daily basis!

The alternate publisher, however, is always a possibility. In fact, my first novel is being put out in paperback by Berkley Sensation at the end of next year, and I have this fantasy that maybe if it's successful as a mass market paperback maybe they'll re-issue all five and ask me for more in the series. A smaller press like Llewellyn is a great idea, but that's something for my agent to handle. I mean, if they approached me? I'd totally make it happen, but normally, I leave that kind of stuff up to my agent.

So, I guess the answer is a qualified yes.

Monday, May 10, 2010

That On-line Promotion Thingie

I have to admit that I'm enough old school that I don't always get the appeal of these things. But, if you're the sort, there's an on-line contest/event with me at Bitten By Books today, starting right about now (noon) but going all day and into the night.

Also, you can read my blog about leaving behind the Garnet Lacey series, here at VampChix and enter a giveaway contest as well.

The hard part for me is being available on-line for the comments and questions, because I'm dialing up at home or stuck in a coffeeshop (oh woe! *tease*). Though today the extra wrinkle is that my son is with me because he's off school for intersession (we go year round, so he has weird vacations.) Luckily, the wifi hotspot works for his DS Lite Pokemon game. He's currently trading Pokemon with people from around the world (which even I admit is kinda cool.)

Okay, I guess I'm going to try to do some writing while checking in at the various on-line places I'm supposed to be.

Tuesday, May 04, 2010

Release Day!

Today is the official release day of the last book in the Garnet Lacey series, HONEYMOON OF THE DEAD.

I have some mixed feelings about this book, because I'd just finished the final draft of the novel when I found out that it would be the last. I had always hoped that Garnet would be my "never ending" series, and had originally written in some plot points that I intended to pull out as the grist for the events of the next book. Thus, the book is not the nice, tidy ending I might have written had I known it would be the last.

For instance, there would have been a lot more Daniel Parrish had I known. Heck, the whole "Scooby gang" would have shown up a lot earlier.

However, I would LOVE for this book to go out with a bang, so, if you're so inclined, please consider purchasing this book in its first week on the shelf.

Thanks! And Merry Meet, Merry Part and Merry Meet Again!

Monday, May 03, 2010

Beltane in the Twin Cities

Of course, nobody officially says that's what it is, but, for the past thirty-six years, a Minneapolis-based theatre troupe called In the Heart of the Beast puts on a parade and free performance in Powderhorn Park on the Sunday closest to May 1st that has grown into a celebration of epic proportions.

A number of my science fiction/fantasy writer friends have talked about trying to write about this celebration in fiction. To a person, we've agreed that it would be almost impossible, if only because some of the most awesome parts of the pageant are, in point of fact, ACTUALLY magical. Trying to add fictional magic into the mix does something to the story to render it.... lifeless. Plus, there's the challenge of trying to describe this progressive "morality play" in a way that honors its awesome, without making it seem stupid or over-the-top.

Theatre, of course, has it's own magic. The puppet troupe is well aware of that and always uses that at some point in the play. This year they transformed The People's baggage into the roaring tiger of activism (see how stupid it sounds out loud? It brought a tear to my eye live.) But one part of the play that doesn't change is that the sun rides a boat across the lake in the middle of Powderhorn park and comes to the western shore. When it arrives, even on a cloudy day like it was yesterday, the real sun always makes an appearance. Yeah, you don't believe me. But there was a group behind Mason and I on the hill who said, in an almost bored by it tone, "Happens every year." How could I write about that and have you believe it? It is, in its own way, a miracle of the Goddess witnesses year after year, by tens of thousands of Twin Citians. But, if I wrote it in a book, you'd think THAT was the part I made up.

Here is a picture of the Goddess. Okay, so she's officially called "The Tree of Life," but her skirt is the May pole.

Monday, April 26, 2010

Life, the Universe, and Writing

I don't really have much news to report. My partner is away on a business trip to North Dakota, which means I'm a "single parent" for the next three days. Since Mason is in school, this isn't going to disrupt my writing too much. In fact, depending, I may write MORE with her away.

I say depending, because sometimes I can't focus very well with the house is empty and my sweetie is away. Sometimes I wander around like a house cat, mewing into all the corners, looking for a warm body, as it were. Despondent, I play a lot of mindless video games.

Other times, I throw myself into my work and write A LOT. I'm hoping that this time is going to be the latter. If only because I'm a bit behind. On Thursday, at my writers' group, I handed out a huge chunk of the work in progress (ALMOST FINAL CURTAIN, the sequel to the young adult book coming out in August.) But as I told them, that fifty page bit only represents about half of what I SHOULD have written in two weeks.

The book is due at the middle of July, and I'm sure I'll make it, but I like to have a lot of cushion, so I can get people to read my first draft and make comments before I send it off to the publisher. I've heard from other writers who don't do this. They send what they write direct. They must be better writers than I am, because I always need a couple of sets of eyes on the book before it's editor ready even.

I guess everyone's process is different.

Wednesday, April 21, 2010

Zoo Pictures

Yesterday, I chaperoned a field trip to the Minnesota Zoo. It was nearly a disaster as I briefly lost track of one of the four kids I was in charge of, but, luckily, it all worked out in the end. I'm still exhausted, but I thought I'd share a couple of the cool animal pics I took. These are both of the Amur leopard, which is part of the "Russia's Grizzly Coast" exhibit.

Thursday, April 08, 2010

Mark Your Calendars!

Come say good-bye (and merry meet again) to Garnet Lacey!

On Saturday, May 8, 2010, in my persona as Tate Hallaway, I will be signing HONEYMOON OF THE DEAD, the last in the Garnet Lacey series, at Uncle Hugo's in Minneapolis starting at 1:00 pm. The Uncles are located at 2864 Chicago Avenue, Minneapolis, MN 55407. You can call for directions or more information (612) 824-6347. If you are not able to attend, but would still like a signed copy of the book, you can find information on how to mail order on the bookstore's website: www.unclehugos.com

Monday, April 05, 2010

Philip K. Dick Winner

As a past special citation winner of this award, I like to pass on this news:

--------------

2010 Philip K. Dick Award Winner Announced

It was announced on Friday, April 2, at Norwescon 33, in SeaTac, Washington, that the winner for the distinguished original science fiction paperback published for the first time during 2009 in the U.S.A. is:

BITTER ANGELS by C. L. Anderson (Ballantine Books Spectra)

Special citation was given to:

CYBERABAD DAYS by Ian McDonald (Pyr)

Wednesday, March 31, 2010

Change Genres Class (On-Line)

*** PERMISSION TO FORWARD GRANTED***

Workshop: Changing Genres: How to Decide What to Keep & What to Dump, What to Change, What to Enhance, When Following Trends, Jumping into Different "Lines" or Going Down a New Road

Speaker: Beth Daniels

Date: April 5 - 30, 2010

DESCRIPTION: The publishing world is in constant transition with different aspects in novels changing, sometimes over a decade, sometimes - it seems - nearly overnight. Will you be ready? Or are you already thinking of jumping from your current "ship", swinging with the finesse of Captain Jack Sparrow onto the publishing vessel riding the waves to starboard or port?

There are a number of reasons why writers decide to try something different. Some do it because the bottom has fallen out of what they were writing, some because they are excited about a rising trend. Whatever your reason for considering making the leap there are decisions to be made. And that is what this workshop is all about.

Just because editors are no longer buying what you have been writing doesn't mean you need to junk your style entirely. There are elements that travel well between genres, even if the genres stay within the romance marketplace or leap into an entirely different marketplace. Determining what can or should be kept and what needs to be altered, enhanced, dumped, or learned goes beyond simply decided to take the leap.

This workshop runs four weeks and sets challenges twice a week. These challenges (or homework, if you will) address things like the marketplace, evaluating the elements required, making note of how many of them are already part of the writer's style, deciding what needs to be learned/adapted/changed, and even confessing - or realizing - the reason a writer is considering leaping into a new field. In other words, "what's it going to take and can I follow though?"

I started out as a romantic-suspense writer, segued into being a romantic comedy author (of both adult and young adult books), fell into writing corrupted fairytale short stories, and have been world building to launch into the fantasy market, so I've been jumping genres throughout my twenty year career as a novelist. Sometimes what these changes were made unconsciously and not as thoroughly as time and more thought about the process now demands. But they've kept me in contracts, not to mention extremely versatile.

All that is required of attendees is a vague idea of where they'd like to go, where they'd like to be as their writing career evolves. Both unpublished and published authors welcomed.

BIO: Beth Daniels currently writes as Beth Henderson and J.B. Dane, though she answered to Lisa Dane and Beth Cruise in the past as well. She has worked with editors at Berkley, Zebra, Leisure, Harlequin/Silhouette, and Simon and Schuster's Aladdin Paperbacks, done e-books for a now defunct company (not her fault, she says), and began her writing life with hardcover books slated for library use with a publisher that got out of the romance business (again, not her fault). More recently she's had a number of articles about writing picked up by e-zines, saw a short story published in a mystery and suspense magazine that turned up its toes the next year (really, really not her fault), and has a story in the MOTHER GOOSE IS DEAD anthology slated for publication by Dragon Moon Press sometimes in 2010.

For over a dozen years Beth taught college level composition, both in the classroom and online, and a credit course on Novel Writing. Five of her former Novel class students are now published.

Twenty-six of Beth's manuscripts have appeared in print or e-book format. These have been historical romantic adventures (6), romantic comedies (10), romantic-suspense (3), and young adult romantic comedy (7). Her titles have appeared in 12 different languages in over 20 countries. At the moment she is working on various manuscripts and attempting a collaboration with another RWA member on a contemporary/fantasy/romantic adventure. She also ventured into self-publishing to keep her out-of-print backlist in print, but previous e-books in print, and in frustration, to move beyond a manuscript she'd been reworking for editors for a decade with no bites, released a previously unpublished historical romantic adventure set in the American West.

She is currently/or has been a member of/or about to renew membership in Romance Writers of America, Sisters in Crime, Novelist Inc., and Historical Novelist Society. Website: RomanceAndMystery.com

Fee: $20 CRW Members; $25 Non-CRW Members. FMI about the workshops or speakers, or to register: http://www.coloradoromancewriters.org or email Online Workshop Series Coordinator, Karen Docter, at coloromancewritersonlineclasses@yahoo.com To subscribe to Online Workshop Series mailing list, http://groups.yahoo.com/group/CRWOnlineclasses A minimum of 5 students registered two days prior to class start is required for workshop to remain viable. No refunds after 24 hours prior to class start.

Tuesday, March 30, 2010

Dealing with Blank Pages

On Facebook, I got this question in response to the status update that I was beginning work on the sequel to ALMOST TO DIE FOR (NAL, August 2010):

How do you motivate yourself when you're staring at a blank page? It kills me every time.

The deeply personal reply to this is that I'm actually MORE afraid of working on the novel in progress than I am of a blank page. In fact, I actually open up a new document every time I sit down to write. I do that in order to lie to myself. The lie I tell myself is that this is just a draft, it's not part of the REAL novel, and so it's okay if it sucks. Otherwise, I would be too paralyzed to write.

I also write it in Georgia font, single-space so that it "looks" like a draft and not the real document, which is in Courier, 12 pt, double-spaced standard manuscript format. The really ironic, silly part is that, when I finish the scene or however much I end up writing that day, I usual cut and paste it EXACTLY the way I wrote it.

I could probably save myself some hassle if I'd just write in the "real" document. But my brain just can't. I feel too much pressure for what I write there to be perfect, you know?

Weird, huh?

But I think the thing that's really at the heart of this question is: how do you deal with STARTING something? For me the answer is: do a lot of pre-writing. These days, I almost never start a novel that I don't have an outline/synopsis for, which means I know the basic plot point, the beginning, middle and end. When I sit down to figure those things out, I pull out my trusty notebook and start scribbling. So I hardly ever start anything with knowing, at the very least, where I INTEND it to go.

Of course, it doesn't always go where I say it will.

And, just recently, I tried starting a short story without any idea of where it was going, and guess what? It's sitting in my hard drive completely stalled out. *sigh*

Monday, March 29, 2010

RT Review

Jill M. Smith reviewed Honeymoon of the Dead (Berkley, May 2010) for Romantic Times Book Reviews. She gave it 4 stars (highest = 4 1/2) and said:

The fifth and final chapter of witch Garnet Lacey's adventures comes to an offbeat conclusion. Garnet has grown throughout the books, but this time, some of her earlier misdeeds come back to haunt her. This highly enjoyable series embodies the old saying, what can go wrong... Thanks to Hallaway for hours of escapist delight.

Given that I didn't KNOW this was going to be the last book in the series, I'm pleasantly surprised to see that the reviewer thought it held up as well as all that. Also, I didn't think that Penguin was sending out ANY review copies, so seeing something here (and so positive!) really made my day.

Friday, March 26, 2010

Novel Survey Parts II and III

Somehow I missed Jim C. Hines' publication of the novel survey results part II wherein he tackles the myth of the "overnight success" and "you have to know someone." Both myths -- BUSTED. Check out the results!

Here also is novel survey results part III in which he asks the question: "Can you boost your odds?" of being published by attending conventions, being in a writers group, having an advanced degree in creative writing, etc. The answer to this one is less clear, but interesting reading, none-the-less.

Thursday, March 25, 2010

Self-Promotion Class

***PERMISSION TO FORWARD***

SELF-PROMOTION: Does the very term make you cringe? Do you suffer from "Not-Doing-Enough-Self-Promotion" guilt? Do you think self-promotion is something you'll have time to learn AFTER getting The Call? Here’s THE online workshop for you:

April 5th – 18th -- “GUILT-FREE AUTHOR PROMOTION: Picking the Right PR Options For You”

PR consultant/Berkley author Marcia James and a slate of promotion-savvy guest lecturers will present this two-week online workshop that provides insider tips, hard-won knowledge, and the tools to pick the PR options right for YOU. The lectures include:

Promoting Yourself Before "The Call" by Beth Morrow (Wild Rose Press)
Web Site Design by Karen McCullough (Cerridwen Press & Karen's Web Works)
Online & Print Press Kits by Patricia Sargeant (Kensington/Berkley)
Co-Promotion by Dianne Castell (Kensington, Berkley & Harlequin/Silhouette)
Group Blogs by Donna MacMeans (Berkley)
Author Promotion Sites by DeNita Tuttle (AuthorIsland.com)
Print Advertising by Janice Maynard (NAL)
Public Speaking by Karen Harper (MIRA)
Networking/Power-Schmoozing by Susan Gee Heino (Berkley)
Social Media Sites by Kathy Kulig (Ellora's Cave/Cerridwen Press)
Author Newsletters by Kay Stockham (Harlequin Superromance/Berkley)
Readers' Loops by Carol Ann Erhardt (Wild Rose Press)
Podcasts by Melissa Alvarez w/a Ariana Dupre (Cerridwen Press)

Workshop participants will learn about author branding, create tag lines, and identify elements within their work that lend themselves to niche marketing. In addition to the guest-lectures, Marcia will discuss cross-promotion, print and trinket PR materials, author interviews, and more. And all participants will receive Marcia’s 280-page Microsoft WORD file, filled with detailed information on all types of promotional options.

The workshop is hosted by RWA San Diego (RWA-SD). Cost is $15 for RWA-SD members and $20 for non-members. See http://www.rwasd.com/training/index.html for registration.

Learn to love (okay, LIKE) self-promotion. ;-) And banish the guilt of not doing enough PR. Join us online in April! See you there!

Marcia James writes hot, humorous romances and finaled in 11 RWA contests before selling her first comic romantic suspense, At Her Command. Her short story, "Rescue Me", appeared in Tails of Love, a Berkley benefit anthology, and her latest story, Love Unleashed, was released in February. In her eclectic career, she has shot submarine training videos, organized celebrity-filled nonprofit events and had her wedding covered by People Magazine. An advertising copywriter and marketing consultant, Marcia presents online and in-person author promotion workshops.

Wednesday, March 24, 2010

Still Irritated

The more I think about the question my friend asked yesterday, the more I'm irritated by it. (For those of you just tuning in, the question was:)

When people who aren't writers suggest that if you hate certain parts of writing, maybe you shouldn't do it, do you want to wring their necks, or do you just think it's time to be less honest about your feelings?

Yesterday, I answered: wring their bloody necks. Today, I say: do it, twice. It's justifiable homicide.

Thing is, I suspect that one of the reasons my friend is getting this kind of dis is because she's at a place in her career that non-writers simply fail to understand.

For instance, I don't get asked this question, and, Goddess knows, I complain plenty. But, see, I get paid to write. You can complain about your JOB.

My friend is a working writer*, but she hasn't broken out in a way that non-writers get. There is no book spine with her name on it (not yet!) Thing is, there are people in my business who have won major science fiction/fantasy awards (like the Hugo) for short stories, and probably they get the same lack of respect this kind of question implies.

There's a really dismissive hierarchy in our business that we sometime even apply to ourselves that goes something like this: the only REAL writers are those with publishing credits. But to be really real, you need to have published a novel from a respected NY publishing house, and then better if you're a NAME, someone who has broken the NY Times bestseller list, gotten one of your novels turned into a movie, or is an actual, honest-to-goodness household name, ala Dan Brown, Stephen King, Stephanie Meyer or J. K. Rowling.

That whole thing is so self-destructive and, frankly, delusional in a way that's extremely harmful to our business and those who work in it.

When I was a working writer without publishing cred, I made a conscious decision to stop saying (when asked what I did), "Oh, I'm a secretary, but I'm really a writer." (or worse, "I really WANT to be a writer.") I started telling people, "I am a writer." When they asked the inevitable follow-up, "Oh? Are you published?" I said, "Not yet." I actually had someone walk away from me at that point in the conversation because he deemed me no longer worthy of his attention.

Not only is that rude, but it's also wrong-headed. I think people feel justified in dismissing working writers because of this inane idea that anyone can write. People think that because they speak English, they can write. They're wrong. Writing so that you can be understood is actually a very specialized skill. Writing a rip, roaring story with a beginning, middle and end is a phenomenally specialized skill. Anyone who has actually put their butt into a chair and started that "great American novel" realizes in a heartbeat just how difficult it is.

People who never have tried think it's easy, and therefor completely dismiss the working writer in the early stages of her or his career.

Other writers have been known to dismiss fellow working writers for the complete opposite reason, which is, because they know how hard it is to break in, they have no respect for anyone who hasn't done it (or, interestingly enough, those who fail to continue to do it as well.) For them, I think it's a knee-jerk (heavy on the jerk) reaction to "there but for the Grace of God," however, this response is also rude and wrong-headed.

* A writer is someone who writes. For me the definition of a working writer is someone who writes, finishes what they write, and sends it out. You have the right to call yourself a writer at any point in your career, IMHO. You should also have the right to complain about your job at any point in your career, IMHO, even if you haven't gotten a paycheck yet.

I know that, for me, one of the pivotal points in my career was when I joined the National Writers Union. I was suddenly surrounded by (mostly journalists, but) people who not only made some kind of living writing, but who also demanded to be paid a decent wage for it. This was an eye-opener for me, because previously, like most Americans, I tended to think of writing as something people just did for the fun of it. I thought I was savvy enough to understand that you didn't get paid very well to write and so I should always think of writing as my bit on the side, as it were. But the National Writers Union taught me the value of my work. I should demand pay for what I do, because it *is* a skill, like any other. You wouldn't expect a plumber to work for free; you shouldn't expect a writer to either.

Which is why, actually, I sometimes have a hard time with what I'm doing right now: blogging. With all due respect to my friend Jo Walton and her like-minded colleagues, I'm NOT one of those pixel-stained radicals that believes information wants to be free. Yet, I understand that the market demands it. I believe, however, that giving content away undermines my value as a writer. I think one of the reasons people feel free to dis my friend and all other working writers like her is because everyone *is* a writer these days. You can read a thousand blogs (and stories and novels, for that matter,) for free, and be fairly entertained. People work a lot harder on their blogs than you might think -- the good ones, anyway. All that labor is unpaid. I think that's a crime, or at very least a bloody shame.

If attitudes about writers changed significantly, I might feel differently. For instance, if people start respecting working writers regardless of a paycheck, then paychecks wouldn't matter.

But they do. I'm afraid, my friend, that money still gets the last word, and that is: you're not a real writer until you get paid to do it (and even then, only the really BIG paychecks count.)

Tuesday, March 23, 2010

Art isn't a Luxury

A fellow writer and friend of mine asked this question:

When people who aren't writers suggest that if you hate certain parts of writing, maybe you shouldn't do it, do you want to wring their necks, or do you just think it's time to be less honest about your feelings?

Wring their bloody necks!

As I told her privately, I think there's a bunch of things wrong with the basic assumption of this question. At the heart of it is the issue that, in this country at least, art of any kind, including writing, is considered a luxury. So, if you're complaining about something as trivial as all that, then you're being foolish. You should love your "hobbies" or not do them at all.

Bull (on so many levels.)

Number 1: hobbies are very worthwhile. In fact, if people didn't do cool stuff in their spare time, we wouldn't have gardens, volunteer corps, and any number of amazingly awesome things. But that's a whole separate rant....

However, the place it overlaps is here, in number 2, which is that because art isn't valued in our society, the only time people have to express their art is during their spare time. I wrote the first four novels I published in science fiction while working a full-time job. Why? Because writing doesn't pay the bills, EVEN WHEN YOU GET PUBLISHED. And you know what? I wrote for years before I got published, which meant I did it in between work, house cleaning, and, well, life.

Unlike most other professions (but similar to most arts), there isn't really a structure to follow to "become" a writer. If you want to be a brain surgeon, you go to medical school and can get loans and tons of support from society while you're learning your skill. Writers? Not so much. There's only a lot of crap you get from your non-writing friends while you're learning the craft of writing, such as the rude questions my friend is fielding. I mean, WTF? Would you tell a medical student to quit belly aching over her/his residency requirements? No. Why? Because being a doctor is something Americans see as a valuable profession. Writing is just some quirky luxury. Everyone needs a doctor; no one needs a book, a short story, or, god forbid, a poem.

Except we do.

People have always needed stories.

Monday, March 22, 2010

An Old Joke, but a Good One

This morning, while taking Mason to school, I had to stop the car to let a wild turkey cross the road on Summit near Victoria. I excitedly pointed it out to Mason, who looked up from his Pokemon book and said, "Huh, the chicken must have had the day off!"

My son, the comedian.

Friday, March 19, 2010

What She Said

Justine Larbalestier has a great blog about taking advice from people like me: How to Get Published? Dont' Ask me! Okay, she doesn't mean *me* specifically, but other writers (professional or otherwise) in general.

Thursday, March 18, 2010

Support Groups for Writers

Every Wednesday, I get together with some women writer friends to, well, write. Although, to be honest, we tend to spend a lot of the time talking. Often we talk about our families or politics or funny YouTube videos, but sometimes we chat about the industry, writing process, and our own sense of what it means to "be" a writer.

Yesterday the theme was career arcs. Each of us is in a very different place. One of the women is "established." She wouldn't say so, but she's a NAME in science fiction/fantasy and has been writing and publishing since I was in diapers. There's me, a moderately successful mid-list author, and my other friend whose career is in a kind of crises. Like a lot of us, she started out strong with a number of well-received, NY published fantasy novels, and then the contract didn't get renewed, and it's been some time since she's had quantifiable success. She's written steadily despite the vote of no confidence, and is, quite understandably, reaching a breaking point.

I bring this up not to embarrass my friend, but because one of the things we all talked about is the importance of hearing other professionals tell their stories. I don't mean their fictional ones, but the ones about how they broke in, how they overcame career obstacles, and how they keep writing despite it all, you know?

There's a tendency when writers get together to have b*tch sessions about how the publishing industry screwed us, how stupid our editors are when they don't recognize our genius, etc. But I know that one of the most valuable things I did when I was desperate to break in, was find places where I could sit at the feet of professional writers and LISTEN.

In some ways, just knowing someone who has actually published professionally and seeing that they're a real, live person you can reach out and touch is HUGE. I know that when I was young, I thought that all writers lived places I'd never visit like in a Greenwich Village apartment in New York or in an artist's garret in Paris. One of the first time I met someone who wrote a book I'd read, it was at the Minnesota Renaissance Festival academy and I was wildly unimpressed (which, I actually think might have been a good thing, because, suddenly, I realized that real writers were real people and could be huge jerks and not just saints or otherwise untouchable heroes.) The second writer I met was the established writer mentioned above, when we both were members of the National Writers Union, and that meeting was similarly transformative but in a much more positive way. I had someone I could ask all those burning questions of (though I was scared to at first.)

Minnesota writers are lucky too, because we have so many local writers who attend the science fiction/fantasy conventions (which are also numerous) as well as strong romance and mystery writer organizations. There are readings all over for almost any flavor of writing -- including art/literary writing and poetry. There are so many resources in this town, it's easy for me to forget that a lot of other cities and towns don't have anywhere near what we have here.

But my point is (and I do have one), support during your career is critical. Having friends and colleagues to listen to (when you need to learn), complain with (when you need to vent), and strategize with (when your career hiccups -- and, believe me, it will) is incredibly valuable.

Make writer friends. Keep them. It's so important to survival.

I'm not sure, at the end of the day, we helped my friend. But we talked a lot of strategy and, probably more importantly, listened supportively. One thing I took away was that what we all could use in our profession is more stories about what to do when you hit speed bumps in your career.

Career stories always have something to teach us about the business. When you get a chance to -- listen. Hard.

Wednesday, March 17, 2010

Smart Things

I don't normally direct people way from my site, but I really liked this post (cribbed from Kelly's "Smart Things" post over at Wyrdsmiths) by Ruthanne Reid called "The Roaring Secret" about the secrets to breaking into publishing. Check it out.

Tuesday, March 16, 2010

Mythbusters, the Novel Edition

Jim C. Hines published the first part of his novel survey results over on LJ: http://jimhines.livejournal.com/496760.html. Check it out, it's fascinating stuff. I was surprised/not surprised how perfectly I fit the survey results. (I published exactly 1 short story before professionally selling my novel, submitted through an agent, etc.) Though it seems more people have sold fantasy, and more recently than me.... but all and all, very interesting.

Friday, March 12, 2010

A Cat and A Window

Over at Wyrdsmiths, Eleanor Arnason asked if there were things you, as a writer, feel comforted by or "need" to write. I thought about this question while I avoided writing (cleaned the dining room floor, changed the fish tank's water,) and I decided that what I need to write is a window.

As I noted in the comments, I've worked really hard over the last several years (particularly when I made the switch to becoming a full-time, stay-at-home writer,) to not NEED any talisman to write. I've trained myself to work at any time in any place. That being said, I think there are things that make me work better -- a rainy day, a cat on my lap, tea in my cup, and a window to glance out. The window, I find useful, in particular because when I'm composing I often look away from the screen to organize my thoughts. I think I think better when I get a look into the neighbor's kitchen or to rain drops spattering climbing rose stalks or something at least mildly pleasant (the snow melting, etc., although currently all the snow that's left are those horribly filthy black chunks.)

This is, of course, a luxury -- one provided for me by the fact that I can write at home, near a window. I wrote large chunks of several novels in a basement office cubicle, so, clearly, I don't NEED these things. But when I have them, they make the writing process more pleasant.

How about you?

Thursday, March 11, 2010

Why Do You Hate Verbs, Artist?*

Last night I couldn't find the paperback novel I've been reading, so I picked up a book that I'd taken out of the library. It's by someone I consider a colleague and happens to be on the Nebula ballot this year.

I started reading it. Then I threw it down in disgust.

The plot sounds awesome. The prose is beautiful. But there is a distinct lack of verbs.

Why? For the love of God, why, I ask you, do people feel that it's artistic or atmospheric to have sentences (no, technically FRAGMENTS) without verbs? I absolutely hate that stylistic choice.

Though I've had this argument before -- and probably technically lost it the moment books without verbs were published and went on to win Nebulas and such -- I still maintain that writing without verbs is lazy. Yeah, yeah, poetry is built on lovely fragments. But novels aren't meant to be poetry, they're meant to be stories. Stories have action, and action words are verbs.

I'm okay with the occasional fragment, honestly, I am. But six or seven fragments to a page, not so much. (Note clever use of fragment for emphasis here.)

Seriously, as someone who writes first person almost exclusively, I understand the need to establish "voice" and it is true that people think in fragments. However, writing is artificial. Being in your head is too confusing; that is why I read your book. Writing is the process of making story make sense and pulling order from chaos. Part of that deal is providing the structure of sentences, which have a subject and a verb (though one can be implied on occasion -- usually the subject, not the verb.)

What I think bothers me most of all is that somehow this kind of sloppy writing has become a shorthand for "artistic." You drop a few verbs and people are all, "Wow, you're deep and meaningful." Except I suppose, more correctly, they'd simply utter, "Deep. Meaningful." because then there would be no verbs.

Why do you hate the English language so, Artistic Writer? WHY?

AAAAAAARRRRGH!

--- x-posted from Wyrdsmiths

Wednesday, March 10, 2010

To Do List

I feel much better after my brief bout of food poisioning, thank you. And now that the smoke has cleared, as it were, and Mason's vacation is over, I should probably take a moment to figure out what's on my to-do list.

1. Go over CEM of ALMOST TO DIE FOR, which is due March 16 on my editor's desk.

2. Review and comment on Kelly's proposal (chapters and synopsis) for Wyrdsmiths on Thursday night.

3. Finally make .pdfs of all my recent novels, as requested by my agent, as well as make .pdfs of the promotional postcards and bookmarks for my up-coming releases so I can send them off to the printer.

4. Continue work on "darker" proposal for my editor, who passed on the lighter cow mutlilation mystery (baffling!) to send off to my agent next week.

5. Review and consider whether or not I really have a story in the short bit I started about the space prositute, currently called "Cold Chrome." (Not sure. As previously noted, I'm a horrible short story writer. They actually take a long time for me to write because I'm terrible at figuring out structure for shorter works.)

6. Get started on the sequel to ALMOST TO DIE FOR which is due in four months.

I think that's everything on my plate right now. Luckily, a lot of them aren't super critical. I mean, I can set aside the promotional stuff for a few weeks, but I really do need to get going on both the proposal and the sequel for my editor. Obviously, I'm going to start with the stuff due first -- the copy-edited mss. and the "homework" for Wyrdsmiths.

Boy, when I look at it like this, I have a lot on, don't I?

Tuesday, March 09, 2010

CEM ALMOST

Of course, today, when I'm sick as a dog, I get the note from my editor's assistant that they're sending along the copy edited manuscript of ALMOST TO DIE FOR, which needs to be back on their desk on March 16.

The problem (and plus) of having so many books coming out in one year is that there's a lot of stuff that needs to get done -- all of it, right now. I spent much of the day in bed, but then, after I saw the note, I had to pull myself out of bed and try to be upright for a while -- at least long enough to download the mss.

Blurg. Pity, party of one!

Friday, March 05, 2010

What I Should Be Doing...

What I should be doing is starting work on either a proposal (of a darker variety) for my editor or beginning the sequel to ALMOST TO DIE FOR. Instead, I've been goofing around on a short story.

Remember how I said that it's a bad idea to write to market? But that I also understand the impulse because I tend to get caught up in anthology descriptions? Well, I was looking for a home for a short story of mine that I wrote some years ago at Ralan.com, and as I often do, I started wandering through their anthology section. I came across a bunch that totally caught my eye and flared up my imagination. One is looking for stories about prostitutes, another wants stories about being the last [fill-in-the-blank] on earth, and yet a third is looking for space opera. So, I said to myself, hey! What about a story about the last gigolo in space??

So I started it, but I'm terrible at short stories.

I think all the things that make me pretty good at writing novels make me fairly awful at short stories. I tend to start with a simple idea and before I know it six or seven threads have spun out. A short story should really focus on one or two, I think, to be successful. (Although, honestly, what would I know?)

I'm about two thousand words into this short story ("Cold Chrome") and it's already spinning out of my control. But I'm going to keep writing on it until I stop having fun... or Monday comes, whichever happens first. (Monday is my deadline to get back on track with all my writing work, as Mason is finally back in school.)

Tonight, I'll be at MarsCON starting at 6:00pm. See all you local folks there!

Thursday, March 04, 2010

Getting Desperate

Yesterday, in the middle of the afternoon, I was hit by a craving. Was it for chocolate? No. Was it for Doritos? No. Was it for a trashy novel? No.

All I wanted to do was write.

But, alas, Mason is still off school for another couple of days. And, wouldn't you know it, my usually fairly self-sufficent child had one of those days when he really just wanted to hang with his ima. I held off until late night, and then... had no energy. I wrote a paragraph and then completely pooped out.

Luckily, I still kind of have the itch this morning, and Mason has decided to watch TV. So, without further ado, I'm off to scratch, as it were!

Wednesday, March 03, 2010

What I Did On Winter Vacation

This is Mason peeking out of the gigantic snow fort we built in our backyard over Mason's winter intersession break. (For those of you just tuning in, my son goes to a year round school, and doesn't have traditional summer vacation, but, instead, gets months off in different times of the year [inclucing summer, just not all three months.])

Tuesday, March 02, 2010

Garnet in Paperback?

I'm not sure how official this is, but I just heard from my editor that the Garnet Lacey books have been "bought" in-house by Berkley Sensation for release in a mass-market paperback edition. I guess the tentative date for the first book to hit the shelf is December of 2011.

I have no idea if they'll have new cover art or what, but I think this is pretty awesome news. I'm a big fan of the paperback size books, myself, so yay!

Also, I've run out of newbie questions to answer. Anyone out there have any questions you'll like me to answer? The more the better! Otherwise I'm going to have to make some questions up....

Thursday, February 25, 2010

A Book Recommendation

A friend of mine is getting a submission package ready for an agent, and it occurs to me that I should share the book recommendation I gave her to everyone:

YOUR NOVEL PROPOSAL: From Creation to Contract by Blythe Camenson and Marshall J. Cook.

Every time I sit down to write a proposal I review this book's chapter six: synopses (which, since much of the other information gets out-of-date quickly, is worth the price of the book). The book gives sample synopses, talks about what needs to be in a synopses, what it's used for, and how to format a synopsis. It's really awesome. It seems to be out of print, but I had no trouble getting a used copy a few years ago when I thought I lost my original.

I liked this book so much, I bought it twice! :-)

Tuesday, February 23, 2010

Web Site Updated

This hardly constitues breaking news, but I finally found time today to update my web page. There's now an excerpt of HONEYMOON OF THE DEAD available, as well as order information for ALMOST TO DIE FOR and the German edition of TALL, DARK & DEAD.

Monday, February 22, 2010

Newbie Question #22

22. I’m pretty nervous about writing my book and trying to get it published. I guess I don’t have much for self-confidence when it comes to this. Do you have any advice?

Unfortunately, Shelly, I think the one thing aspiring authors need is an abundance of self-confidence. Your belief in yourself and your writing is what is going to get you through those rough rejections that can feel so incredibly personal.

But even if self-confidence doesn’t come easily to you, I think there are things you can do as a writer to help bolster your belief in yourself and your abilities.

1. Always remember that writing is a learning process and, like any craft, it’s going to take time to master. Be in it for the long haul. People like to talk about talent, but I think the idea that some people are born writers (or painters or whatever) is a destructive, hurtful myth. You can learn to be a good writer, and, no matter how long you’ve been writing, you can always improve your craft. Even with nearly twelve published novels under my belt, I’m still learning – and, more importantly, I still stumble and fumble a scene or a character or a bit of plot. That’s why I still go to a bi-monthly writers’ critique group and listen to what my peers have to say when I hand out my chapters. (1 a.) Similarly, you should strive for it, but don’t sweat perfection. You can never write the perfect book for everyone. Someone somewhere is going to bounce off your work. Just write the best book or story you can at this moment, finish it, and send it off. Then go on to the next one with what you learned from the last. (1 b.) Hopefully, you love the learning process as much as I do, because this process should be fun. If possible, it should be one of the main parts of what feeds and drives you forward.

2. Dance on your rejections. Just yesterday I went to a party at a friend’s house where he was celebrating his first official rejection for his novel. As he put it in his invite, he’s now officially “in the game.” This is a healthy attitude, because as the old adage goes “persistence is more important than talent.” (I might not believe in the myth of talent, but I do believe persistence pays off.) I also believe in celebrating every moment of writing. I’d have a party for finishing, party for sending it out, a party for the first rejection, and, of course, a huge blow out if it ever sold.

3. Cultivate supporters. In order to have a party for every step of the way, you need to have people in your life who will show up to toot your horn (and listen to you whine.) Find other writers – on line or in person. Having fan friends or lovers is good for the ego to a certain extent, but only another writer will really understand all the ins and outs of “rejectomancy” (my friend Kelly McCullough’s word for the practice of trying to figure out how close you got to the editor’s desk by overanalyzing obscure clues – the yellow form letter? Blue?) If you’re a romance writer, join RWA. It’s an amazingly supportive organization. If you’re a mystery writer, join Sisters in Crime or Private Eye Writers of America or whatever local group you can find a chapter for. Science fiction writers have SFWA. If you can’t find a writers’ group, find a readers’ group at your local bookstore… or, if you live somewhere too small to support any of that, find a critique group on line. And remember that it goes both ways – you need to support your writer friends too!

4. Write for yourself. It’s tempting, particularly in romance (though I fell into this trap in science fiction too,) to try to “find the market and write to it.” I love to read descriptions of themed anthologies, but every time I sit down and try to write a story aimed at a specific market, I fail. I usually just can’t find that “spark” that keeps me going. Other people’s ideas aren’t mine. If I’m going to write, it needs to be important to me – my stuff, my ideas, my obsessions, my weirdness. If I’m writing about themes that matter to me, or about the things that make my juices flow – well, that first big hurtle of putting my butt in a chair becomes that much easier, you know?

I think if you can cultivate these four things, you’ll go a long way. If nothing else, you’ll be happy doing whatever it is your doing, no matter if you achieve traditional success or not.

Friday, February 19, 2010

Newbie Question #21

21. Do you have any favorite authors? Books?

Do I? OMG, do I.

Even though I'm a very slow reader (dyslexia), I read all the time. Some of the good ones that I finished lately are:

Cherie Priest, BONESHAKER

Neil Asher, GRIDLINKED

Daniel Key Moran, THE LONG RUN

But, beyond that, I'm reading a lot of my local authors too -- my fellow Wyrdsmiths who have books out are Naomi Kritzer, Kelly McCullough, Eleanor Arnason, and Doug Hulick (forthcoming). I could probably go on and on... and maybe over the weekend, I'll compose something a little less off the top of my head of people I'd recommend.

Wednesday, February 17, 2010

Newbie Question #20

20. What is the hardest part of writing for you? The easiest?

Sometimes the hardest part for me is the actual sitting down to write bit. But, after I've conquered the sheer discipline of making time and space in my life to write, I find plot the hardest.

This is one of those reasons why I tell my students to have some kind of plan before they write -- that's MY problem. If I don't have a plan/plot outline, I would very happily have my characters meander through a sort of endless soap opera. There would be a lot of drama, but no real movement forward, you know?

As I said at a talk I did at the public library on Sunday, I'm pretty good at dividing threads of plot, complicating things, making my character face hardships that require them to consider "what's at stake?" -- but I have a harder time pulling bits back together and tying up all the story lines. If I don't pre-think those aspects of plot, I can get really tangled up.

The easiest part is characters. I'm one of those people who have always shared a large percentage of my brain with imaginary friends. When it was socially acceptable to do so, I roped my friends into playing complicated games with superheroes (and their Barbies) and other kinds of pretend. When it became awkward to ask people to romp in the woods pretending to be knights and princesses, I started keeping those people in my head. There's only so much room in my brain, so they quickly dribbled out onto notebook paper. This is all that practice writing I talked about, but which I sometimes still do as I'm falling asleep at night.

Almost all of my characters have lived in my head for some time (some for years -- I had Sebastian since high school) before they appear on page. I think this is why I sometimes get the comment that my characters seem very three dimensional. They have an entire life already lived before they even become text in a book.